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Brice Marden Joins Gagosian Gallery

Friday, January 13th, 2017

New York – Brice Marden: “New Paintings and Drawings” at Matthew Marks Through December 24th, 2015

Thursday, December 24th, 2015

AO Onsite – New York: Brice Marden: New Paintings at Matthew Marks Gallery through June 23, 2012

Wednesday, June 20th, 2012

Go See – New York: Brice Marden “Letters” at Matthew Marks Gallery through December 23, 2010

Monday, November 29th, 2010

Brice Marden

Thursday, January 3rd, 2008

New York – “The Horizontal” at Cheim & Read Through August 31st, 2017

Wednesday, July 19th, 2017

London — Pat Steir at Dominique Lévy Through January 28th, 2017

Sunday, January 1st, 2017

AO Auction Recap – Phillips 20th Century Sale, May 8th, 2016

Sunday, May 8th, 2016

AO Auction Preview – New York: Spring Auction Week, May 8th – 12th, 2016

Friday, May 6th, 2016

New York — “In The Making” at Luxembourg & Dayan Through April 16th, 2016

Tuesday, April 5th, 2016

New York – “Carl Andre in His Time” at Mnuchin Gallery Through December 5th, 2015

Wednesday, September 16th, 2015

AO Auction Recap – New York: Phillips Contemporary Evening Sale, May 14th, 2015

Thursday, May 14th, 2015

AO Auction Recap – New York: Christie’s Contemporary and Post-War Auction, May 13th, 2015

Wednesday, May 13th, 2015

AO Auction Preview – New York: Impressionist/Modern and Post-War/Contemporary Auctions, May 5th-14th, 2015

Tuesday, May 5th, 2015

Phillips Lands Major Private Collection for Sale in May

Sunday, March 22nd, 2015

Chelsea Gallery Defies The Traditional White Gallery Space

Wednesday, June 11th, 2014

New York – G.T. Pellizzi: “Financial Times” at Mary Boone Gallery, Through March 1st, 2014

Friday, February 28th, 2014

Sachs Family Donates Major Gift to Philadelphia Museum of Art

Friday, January 10th, 2014

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

AO – Auction Results: Sotheby’s Contemporary Art Evening Sale, Record Sale for A Warhol, Thursday, November 13, 2013

Thursday, November 14th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – New York: Artists for Obama event, Gemini G.E.L at Joni Moisant Weyl, Monday, September 24, 2012

Thursday, September 27th, 2012

AO Newslink

Wednesday, May 23rd, 2012

AO Newslink

Monday, May 7th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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