Lehmann Maupin New York has filed a $10 million Wrongful Eviction lawsuit against its Chelsea landlord, 293 Tenth Ave. Corp., run by Michael Silvermintz.  The suit claims that Silvermintz’s firm sent an eviction notice late last year, but failed to produce the demolition permit required by the lease.  Since then, the gallery claims that the landlord has “engaged in a systematic pattern of conduct that unreasonably interferes with and obstructs plaintiff’s use and occupancy of the subject premises.”  (more…)

James Bishop, Slate (1972), All images courtesy David Zwirner Gallery

Now through October 25^th, David Zwirner’s 537 West 20^th Street location is showing a selection of both recent and historically significant work by James Bishop, an American artist who, through the characteristic opacity and ethereality of his work, has come to be known for the delicate language of abstraction his compositions reveal.  Bishop, working since the early 1960s, has forged a strongly individualistic language of space and form in his work, utilizing careful layerings of paint into geometric patterns in large-scale, shown here alongside small-scale works on paper, which Bishop has produced since 1986.

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Nathaniel Mary Quinn, Slim (2014), all images courtesy Pace London

Chicago-born, Brooklyn-based artist Nathaniel Mary Quinn presents his first major solo exhibition this month, on view at Pace Gallery’s London location. The artist’s works, large-scale abstract figurative works, are piecemeal constructions, representative of Quinn’s own identity and influenced by an enormously challenging upbringing.

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Frieze has announced the list of 20 artists who will be included in this year’s outdoor sculpture park, accompanying the fair proceedings in London’s Regent’s Park, among them Yayoi Kusama, Ursula von Rydingsvard, Martin Creed, and Thomas Schütte.  “Unique in the world’s art fairs, this year’s Frieze Sculpture Park is an intriguing and delightful breath of fresh air featuring artists from across three generations,” Curator Clare Lilley said in a statement.  (more…)

MoMA has announced details of There Will Never Be Silence, an album paying tribute to John Cage’s monumental work 4’33”, and examining the intersections of silence, sound, and the principles of modern recording.  The record, which will be available at MoMA PS1’s ArtBook Fair later this month, includes pieces by Gang Gang Dance, Kevin Beasley and Yasunao Tone.   (more…)

An anti-drug trade law blocking anonymous cash purchases and requiring more federal oversight on high-worth transactions in Mexico has had a stifling effect on the country’s art galleries, preventing the anonymous purchases that are often the norm at the high end of the market.   “This has obviously affected the sales. Because there are people who are afraid, and they say, ‘I’m going to wait,’ or, ‘I don’t want to buy,’ ” says auction house director, Luis C. Lopez Morton. “They feel uncomfortable. They feel that the government is watching them.” (more…)

Richard Prince’s recently executed series of prints, created using the actual photos of celebrities’ Instagram accounts, have been selling strongly in a private sale through Gagosian, the New York Post reports.  An unconfirmed report has priced the works at up to $100,000.   (more…)

The nation of Luxembourg has opened a new freeport within its borders, where valuables like fine art can be traded and stored without paying any taxes or customs.  “There are a lot more transactions in the art market and it has become far more global, with increasing numbers of collectors in Russia, the Middle East and China,” says Arts Economics researcher Clare McAndrew. (more…)

Dan Colen, The Pastoral Symphony (2012), all images © Dan Colen, Courtesy Gagosian Gallery, Photography by Christopher Burke

On view currently at Gagosian New York is an exhibition of new paintings by American artist Dan Colen, which aims to question the nature of painterly practice, particularly focusing on the intersections of materials, chance and the interactions of these elements with the actual intent of the artist.  The Miracle paintings are based on Disney stills, particularly from Fantasia, famous for its pairing of musical compositions with animated sequences.  In similar form, the pieces on view walk a fine line between abstraction and representation, drawing on the audience’s collective memory of the film.

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There’s any number of ways to approach Roman Opalka, whose work sits at the center of Dominique Lévy’s first show of the fall season (and the self-professed “most important show the gallery may ever host” according to Lévy herself).  One is through the visual content of his work, which is perhaps the most recognizable point of access.  Taking minimalist conceptual action to one of its natural conclusions, Opalka abandoned a gesturally abstract career in 1965, pursuing a new project: the painting, number by number, of the artist’s endless count to infinity.

