Pierre Huyghe at Centre Pompidou, via Sophie Kitching for Art Observed

Referred to as “a major figure in the French and international art scene”, Pierre Huyghe, a poet of space and sculptor of time was exposed at the Centre Georges Pompidou in Paris from September 25th 2013 to January 6th 2014. The exhibition was of retrospective nature, presenting 50 projects spanning over 20 years of Huyghe’s career.

Pierre Huyghe at Centre Pompidou, via Sophie Kitching for Art Observed (more…)

Forbes has published its annual “30 Under 30” list for the worlds of Art and Design, featuring a number of promising young talents.  Among the list are artists Lucien Smith and Oscar Murillo, curator Alex Gartenfeld, and furniture designers Simon and Niki Haas. (more…)

A Long Island art thief, who was captured in a sting operation filmed for reality show Brooklyn DA, says that the reality show has evidence that would clear his name.  After his arrest for stealing a number of works, including a Picasso etching, Vega’s car was searched, where he claims evidence exonerating him was located, but the footage of the search is being withheld by CBS.  “Up until his arrest, Vega didn’t believe that there was anything wrong or illegal with this arrangement,” his lawyer Timothy Parlatore said. (more…)

The Museum of Contemporary Art, following an embattled 2013 that saw the departure of Jeffrey Deitch and a potential purchase of the museum by LACMA, has reportedly reached its $100 Million Endowment fundraising goal.  “This means we can take off the table any questions about MOCA’s future,” said board chair Maria Bell. “The remaining questions are exciting ones concerning our upcoming exhibitions.” (more…)

Sotheby’s London has announced a non-selling exhibition of works from the collection of Alexey Ananiev, the Russian billionaire whose collection of Soviet Era Russian art will look to challenge the often kitschy perception of much work from the the second half of the twentieth century in the USSR.  “The best artists of communist times did work that was a continuation of the Russian realist art from the early 19th century,” Ananiev says. “With a historical pause of 15 or 20 years, we can now see and appreciate their art in full measure.”  (more…)

NPR speaks with Robert Indiana, discussing the artist’s legacy as the creator of the iconic LOVE logo and sculpture, and his perceived neglect in the contemporary arts discourse.  While LOVE remains immediately recognizable, Indiana’s broad body of work is often overlooked.  The artist goes on to talk about his personal ties to his work, and his take on contemporary America.  “The American Dream, that’s our folly,” he says. “That’s our folly. Look where we’re ending up.” (more…)

René Magritte (Belgium, 1898-1967). La clairvoyance (Clairvoyance). 1936. Oil on canvas. 21 1/4 x 25 9/16″ (54 x 65 cm). Mr. and Mrs. Wilbur Ross. © Charly Herscovici -– ADAGP – ARS, 2013

The work of René Magritte is nothing if not recognizable.  His subtle, often humorous subversions of painterly convention and semiotic understanding are foundational elements of the early 20th century avant-garde, from  to his classic piece of semantic self-destruction, The Treachery of Images to the dreamlike paintings of imagined worlds and pastiched approaches to conventional subjects.  It’s these iconic works that form the center of the artist’s exhibition at the Museum of Modern Art, examining his early works as the foundations of both his own career, and the vital lifeline of Surrealism in the twentieth century.

René Magritte (Belgium, 1898-1967). La durée poignardée (Time Transfixed). 1938. Oil on canvas. 57 7/8 x 39″ (147 x 99 cm). The Art Institute of Chicago, Chicago. Joseph Winterbotham Collection. © Charly Herscovici -– ADAGP – ARS, 2013 (more…)

A recent Forbes India interview with Christie’s Steven Murphy, following its successful first auction in Mumbai, has indicated the company’s approach to the growing international market.  “The fundamental fact is that the combination of the surge in interest in art, combined with the new connectivity available online, has opened the door to a vast population of new collectors globally. This surge in new buyers, which is continuing, far outstrips any modulation in sales that macro-economic trends would affect.” (more…)

The Tate Gallery is the subject of controversy, after including work by one of its trustees, the Turner Prize-winning artist Tomma Abts.  “This is all very wrong. There are tens of thousands of artists in this country who would give anything to have their work at the Tate. It seems blatant favouritism that works by their own trustees should be repeatedly selected,” said artist Charles Thompson.  “And it goes without saying that having a painting exhibited at a prestigious national gallery can only enhance the artist’s earning power.” (more…)

The New York Times has published an interview with Christie’s auctioneer Jussi Pylkkanen, discussing the continued growth of the contemporary market, the atmosphere of the auction, and some of the tricks in working a room.  “Someone might have collected 40 or 50 good paintings, and when the one work that he wants more than anything else comes up for auction, the auctioneer has to be very sensitive to that,” he says. (more…)

A selection of authentic works by Egon Schiele have been discovered  in Austria.  The portfolio of works were discovered in the attic of a recently deceased man’s home, when his son was cleaning.  “When I saw Schiele’s signature on one of the pics I thought it was probably a copy. I never dreamed it might be genuine,”  he told local news. (more…)

