Activist Hedge-Fund Investor Daniel Loeb’s Third Point LLC has acquired a 5.7% stake in Sotheby’s Auction House, a $156.7 million holding that hints to a potentially intervention on the part of Third Point.   “They [Sotheby’s] haven’t radically rejigged their business in the past 10 years,” says former Christie’s COO Michael Plummer, now a principal of Artvest. “It would appear that these hedge funds have an idea that Sotheby’s could be doing its business differently.”

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The Van Gogh Museum in Amsterdam has announced a new line of three-dimensional replicas of some of the artist’s most famous works.  Recreated down to the frame, the replicas are available for £22,000.  “This particular process has been developed with paintings in mind. The work of Van Gogh lends itself particularly well, since the pictures are so rich in surface structure. We have been working with them on the color quality and fine-tuning.”  Says Museum Director Axel Rüger. (more…)

The Nordic Choice hotel chain, in a statement against sex trafficking and exploitation, has begun replacing the pornographic channels on its PayTV system with contemporary art.  Led by owner Peter Stordalen, the hotel has included video works on each TV, including Sam Taylor-Wood’s Still Life from 2001.  “Art is important to me, but hotel art has always had a bad reputation – cheap paintings that match the sofas and so on,” said Stordalen. “I wanted to redefine hotel art to be something unique.” (more…)

The Metropolitan Museum of Art is preparing for its first retrospective in thirty years on the work of Balthasar Klossowski de Rola, better known as Balthus.  In anticipation, the Wall Street Journal has published a short series of stories about the artist, as related by his daughter, Harumi.  “He thought you should know what’s been done before, to have respect for all masters, to know how to make your own colors, and he frequently complained that nowadays people don’t really learn the tradition. He also complained that there was too much ego, that it was not about what you make with work but more about who you are.”  She said. (more…)

Still House Group, Bru(s) (Installation View), via Galerie Rodolphe Janssen

The Belgian Galerie Rodolphe Janssen is currently presenting a show focusing on the diverse output and extended vocabulary of The Still House Group collective of artists based in Red Hook, New York.   A small, yet varied show, the show allows common thematic elements to jut out from vastly different aesthetics and media, showcasing the group’s common practice and shared techniques of production.

Still House Group, Bru(s) (Installation View), via Galerie Rodolphe Janssen

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The increasing use of the word “curation” in the economic and creative sphere has lead writer and curator Daniel Blight to question the cultural implications of the word for the world of fine art.  As people often taking a more proactive stance in creating meaning and distributional flows online, curators are challenge to increase emphasis on transparency and accessibility in the art landscape, Blight says. (more…)

The New York Times has published a profile on Bivouac NY, a rooftop camping project created by artist Thomas Stevenson in East Williamsburg.  Welcoming visitors onto his roof for a night of food, drinks and views of the New York skyline from canvas tents, the experiment has created an aura of rustic withdrawal within city limits.  “When given the opportunity to pay attention to other people and commune with each other, folks just seem to do it,” Stevenson said. “That was a nice surprise.” (more…)

The Louvre’s iconic Greeks sculpture, Winged Victory of Samothrace, is set to begin a 9-month restoration process next month, the Wall Street Journal reports.Covered in years of dust and grime, the statue will be cleaned to return it to its original white color, and minor repairs will also be made to the statue itself.  “It’s not only a Hellenistic masterpiece, it is also a historic example of 19th century art”says Ludovic Laugier, who heads the project for the Louvre. (more…)

The Wall Street Journal recently sat down with sculptor Anthony Caro, who is currently in the middle of a series of shows in Europe, including exhibition at the Venice Biennale and a soon to open show at Gagosian Gallery.  Speaking with the newspaper, Mr. Caro discussed his prolific output, working approach, and his preference to work on sculptures at full-scale. “I’m never comfortable working on something that has to be imagined bigger or different,” he says. (more…)

A flash mob in Oslo, led by artist Marina Abramovic was shut down this week, following noise complaints.  The performance, done in tribute to painter Edvard Munch, involved a group of over 300 participants “releasing their emotions by screaming,” as Abramovic said.  The sound startled several local residents, who in turn called the police.  “We received four or five  reports,” said police spokesperson Ola Kroken. “But now it’s over.” (more…)

A noble attempt at transnational harmony between France and Germany at the Venice Biennale has hit a stumbling block, the Wall Street Journal reports.  Exchanging exhibition pavilions in honor of the 1963 Franco-German reconciliation treaty, the two parties have complained of issues with their respective spaces and environments.  The awkward nature of Germany’s Nazi-commissioned pavilion has made for some gaffes in presentation, while Germany has complained of insufficient storage for some of its works.  “I’m looking forward to the next edition of the Biennale,” said Giulia de Manincor, a staff member at the French pavilion. “Hopefully France will be France again, and Germany Germany.” (more…)

The Marina Abramovic Institute has reached its target goal of $600,000 on the Kickstarter online funding platform, with two days left before the campaign closes.  The funds will go to cover the design process for the museum, before it moves into its construction phase.  In total, the project is anticipated to cost a total of $20 million. (more…)

After several months of deliberation, Berlin officials have announced a new plan for a $174 million museum to house the city’s extensive 20th century art collection.  Located in Potsdamer Platz, the new museum will boast an area of about 9,900 square meters (106,563 square feet), and could open as soon as 2022 if work starts immediately.  It now falls to the German government to approve these plans.  “With a new building, the Nationalgalerie collection could at last be exhibited permanently on a big scale.” German Culture Minister Bernd Neumann said in a statement. (more…)

