The heirs of painter Thomas Hart Benton are suing UMB Bank, run by the Kemper family, for alleged neglect of a collection of works.  “We take our role as a trustee for art and other assets seriously and will directly address and defend the misguided allegations made in the lawsuit,” UMB Bank said in a statement. “We look forward to this matter being resolved as quickly and fairly as possible.” (more…)

A piece in the New York Times notes that a massive transfer of wealth from the boomer generation to millenials and Gen X is coming, and asks what that might mean for the art market.  “With the global wealthy population at an all-time high, the next 10 years will see the biggest-ever wealth transfer in modern history,” says Maeen Shaban, the director of research and data analytics at Wealth-X. (more…)

Artists Gilbert & George are selling specially-designed plates to benefit outreach to the homeless, The Guardian reports. “We are avoiding being the frowning classes,” says George Passmore. “It’s extraordinary. People actually discriminate. We are the artists of the disenfranchised. We have an extraordinary following amongst them.” (more…)

Artists Space head Jay Sanders speaks to Art News as he prepares to open the institution’s new space downtown. “I feel like so much of the language around alternative spaces is now ubiquitous,” he says. “Everybody says the same thing, like ‘we’re artist-centric’ and blah blah blah—the whole language of sort of ’70s alternative spaces is now the de facto language for talking about contemporary art spaces at all scales. So I’m trying my hardest to think of new language. I do feel that it’s a real practitioner’s space, and that the audience really is artists, curators, students, intellectuals, academics.” (more…)

Olivier Widmaier Picasso, a television producer, author and grandson of Pablo Picasso, gives an interview to the NYT this week, showcasing his collection in his Miami Beach apartment.  “We make purchases based purely on emotion and don’t think about them as investments,” he says. (more…)

The National Gallery in London has succeeded in its £22m bid to buy Orazio Gentileschi’s The Finding of Moses.  “It is great news as we come up to Christmas that this picture will be ours from early next year,” says director Gabriele Finaldi. “We are absolutely thrilled.” (more…)

A piece in Art News this week looks at the continued attempts Art Basel has made to lure galleries to Hong Kong during the trying political climate in the city. “When one sees the images in the media,” says dealer Sean Kelly, “one feels very strongly that one wants to stand for those fighting for democracy and in some cases their lives. But the corollary to that is if one doesn’t attend the fair, one is letting down a much larger percentage of the population who voted resoundingly and definitely supported democracy but at the same time … are people who are trying to support their family. There are taxi drivers, the laundresses, the busboys, all of the people who work in the infrastructure that surrounds the fair who are in dire circumstances financially because of the ongoing issue in Hong Kong. … I think it is a very difficult, very complicated, and nuanced situation.” (more…)

Arts Council England is requiring organizations to provide data on the socio-economic background of their employees, as it takes steps towards remedying working class gaps in the workforce.  According to ACE head Simon Mellor, the data is “an important step in understanding the scale of the problem and helping us to consider what steps we can all take to challenge the barriers that people face in entering and progressing in our industry.” (more…)

The city of Paris will soon have a major arts hub located in the banlieue of Romainville, called Komunuma.  “Paris can grow, and indeed it must grow,” says director-general Joachim Pflieger. “This is quite a new model for France, because we see public and private activities working together.” (more…)

Ashley R. Harris will become the first executive director for Independent Art Fair New York, Artforum reports.  “With the appointment of Ashley Harris, we are entering a new phase of our business,” says founder Elizabeth Dee. “Over the course of the decade, our fair has developed in concert with the demand for new forum that prioritizes contemporary collecting, incorporating a true reflection of the arts ecosystem—and now our attention to this area is growing in truly exciting ways.”  (more…)

A piece in Art Newspaper profiles the current VR efforts at The Louvre and asks how the technology might change future exhibitions. “It’s a wonderful tool because it links accurate information on the works of art with imagination,” says Dominique de Font-Réaulx, head of the Louvre’s interpretation and cultural programming department. (more…)

