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The New York Times has a piece this week culling together a list of the “25 Most Influential Works of American Protest Art Since WWII,” and exploring how various works, from signs, to installations, to active participations in physical space, have affected and changed discourses on art and politics. (more…)

Lévy Gorvy has opened a new location at a former Pret a Manger in London. “When times are difficult, people get creative,” says Victoria Gelfand-Magalhaes, Lévy Gorvy’s president in Europe. (more…)

Andreas Gursky, Rhein III (2018), via Sprüth Magers

Opening a show of new works in Berlin, artist Andreas Gursky arrives yet again at a prime moment of reflection and consideration for the inhabitants of modernity, offering up a selection of photographs that welcome a renewed perspective on the state of the world, and the forces that shape it.  Featuring the artist’s first new body of work in almost three years, Gursky’s exhibition in the Berlin outpost of Sprüth Magers addresses a range of themes that the artist has investigated for decades, and often  revisits settings such as the Rhine river and Hong Kong’s futuristic cityscapes to explore new contexts and sets of information layered over by the current state of the world.  Gursky looks anew at our built environment and humankind’s impact on the natural world.

Andreas Gursky, Bauhaus (2020), via Sprüth Magers

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Brazilian mining magnate and art collector Bernardo Paz, has been prevented from selling works from his collection at Inhotim Institute in Minas Gerais, Belo Horizonte to subsidize the more than $110m that his former iron ore mining company, Itaminas, owes to the state of Minas Gerais. The Brazilian court ruled the decision to sell the works did not prioritize the public interest. (more…)

The Ford Foundation and Andrew W. Mellon Foundation have joined forces on a grant fund for disabled artists and activists, the Disability Future Fellows. “Institutional structures have not served disabled artists in the past,” said Emil Kang, Program Director for Arts and Culture at the Andrew W. Mellon Foundation. “Disability Futures is the result of listening, collaboration, and humble engagement and we at Mellon are pleased to recognize and support these outstanding artists.” (more…)

A Detroit Institute of Arts investigation into a whistle-blower complaint has concluded on the ruling that the museum did not breach conflict of interest loans after borrowing a $5 million El Greco painting owned by the director’s father-in-law. “There was no finding of any intention to mislead or hide information, nor was there any finding of any conflict of interest, violation of DIA policy or violation of applicable law,” says reviewing law firm Crowell & Moring. (more…)

The Nordic Pavilion at the Venice Biennale will renamed will be renamed to the Sámi Pavilion for the exhibition’s 2022 edition, acknowledging the Sámi artists, Pauliina Feodoroff, Máret Ánne Sara, and Anders Sunna, showing there.  “The global pandemic, the impact of climate change, and worldwide calls for decolonization are leading us all to focus on alternative possibilities for our future and that of our planet,” says Katya García-Antón, the director of the Office for Contemporary Art Norway and the lead commissioner of the pavilion. “At this pivotal moment, it is vital to consider Indigenous ways of relating to the environment and to each other.” (more…)

Harold Ancart, Untitled (2020), via David Zwirner

Making an intriguing continuation of his investigation of natural processes and large-scale environmental phenomena, artist Harold Ancart has a new show on at David Zwirner this month.  Delving into leafy canopies and expansive, haunting desert expanses, the show gives the impression of an extended meditation on place and space, and makes for a strong follow up to the artist’s first show with the gallery in New York.   (more…)

The curators at the Baltimore Museum of Art have responded to criticism over the deaccessioning of works by Clyfford Still, Brice Marden and Andy Warhol from its collection in Art Newspaper this week. “These curatorial decisions reflect the same values we seek institutionally: equity and diversity make history fairer, more accurate and more meaningful in the present,” they write. (more…)

Simone Leigh will become the first black woman to exhibit as the U.S. choice for its Venice Biennale pavilion in 2022, the NYT reports. “I feel like I’m a part of a larger group of artists and thinkers who have reached critical mass,” Ms Leigh, 52, said. “And despite the really horrific climate that we’ve reached, it still doesn’t distract me from the fact of how amazing it is to be a Black artist right now.” (more…)

Over 1,300 arts orgs in the U.K. will receive a share of £257m government funding to help them survive the next six months.  The funding was announced this week in an effort to maintain British arts venues and institutions during the challenging late months of COVID-19. (more…)