Filmmaker and Video Artist Steve McQueen is profiled in The Guardian this week, talking about his inspirations, his childhood dyslexia, and his personal reflections on the history of slavery.  “All I remember feeling was a real sense of shame and embarrassment about it,” he says. “We can deal with the second world war and the Holocaust and so forth and what not, but this side of history, maybe because it was so hideous, people just do not want to see. People do not want to engage.” (more…)

New research is indicating that most artists make their best, most valuable work at the age of 42.  Studying the work of 200 of the most prominent artists around the world, researchers found that the average age at which they produced their highest valued work at auction was usually made at two thirds into their life.  The number fits startlingly well with Fibonacci’s “golden ratio” of 0.6180, which has long been seen to guarantee proper proportions in the arts. (more…)

The Financial Times continues its ongoing “Breakfast with the FT” series with Nicholas Penny, director of the National Gallery, talking about the challenges of public interest, his opinions on contemporary art, and the role he sees the National Gallery taking in education and advocacy.  “I don’t believe art up to the present should be taught at university,” he says. “Because of consumer demand, the explosion of teaching of contemporary art now is colossal – and it is achieved at the expense of older art. We at the National Gallery should do more to become a magnet for scholarship.” (more…)

As the investigation surrounding the Knoedler Gallery continues, The Art Newspaper traces a number of fake works that are still out in the market.  Two fraudulent pieces are currently held in the storage of The Kemper Museum of Contemporary Art in Kansas City, Missouri, and others have continued to circulate through various resales.  “I unloaded my victimhood,” says Bernard Kruger, a doctor who purchased a fake Richard Diebenkorn from the gallery, and who later resold it. (more…)

Peter Doig, I Think it’s Time (1982-83), via Michael Werner

Currently on view at Michael Werner Gallery in New York is an exhibition of works by Scottish artist Peter Doig, meant to be indicative of his formative years, including several works that have never been on public display before.  Displaying the artist’s signature, boundary-breaking approach, the show is a fitting complement for anyone interested in the painter.

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Sculptor Antony Gormley was honored with knighthood this New Year’s Day.  “I’m really very humbled and delighted.  I think Britain has this extraordinary history of people who think through making things that live in our world and are to be shared.” (more…)

Elmgreen and Dragset, Tomorrow (Installation View) via Art Observed

Snaking through the hallways of the Victoria and Albert Museum’s London space is an immersive, illusory installation by Danish artists Elmgreen and Dragset, a multi-room piece realizing the home and studio of a fictional, disillusioned architect named Norman Swann.

Elmgreen and Dragset, Tomorrow (Installation View) Courtesy the Artists and Victoria Miro, London. © Elmgreen & Dragset. Photography: Anders Sune Berg (more…)

W Magazine profiles the sprawling rural estate of two anonymous New York City collectors in the Hudson Valley region, a site which formerly served as the working farm of the James Cagney estate.  Featuring works by Sol LeWitt, Monika Sosnowska, Franz West and Jeppe Hein, the site is a new adventure for the couple.  “We’d see people pack up their cars on a Friday night and laugh,” they say. “But we always considered ourselves sculpture collectors—and in a New York City apartment that’s a hard thing to do.” (more…)

A New York Times article analyzes the work of artist Pei-Shen Qian, the painter behind the multi-million dollar counterfeiting ring that included the Knoedler Gallery.  Mr. Pei-Shen is well-regarded as a painter in China, but moved to New York in the early 1980’s.  Analyzing the artist’s early work in comparison with his more recent fakes, the article goes on to examine the interplay of supply and demand in the contemporary market as a potential cause of the artist’s shift to fraudulent works. (more…)

A painting purchased by a British priest for €478 has turned out to be an authentic work by Anthony Van Dyck, worth €478,000.  The work, which was initially discovered on BBC’s Antiques Roadshow, was proven to be authentic after several months of research by Dr. Christopher Brown, a Van Dyck expert.  “It’s everyone’s dream to spot a hidden masterpiece, I’m thrilled that my hunch paid off, to discover a genuine Van Dyck is incredibly exciting,”  said Fiona Bruce, presenter of Antiques Roadshow. (more…)

An Alphabet City apartment building slated for demolition has become the site for a number of murals and installations.  The building will be torn down in late January, but the owner has, in the meantime, opened the space up for artists to create their own murals and sculptures inside the space.   (more…)

The first episode of Ambiance Man, a project by artist Alix Lambert for MocaTV, has gone up on the Museum’s YouTube page, starring Fred Armisen as the titular superhero, with Jack Black and Jibz Cameron taking on the role of his nemeses “Unidentified Odor” and “Buzz Kill.” (more…)

A questionably offensive sculpture at Queens’ Socrates Sculpture Park has merited a fence installed around the work.  The piece, Bear Eats Man by Thordis Adalsteinsdottir, depicts a wooden bear gripping a man from behind and biting into his neck, but a closer look reveals that the victim may in fact have an erection.  A wooden enclosure has been placed around the piece, with a warning notifying visitors about the subject material.  “We are presenting it and showing it,” John Hatfield, the park’s executive director, said. “It’s an interesting and engaging piece.” (more…)