Marina Abramovic’s new performance 512 Hours opened yesterday at the Serpentine, with the artist granted free reign to enocunter visitors in the empty gallery space and do as she wishes.  “The idea is that the public are my material, and I am theirs,” she says. “I will open the gallery myself in the morning and close it at 6 p.m. with my key. I want to understand how I can be in the present moment, be with the public.” (more…)

Yves Klein, Painting of fire (1961), via Art Observed

Skarstedt Gallery has joined the crowd in Chelsea this month, opening its  new W. 21st Street space with a selection of unorthodox paintings by Yves Klein and Andy Warhol, created using human urine, oxidized metallic paints, water and fire.  Spread among the high-ceilinged rooms of the new space, the show welcomes an intuitive look into the pair’s interests not only in non-art materials and processes, but particularly those closest to the human condition.

Andy Warhol, Oxidation Painting (diptych) (1978), via Skarstedt (more…)

Google has launched a new project, an online street art gallery of images provided by cultural organizations and Google’s Street View camera.  But with the company’s entry into the conversation on the documentation  of street art playing out against the criticisms Google has seen regarding privacy and surveillance, the move should offer interesting discussion points for open access to art online and in the streets.  “I’ve always used my street art to democratize art, so it would be philosophically inconsistent for me to protest art democratization through Google,” says Shepard Fairey. (more…)

Gemini G.E.L. at Joni Moisant Weyl Gallery in Chelsea opened its “Art on Color” show this past Thursday, June 8th, a show that challenges the traditional white-walled gallery notion by introducing bold colors on its walls. A colorful palette of oranges, yellows, and greens backdrops artworks by represented artists: John Baldessari, Ann Hamilton, David Hockney, Ellsworth Kelly, Roy Lichtenstein, Brice Marden, Man Ray, Robert Rauschenberg, James Rosenquist and Joel Shapiro. “[David Hockney] pointed out to us that when you look at art on a white wall the first thing you see is the frame, but when you look at art on a wall with color, the first thing you see is the art,” Peter Stamberg, one of the gallery’s architects, explained at the opening.

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Tauba Auerbach, The New Ambidextrous Universe IV (2014), all images courtesy ICA London

On view currently at ICA London is the first solo exhibition in the UK by New York-based artist Tauba Auerbach. Entitled The New Ambidextrous Universe, the exhibition is composed of her recent works in sculpture and photography, focusing on themes of symmetry and reflection as scientific principles, hinting at the existence of a mirror universe.

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Lothar Baumgarten, Los Aristòcrates de la Selva y la Reina de Castilla (2011-2012), Courtesy of the artist and Marian Goodman

Currently on view at Marian Goodman Gallery is Los Aristòcrates de la Selva y la Reina de Castilla, a large scale exhibition by the renowned German conceptual artist Lothar Baumgarten. Known for his slide projections, site-specific installations and sound recordings in which he a range of different issues from international politics to institutionalization of the arts, Baumgarten is once again presenting a complex body of work at Marian Goodman Gallery. Carrying the idea of civilization into the core of his argument, the artist touches upon different representations of cultural identity and evolution of the mankind.

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Jean-Michel Basquiat, Untitled (Just Sour) (1982), By Kent Pell from The Schorr Family Collection © The Estate Of Jean-Michel Basquiat, ADAGP, Paris/ARS, New York 2014

Now through June 13, the Acquavella Gallery is hosting an exhibition entirely dedicated to Jean-Michel Basquiat’s works on paper. The show, curated by Fred Hoffman, includes 22 drawings and one painting from the collection of Herbert and Lenore Schorr, a pair of Basquiat’s earliest collectors and friends, and dedicated predominantly to the artist’s works on paper, revealing a range and complexity few associate with Basquiat’s work.

Jean-Michel Basquiat, Unttitled (1981), By Kent Pell from The Schorr Family Collection © The Estate Of Jean-Michel Basquiat, ADAGP, Paris/ARS, New York 2014

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Anicka Yi, Washing Away of Wrongs (2014), via Kelly Lee for Art Observed

The works at Anicka Yi’s Divorce, which was on view at 47 Canal until Sunday June 8th, felt like something of a series of scenarios: moments of banal chores, sexual trysts and social interaction that work together to create a sense of disjointed narrative.  Incorporating many of the art world’s currently popular tropes, particularly household materials and industrial approaches to display and mounting, Yi turned her objects towards a particularly personal subject: that of divorce. (more…)

Marina Abramovic is interfviewed in the Wall Street Journal this week, in advance of the opening for her newest performance 512 Hours at the Serpentine this week.  In the article Abramovic discusses her latest work, her beliefs in performance and technique, and her longing to travel to space.  “I was at Necker Island with Richard Branson,” she says, “and I asked him: ‘Is it possible to pay just half a ticket so I can go to space and stay there, so I don’t need a return?’ He is still thinking about it.” (more…)

The New York Times takes a look at the fading presence of art galleries in the Central London neighborhoods of Mayfair and St. James’s, as increasing rents push dealers from an area they have traditionally occupied for decades.  The article also cites the challenges associated with the state of the current market.  “Modern art is not 500 weeks old — it’s 500 years old,” says dealer James Mayor. “London’s pre-eminence in art dealing and connoisseurship comes from that fact. The perception is that the only art that exists is new art sold in supermarket-type galleries. That doesn’t give the public a chance to develop a taste for anything that’s not force-fed them by the supermarkets. We need diversity.” (more…)

