The Financial Times analyzes the current protest fervor over the presence of sponsorship and advertising dollars currently at play in the contemporary art world, noting major disputes at the São Paolo and Gwangju Biennials, as well as the ongoing protests over BP’s sponsorship of the Tate.  “Creativity has become . . .instrumentalized both by capitalism and the nation state,” says São Paulo curator Charles Esche. (more…)

The Wall Street Journal interviews Jessica Morgan this week, the newly appointed director of New York’s Dia Foundation.  Morgan, who takes over for Philippe Vergne, recounts her earliest memories of art in her home, and some of her first ambitious projects, including a 2003 show at the Tate Modern.  “It was a bit of a grand failure, but we tried valiantly to make an exhibition that responded to the particular circumstances of Tate Modern and the notion of the museum as a public space.” (more…)

James Bishop, Slate (1972), All images courtesy David Zwirner Gallery

Now through October 25^th, David Zwirner’s 537 West 20^th Street location is showing a selection of both recent and historically significant work by James Bishop, an American artist who, through the characteristic opacity and ethereality of his work, has come to be known for the delicate language of abstraction his compositions reveal.  Bishop, working since the early 1960s, has forged a strongly individualistic language of space and form in his work, utilizing careful layerings of paint into geometric patterns in large-scale, shown here alongside small-scale works on paper, which Bishop has produced since 1986.

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Frieze has announced the list of 20 artists who will be included in this year’s outdoor sculpture park, accompanying the fair proceedings in London’s Regent’s Park, among them Yayoi Kusama, Ursula von Rydingsvard, Martin Creed, and Thomas Schütte.  “Unique in the world’s art fairs, this year’s Frieze Sculpture Park is an intriguing and delightful breath of fresh air featuring artists from across three generations,” Curator Clare Lilley said in a statement.  (more…)

MoMA has announced details of There Will Never Be Silence, an album paying tribute to John Cage’s monumental work 4’33”, and examining the intersections of silence, sound, and the principles of modern recording.  The record, which will be available at MoMA PS1’s ArtBook Fair later this month, includes pieces by Gang Gang Dance, Kevin Beasley and Yasunao Tone.   (more…)

An anti-drug trade law blocking anonymous cash purchases and requiring more federal oversight on high-worth transactions in Mexico has had a stifling effect on the country’s art galleries, preventing the anonymous purchases that are often the norm at the high end of the market.   “This has obviously affected the sales. Because there are people who are afraid, and they say, ‘I’m going to wait,’ or, ‘I don’t want to buy,’ ” says auction house director, Luis C. Lopez Morton. “They feel uncomfortable. They feel that the government is watching them.” (more…)

The nation of Luxembourg has opened a new freeport within its borders, where valuables like fine art can be traded and stored without paying any taxes or customs.  “There are a lot more transactions in the art market and it has become far more global, with increasing numbers of collectors in Russia, the Middle East and China,” says Arts Economics researcher Clare McAndrew. (more…)

There’s any number of ways to approach Roman Opalka, whose work sits at the center of Dominique Lévy’s first show of the fall season (and the self-professed “most important show the gallery may ever host” according to Lévy herself).  One is through the visual content of his work, which is perhaps the most recognizable point of access.  Taking minimalist conceptual action to one of its natural conclusions, Opalka abandoned a gesturally abstract career in 1965, pursuing a new project: the painting, number by number, of the artist’s endless count to infinity.

Roman Opalka, Détail – Photo 5055607 (1965/1), via Dominique Lévy (more…)

The Tate Modern has announced the attendance figures from the just-closed Matisse Cut-Outs show, which tallied over 500 million visitors during its run, making it the most highly attended exhibition in museum history.  “The fact that the works have not been brought together for 40 years captured people’s imaginations,” said Director Nicholas Serota. (more…)

Continuing its ongoing series of artist collaborations, New York streetwear brand Supreme has announced a capsule collection incorporating the work of Raymond Pettibon.  The Californian artist will lend his work to a pair of skateboard decks, a hooded work jacket, a hooded sweatshirt, and two tee-shirts.   (more…)

John Baldessari, Your Name in Lights (2014), via Andrea Nguyen for Art Observed

Artist John Baldessari has brought his popular Your Name in Lights piece to Paris, allowing 100,000 people to submit their name in hopes of seeing it emblazoned on the façade of the Monnaie de Paris, shining out on the Seine between the Pont Neuf and Pont des Arts. (more…)

The Texas Department of Transportation has reached a decision to classify the Prada Marfa installation by Elmgreen and Dragset as a museum, thus saving it from a possible removal.  “TxDOT appreciates and values the cultural significance of Prada Marfa, and we are happy to have found a win-win solution that keeps it in its current location,” said department deputy executive John Barton. (more…)