Roman Opalka, Détail – Photo 5055607 (1965/1), via Dominique Lévy (more…)

The Tate Modern has announced the attendance figures from the just-closed Matisse Cut-Outs show, which tallied over 500 million visitors during its run, making it the most highly attended exhibition in museum history.  “The fact that the works have not been brought together for 40 years captured people’s imaginations,” said Director Nicholas Serota. (more…)

Continuing its ongoing series of artist collaborations, New York streetwear brand Supreme has announced a capsule collection incorporating the work of Raymond Pettibon.  The Californian artist will lend his work to a pair of skateboard decks, a hooded work jacket, a hooded sweatshirt, and two tee-shirts.   (more…)

John Baldessari, Your Name in Lights (2014), via Andrea Nguyen for Art Observed

Artist John Baldessari has brought his popular Your Name in Lights piece to Paris, allowing 100,000 people to submit their name in hopes of seeing it emblazoned on the façade of the Monnaie de Paris, shining out on the Seine between the Pont Neuf and Pont des Arts. (more…)

Wolfgang Tillmans’s Berlin gallery Between Bridges has embarked on a new project, creating an accommodating space for the appreciation of classic pop and dance albums.  “The Playback Room” as it is called, is currently featuring Colourbox, the 1980’s dance act behind “Pump Up the Volume.”  “Some records are just perfect artworks, but you just cannot go anywhere to listen to the way the musicians heard it at the mastering stage,” said Tillmans. “While you can play them on your stereo or iPhone there is never a space dedicated to them and you can never listen in studio quality.” (more…)

The Texas Department of Transportation has reached a decision to classify the Prada Marfa installation by Elmgreen and Dragset as a museum, thus saving it from a possible removal.  “TxDOT appreciates and values the cultural significance of Prada Marfa, and we are happy to have found a win-win solution that keeps it in its current location,” said department deputy executive John Barton. (more…)

Richard Deacon, Alphabet S (2014), via Thaddaeus Ropac

Galerie Thaddaeus Ropac is currently presenting Alphabet, Sculptures and Dessins, an exhibition of artist Richard Deacon’s new body of work, combining sculpture with a series of works on paper.  As an artist who defines himself as a fabricator rather than a sculptor, Deacon has always had an appetite for pushing the limits of production, constantly moving to new territories in material use throughout his career.  Here, Deacon seems interested in extending beyond the physical, sculptural object itself, experimenting with exterior forms and approaches. (more…)

The Guardian notes the ongoing backlash in Helsinki against the Guggenheim’s proposed expansion, as many doubt the actual benefits a Guggenheim branch may offer the Finnish capital.   “I’m not paying my taxes to be handed over to an American corporation to do with what they want,” says one interviewee. “If we’re spending that kind of money, it should be on our own national museum, not another outpost of a global company.” (more…)

A recent article in Forbes analyzes current taxing strategies in the UK and Mexico, which allow fine artists to pay part or all of their taxes with their work.  Called “Acceptance-in-Lieu,” the program offers a tax alternative that allows governments to grow their national collection while collecting a higher percentage of owed tax.  “You have to admire the simplicity of it,” says contributor Robert Wood.  “Say an artist sells one to five pieces of art in one year. He then donates a work of equal value to the state. The more you sell, the more you hand over for taxes.” (more…)

The Rauschenberg Foundation has announced a series of grants for artists-activists, interested in making work that engages social practice and change.  Grants range from smaller travel grants (anticipated to be from $2,500 to $10,000) up to $100,000.  The foundation is planning on announcing its next grant proposal series in November, focusing on climate change. (more…)

Art Basel has announced a new crowdfunding initiative, created in collaboration with Kickstarter, which will provide a platform for fundraising on art projects around the globe.  The first round of grant proposals include collections to build new studio space at London’s Gasworks, a major restoration project by SculptureCenter, and more. (more…)

Phillips  has announced plans to open its first location in Hong Kong, an expansion that sees the company living up to claims that it wants to be more aggressive in the current market.  “We are going to do our best to align Phillips with these new contemporary art movements worldwide,” says recently appointed CEO Edward Dolman.  (more…)

Olafur Eliasson, Riverbed (2014), via Louisiana Museum of Modern Art

Long interested in the possibilities and intersections of natural space with the contexts of the gallery environment, Danish-Icelandic artist Olafur Eliasson has brought the landscape of the Icelandic wilderness to the interiors of the Louisiana Museum of Modern Art, in the Northern Danish town of Humlbæk.

Olafur Eliasson, Riverbed (2014), via Louisiana Museum of Modern Art (more…)

Brooklyn Museum Director Arnold Lehman has announced that he will step down from his position at the museum next year, closing out 17 years at the helm of the borough’s chief art museum.  “This has been something I have been thinking about for a while,” Mr. Lehman told the New York Times. “I turned three score and 10 this summer. It’s time.” (more…)

Just as Sotheby’s is preparing its first pop-up sale in Silicon Valley, rival Christie’s has also entered the fray, announcing a similar event in California focused on works by Roy Lichtenstein, Jasper Johns, and more, alongside works by young artists including Korakrit Arunanondchai. “While it is well known that the Bay Area is home to some of the most impressive collections in private hands, it has recently become evident that it is also one of the most robust emerging markets for art collecting with a growing group of young and new collectors,” says Christie’s Post-War specialist Charlie Adamski. (more…)