Even as China cracks down on Islam inside its country, collector Budi Tek is steaming ahead on his plans for a partnership with Qatar Museums.  “We have a strong cultural authority here and they will review our programs,” he says. “We have a good relationship with them and we make sure the shows will be in the interest of the public rather than damaging public interest.” (more…)

The WSJ spotlights Carpenters Workshop Gallery, and its challenges to the boundaries between art and design.  “We’re nonconformists, because we’re not interested in design, as such—the functionality of the object is not relevant,” says founder Loïc Le Gaillard. “What we like is the way that there is strong narrative in the object.” (more…)

France has released a concrete timetable for returning works to Benin, Art News reports.“With President Talon, beyond the terms of these restitutions, we discussed the enrichment of cultural cooperation between our 2 countries,” says Franck Riester, the French cultural minister. “The course is clear and our mobilization total.” (more…)

Artist Alexandre Singh gives Art in America a tour of his studio and speaks on his vision for the arts. “I like art because it’s a field where you have the liberty to dabble like a dilettante in anything that you want,” he says. “I often say this rather fatuously, but if someone decided “I’m going to make a restaurant on the moon as an artwork,” that’s an artwork. The logistics are another thing.” (more…)

Maria Balshaw, Director of Tate, and the artist Steve McQueen have warned against the increasing privatization of arts education in the UK.  “We need a level cultural playing field for all children because we want and need visually literate adults,” Balshaw says. “There should be fair access to arts in line with the offer to pupils in Scotland and Wales where the arts are already a core commitment.” (more…)

Brice Marden, Elevation (2018-2019), via Gagosian

On view at Gagosian’s uptown exhibition space, artist Brice Marden has compiled a selection of pieces that continue his investigations of the languages of modernity, and the histories of abstraction that have informed his work over the past few decades. Marking in particular a continuation of his “Letter” series, the works on view incorporate networks of calligraphic lines and strokes, woven through fields of color and tone. (more…)

Peter Halley, Helicon (2019), via Greene Naftali

Working across a range of media over the course of his career, including painting, architectural installation, digital prints, and critical writing, artist Peter Halley has strived to illuminate the structures of social space and communication that shape our experience of contemporary life. Opening his second solo exhibition with Greene Naftali this fall, Halley is presenting Heterotopia II, an ambitious large-scale installation that explores relationships between painting and architectural space. (more…)

The curators for the 2020 edition of MoMA PS1’s Greater New York have been announced, with Serubiri Moses, Kate Fowle, Inés Katzenstein and Ruba Katrib heading up the show.  “We’re going to have to move fast, in terms of the studio visits that we do,” says Fowle. “But you don’t want to move like a pack.” (more…)

Artists weigh in on the recent UK elections in Art Newspaper this week, as they reflect on the Conservative Party victory. “It seems that individualism, greed and consumerism are at the centre of the environmental problems and the voting population of the UK aren’t ready to acknowledge this yet,” says Gavin Turk. “The youth coming through seem to offer a way forward and they should be supported.” (more…)

A piece in The Atlantic this week highlights debates over the collection of the Royal Museum for Central Africa in Belgium, and how ongoing debates over decolonization has put the museum collection under a critical lens. “The collections of the Royal Museum for Central Africa have been composed by Europeans; it remains a challenge, therefore, to tell the colonial history from an African perspective,” reads one recently rewritten plaque at the museum. (more…)

Collector Jean Faurschou has opened the latest location for his private art collection in Greenpoint, NYT reports.  “We’re making shows because that’s actually what we love to do,” he says. “It’s become a passion to make exhibitions.” (more…)

Janette Laverrière and Nairy Baghramian, Seating Platform Eyebrow (2009), via Marian Goodman

In some ways a celebration of the life and work of Janette Laverrière, Marian Goodman is currently hosting an exhibition of works at its New York gallery space that combines the designer’s ideas with that of Nairy Baghramian’s, centering the show on a collaborative project that the two worked on before Laverrièr’s death in 2011. Presenting sketches, drawings and maquettes of Baghramian’s works from 1999 to the present that were never intended to be realized, the show is an intriguing portrait of collaboration and friendship. (more…)

Avery Singer is now represented by Hauser & Wirth, the gallery announced today. (more…)