The Guardian notes the ongoing backlash in Helsinki against the Guggenheim’s proposed expansion, as many doubt the actual benefits a Guggenheim branch may offer the Finnish capital.   “I’m not paying my taxes to be handed over to an American corporation to do with what they want,” says one interviewee. “If we’re spending that kind of money, it should be on our own national museum, not another outpost of a global company.” (more…)

Art Basel has announced a new crowdfunding initiative, created in collaboration with Kickstarter, which will provide a platform for fundraising on art projects around the globe.  The first round of grant proposals include collections to build new studio space at London’s Gasworks, a major restoration project by SculptureCenter, and more. (more…)

Phillips  has announced plans to open its first location in Hong Kong, an expansion that sees the company living up to claims that it wants to be more aggressive in the current market.  “We are going to do our best to align Phillips with these new contemporary art movements worldwide,” says recently appointed CEO Edward Dolman.  (more…)

Just as Sotheby’s is preparing its first pop-up sale in Silicon Valley, rival Christie’s has also entered the fray, announcing a similar event in California focused on works by Roy Lichtenstein, Jasper Johns, and more, alongside works by young artists including Korakrit Arunanondchai. “While it is well known that the Bay Area is home to some of the most impressive collections in private hands, it has recently become evident that it is also one of the most robust emerging markets for art collecting with a growing group of young and new collectors,” says Christie’s Post-War specialist Charlie Adamski. (more…)

Dia Art Foundation has announced Jessica Morgan (curator of international art at London’s Tate Modern) will take over for Philippe Vergne as director of the New York arts organization.  Morgan has a challenging road ahead of her, including stalled plans for Dia to build a new museum for its collection between Chelsea and the Meatpacking District, and will seek to negotiate the demands of such a space with the foundation’s longstanding commitment to living artists.  “It has to be a relationship that’s relevant to the current moment,” she says. “It can’t rest on a notion of its past.” (more…)

Pawel Althamer, The Secret of the Phaistos Disc (Installation View), all images courtesy Deste Foundation Project Space, Slaughterhouse of Hydra

On view at the Deste Foundation’s exhibition space, the Slaughterhouse of Hydra, is an experimental blend of contemporary sculpture and performance, as designed by Polish artist Pawel Althamer. The interactive project explores the nature of family relationships, and their role in making up the broader structural arrangements and familial relations that often drive global social interactions.

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The Telegraph profiles Christie’s upcoming London sale of works from the Essl Collection, Austria’s largest private collection of contemporary works.  The sale, featuring pieces by Gerhard Richter, Paul McCarthy, Louise Bourgeois, and Alighiero Boetti, is estimated to bring in up to £60 million next month, making it the most valuable sale of a single collection in auction history.   (more…)

Larry Gagosian is expanding beyond his art empire, collaborating with world-renowned sushi chef Masa Takayama to open Kappo Masa, a new sushi restaurant below the gallerist’s 980 Madison location.   “It’s a different kind of partnership than what I’m used to,” Gagosian says. “I don’t have partners in business. But this is Masa’s vision and Masa’s talent. My job is to listen and learn.” (more…)

Bloomberg looks into the ambitious effort behind the sale of the Bunny Mellon art collection, which will include a private sale of works through Sotheby’s, among them a pair of Mark Rothko works valued at over $250 million together.  Of particular note is No. 20 (Yellow Expanse), a striking 1953 work.  “Unquestionably, it is the jewel in the crown,” said David Anfam, author of “Mark Rothko: The Works on Canvas,” the artist’s catalogue raisonne,. “Unlike its companion at the Guggenheim in Bilbao, it’s not labored. In terms of its size there is nothing to compare it with since this is the only ‘classic’ Rothko, as opposed to the Seagram and Harvard murals, of such epic dimensions.” (more…)

BBC 4 has launched a series of new station identifiers, created by British artists.  The short clips include work by 2013 Turner Prize winner Laure Prouvost, 2014 Turner Prize nominee James Richards, film-maker John Smith, and Sebastian Buerkner, and follow a perceived attempt at the BBC to embrace more arts-minded programming and content. (more…)

Art Basel has unveiled its exhibitor list for the 2014 edition of its Miami Beach fair, which will run December 4th through the 7th.  The fair is also launching a new exhibition section titled SURVEY, which will feature art historical projects and special exhibitions. (more…)

The Financial Times profiles the long-awaited opening of the Fondation Louis Vuitton in Paris’s Bois de Boulogne, the Frank Gehry-designed museum housing the renowned design house’s immense art collection.  The article includes a number of notes from LVMH head Bernard Arnault on the Fondation’s approach to collection.  “When we buy something it has to meet two conditions,” he says. “One is that I have to like it, the other is that Suzanne Page (the Fondation curator) should consider it something worth exhibiting in the Fondation Louis Vuitton.  The Fondation’s collection focuses on the link between contemporary artists and the second part of the last century. So you see the evolution.” (more…)