The US Supreme Court has declined an appeal by developer Jerry Wolkoff’s G&M Realty to reverse a decision awarding $6.75m to 21 street artists whose works were destroyed when Wolkoff whitewashed the exterior of his 5Pointz warehouse.“The significance of this decision is that federal law now protects not only artwork exhibited in MoMA or the Louvre but also public murals, created with permission,” says Eric Baum, a lawyer for the artists. (more…)

A piece in Art Newspaper this week asks why certain works of art are stolen multiple times, and looks at the reasons thieves continue to steal works with a questionable resale value. “One thing I’m seeing more of is the use of such stolen works as a bargaining chip for [reducing] sentences,” says Robert Read, the head of art and private clients at Hiscox. “This trend was noted about a decade ago, but as sentencing gets more creative in the courtroom, it would appear that criminals are viewing it as more of an opportunity—in this case the more publicity and better known a work, the better.” (more…)

Vinci Chang, head of Sotheby’s Asia modern art department, is leaving the company.  Chang was on the ground floor through the department’s impressive last few years of growth, and hands the reins off to Felix Kwok, Head of Modern Asia Art Sales at Sotheby’s Hong Kong. (more…)

Deutsche Bank is planing to sell off around 200 works from its art holdings, Bloomberg reports.  The sold works focus in particular on pieces and objects outside the collection’s main focus, including paintings, sculptures, drawings and prints. (more…)

The UK’s National Trust will cut 1,296 jobs in an attempt to save £100 million in the face of the ongoing challenges of the coronavirus pandemic.  “In July, we announced that job losses and budget cuts were inevitable after almost every aspect of the charity’s income was hit by the coronavirus crisis,” a trust statement reads. “We proposed making almost 1,200 compulsory redundancies, saving £60m of our annual staff budget. But following a wide-ranging consultation with affected staff, the number of compulsory job losses has reduced by half.” (more…)

Billionaire Tom Gores, owner of U.S. prison phone company Securus Technologies, has left his position as trustee at LACMA. “Paraphrasing a salient question at last week’s board meeting: ‘Okay Tom, we appreciate your efforts to “take the hill” and reform Securus. But why does LACMA have to take the hill with you?’ The simple answer is: You don’t,” he said in a letter to the museum. “Effective immediately, I resign my position on the board and forego all ties to the institution.” (more…)

The Museum of Chinese in America, previously the victim of a savage fire in its Chinatown exhibition space, has recevied a $3 million grant from the Ford Foundation, which is more than the entire year’s budget for the museum. “This is an absolute game changer for us,” says museum president Nancy Yao Maasbach. (more…)

Nancy Spector has left the Guggenheim, following an investigation into allegations of mistreatment and racism from curator Chaédria LaBouvier, who organized a Basquiat exhibition at the museum as their first solo black curator.   “The museum cannot be taken seriously as a good faith actor in its commitment to affirming diversity,” the letter said, “without grappling honestly and humbly with its failure in regards to the treatment of Chaédria LaBouvier.” (more…)

Artist Frank Bowling has been knighted by the Queen of England, part of her annual birthday honor’s list. “Trained in the English art school tradition, my identity as a British artist has always been crucial to me and I have viewed London as my home since arriving in 1953 from what was then British Guiana,” Bowling says. “To be recognized for my contribution to British painting and art history with a knighthood makes me extremely proud.” (more…)

Gagosian has launched a new project, Gagosian Premieres, which aims to capitalize on the recent popularity of auctions and streaming media during the challenging era of COVID-19. (more…)

Do Ho Suh at Lehmann Maupin

With the weather turning increasingly chilly, and the fall months coming on in full stride, the art world would normally turn its attention this week to London, where the tents would be up and the halls would be ready for another edition of Frieze Art Fair in the British Capital.  Yet the fair’s annual run is just one more event moved online this fall, as Europe and the United States continue to contend with the heightened stress and security concerns of the COVID-19 pandemic.  This week, the British staple of the annual art calendar has popped up online, open for the next week with a broad set of works on view, and a range of galleries logging in from around the globe.

Gretchen Bender at Metro Pictures

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François Pinault has set the opening date for his Bourse de Commerce museum for January 23, 2021. “Not only will it add to the European landscape of institutions devoted to presenting contemporary art, but after the difficult year experienced by France and the world in 2020, it will contribute to the renaissance of the Parisian cultural sphere,” he says. (more…)