The New York Times reports on the impacts of a globalized art market, and the near constant travel to China, Southeast Asia, Europe and elsewhere to cater to any number of growing markets.  With the massive increase in art fairs from 4 major events during the 1970’s to today’s 180 fairs worldwide, gallerists are feeling the pressure to be everywhere at once, a feeling that many feel detracts from the act of buying or selling works of art.  “Fairs are beneath the dignity of art,” says Arne Glimcher of Pace. “To stand there in a booth and hawk your wares — it is just not how you sell art.” (more…)

David Hockney, The Jugglers, June 24th 2012 (detail), (2012), © David Hockney, Via Hockney Pictures and Pace Gallery

The Jugglers, June 24th 2012 (2012), the U.S. premiere of artist David Hockney’s first video installation, presents a panorama of bright color and whirling objects, tinged with mordant humor. In a darkened room on the second floor of the Whitney, the viewer will find a bare theater with a single long bench and eighteen screens arranged in a grid. The screens switch on to reveal a composition of red and blue horizontal blocks almost as flat as Hockney’s early acrylics. Also bearing similarities to his Polaroid collages, Hockney has chosen to create a fractured composition using video to achieve the same effect by combining feeds from eighteen different cameras mounted in his Yorkshire studio on a sunny day. The light is even and saturates the space, permitting no highlights or shadows, and without figures, the red and blue studio looks relatively seamless on the screen. (more…)

Artist and dealer Margaret Lee is interviewed this week in New York Times Magazine, discussing her busy schedule as an artist, owner of the 47 Canal gallery, and the solitary studio assistant for Cindy Sherman.  “It was good for me to see that you can be this amazing artist and not be an ego-driven, horrible monster,” she says. (more…)

This fall Ovation, the arts-themed cable network, will debut James Franco Presents, a series focused on the artistic works and interests of actor and artist James Franco.  The series will give viewers “an unprecedented look at the fascinating projects and real life adventures of James Franco.”  The network said in a statement.  “From his gallery exhibits to his students’ films, the innovative series will also provide an exclusive opportunity to hear Mr. Franco’s point of view on his most-personal passion projects, most of which have not been seen by the public.” (more…)

Harlem’s Studio Museum has announced its 2013-2014 artists in residence.  The museum selected sculptor Kevin Beasley, chalk artist and conceptualist Bethany Collins and installation artist Abigail Deville. Each artist will receive $20,000 as part of their fellowship, an additional $1,000 for art materials, and studio space on the museum’s third floor for a full 12 months, culminating in a group show at the end of their stay. (more…)

Roy Lichtenstein, Woman Drying Her Hair (1980), Courtesy Gagosian Paris

On view at Gagosian Paris is an exhibition exploring the work of Roy Lichtenstein, who remained the motifs and stylistic tropes of Expressionism motifs using his signature primary colors and flat geometry, a style he had slowly developed and refined during the 1960’s and early 1970’s.

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A work by artist Jan Schoonhoven, stolen from the Bommel van Dam Museum in Venlo several months ago, has turned up at Sotheby’s, stopping the sale after a Dutch fence confessed to police that he had tried to sell the work.  The 1969 work had already achieved a sale price of â‚¬214,000, sold under a different name and turned 90 degrees in the catalog.  The auction house acknowledged that it had already been investigating the work after buyers became suspicious. (more…)

Jeffrey Deitch will once again exhibit in New York, the New York Times reports.  The current curator of MOCA has announced a soon to open show at Leila Heller Gallery in Chelsea, focusing on the intersections of graffiti and calligraphies in contemporary art.  Opening September 5th, Calligraffiti: 1984-2013 will feature work from over 50 artists, including Basquiat, Haring, Shirin Neshat, an eL Seed.  ”Graffiti has become an important part of the imagery that has defined the Arab Spring.”  Deitch writes in the catalog.  “Today new communications platforms like Instagram and YouTube have given street art a new resonance.” (more…)

Damien Hirst’s Science Gallery and Studios has selected a design for construction, a 9,000 square meter space in Stroud, England that will make it the largest art production site in the world.  Designed by Bath-based firm Designscape, Science will feature numerous studios, spaces, and a formaldehyde room for Hirst’s famous preserved works.  The building is also distinguished by its shifting, colorful facade.  “The aim was to produce a wall that was intriguingly blue from one direction and green from the other,” says Designscape. “If you stand halfway down the elevation, you are not quite sure whether the building is blue or green.” (more…)

Hyperallergic has posted a thorough exploration of the debate surrounding the brutalist architecture and Picasso murals currently at risk of demolition at Oslo’s Regjeringskvartalet government center, badly damaged in a 2011 car-bomb attack.  Tracing the history of the design, the works, and the debate surrounding their preservation or destruction, the article places brutalism at the center of the debate, noting the continued destruction of many of its architectural masterworks based on their purported unattractiveness.  Joern Holme, the head of the Directorate for Cultural Heritage, echoes this statement, saying: “We can’t demolish the best of a cultural era just because we find it ugly today.” (more…)

The Michigan county of Oakland, one of three that approved property tax increases to help bankroll the Detroit Institute of the Arts operating budget last year, has unanimously approved a resolution stating that any attempt to sell works from the DIA Collection to benefit the city’s creditors would “terminate any obligation” of the county to continue support.  Oakland, along with Wayne and Macomb counties, is projected to contribute $250 million to the museum over 10years, and stated that it “continues to believe that the museum and its collections are important, irreplaceable and indivisible parts of the cultural fiber of the state and region.” (more…)