The New York Times notes the increased prominence of contemporary and modern art in Chinese commercial centers, as galleries open up alongside luxury fashion and consumer goods shops.  Billed as “museum-retail” by current innovators like the K11 Foundation, the approach looks to target Chinese shoppers not normally inclined to viewing or purchasing art.  “A lot of people in China think that art is for very rich people and get intimidated,” says K11’s Eric Chan. (more…)

Art Basel has announced its selections for the Parcours section of the Swiss fair, installing public works by, Darren Bader, Pierre Bismuth, Ryan Gander, and more.  The show will consist of 15 site-specific projects installed around the city, and will also include Seth Price’s audio work 8-4 9-5 10-6 11-7, an eight-hour dance track meant played around Basel. (more…)

Writer Georgina Adams takes another look at the thriving auction market in The Financial Times this week, and questions just how long the currently astronomical prices at auction for contemporary works can sustain themselves.  Adams, the author of Big Bucks – The Explosion of the Art Market in the 21st Century, offers a cohesive study of the current state of the market, from the art fair explosion to the influence of powerful new international economies, not to mention the role of the new independent curator.  “Their influence on what is good art today has to an extent replaced the artistic agenda once set by museums and art critics,” she writes.

Preorder Here: “Big Bucks – The Explosion of the Art Market in the 21st Century” by Georgina Adams
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Helly Nahmad, recently convicted to a year in prison following his role in an illegal gambling ring, is being sued alongside his father for allegedly helping to hide a $20 Million Modigliani reportedly looted by Nazis.  The case, filed  by Frenchman Phillippe Maestracci in Manhattan Supreme Court this week, argues that the painting was hidden through a secretive company called International Art Center, and will attempt to force Nahmad to disclose the IAC’s leadership, and where it is located.  “This painting was bought at a Christie’s London auction in 1996 by IAC, and the location of the painting is a matter of public record,” says Nahmad lawyer Richard Golub. (more…)

A Francis Bacon portrait of Lucian Freud, formerly owned by renowned children’s writer Roald Dahl is set to hit the auction block this month at Christie’s in London, estimated to sell for up to £12m at auction.  “Both were enigmatic outsiders who were hard to pin down and liked to work in small, claustrophobic spaces,” says Christie’s Francis Outred.  “Both also aroused controversy and fascination in their public and private lives.” (more…)

The British Council has confirmed reports from earlier this month that a YBA show planned for Moscow has been cancelled.  The show had suffered from lack of funding, following the withdrawal of potential sponsorship funds from Russian patrons Vladimir and Ekaterina Semenikhin of the Ekaterina Foundation over harsh Western criticism of Russian involvement in Ukraine.   (more…)

The Hirshhorn has announced that Australian-born, veteran director of the Asia Society Museum, Melissa Chiu, will take the helm as the Museum’s new director, bringing a strong background in video and new media art to the post.  “I am very excited,” Chiu said. “It’s an amazing institution.” (more…)

In a desire to combine art and science, artist Diemut Strebe has created a copy of Vincent van Gogh’s ear by using living cells of the great-great-grandson of Van Gogh’s brother.  The newly created ear is currently on display at The Centre for Art and Media in Karlsruhe, Germany, and is planned to be shown in New York next year.

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Ai Weiwei, Mask (2013) All Images Courtesy of the artist and Lisson Gallery

One of the most influential and politically vocal artists of his generation, Ai Weiwei has found himself in the headlines frequently since his 2011 seizure by the Chinese government and subsequent imprisonment for more than eighty days without any official charges being declared. As a prominent objector of Chinese government’s oppressive demeanor, Weiwei has been an active figure in the country‘s struggle for freedom of speech and personal rights.  Following up on Ai’s presence internationally in the past year, Lisson is currently presenting Ai Weiwei’s third solo exhibition with the gallery, touching upon the artist’s most familiar themes, explored through a combination of new and old objects. (more…)

The Guggenheim officially opened its call for design entries for its Helsinki Museum outpost yesterday, judged by a staff of architects, museum employees and  and politicians, including jury chair Mark Wigley, the Professor and Dean of the Graduate School of Architecture, Planning and Preservation at Columbia University; Ritva Viljanen, the Deputy Mayor, City of Helsinki; and Nancy Spector, Deputy Director and Chief Curator of the Guggenheim Foundation.  “This competition promises to be extremely exciting,” says jury member Erkki Leppävuori, President and CEO of VTT Technical Research Centre of Finland. “The site, which is rich and varied as a cultural and environmental setting, poses potentially productive technical challenges to architects and structural engineers, who also must address the high expectations and lively opinions of our citizens.” (more…)

As art theft market experts gather at a three day symposium at New York University from June 4-6 to discuss the 3rd largest crime enterprise in the world, Bloomberg Television notes the current $6 billion value of the art theft market, in relation to the $200 billion global art market. Cases of art thefts costing hundreds of millions of dollars date back to 1990, with daring attempts dotting the history books. “I’ve heard stories of a helicopter coming and zooming down and taking statues out of a garden,” Steel reports.

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The Guardian reports on Gallery A, a little known and just recently refurbished exhibition space located inside London’s National Gallery, where a number of masterworks not normally shown in the main rooms are kept for public viewing.  The new exhibition spaces in Gallery A have been drastically reworked, allowing visitors a more relaxed, expansive viewing atmosphere. (more…)

David Shrigley is interviewed in The Guardian this week, discussing his early years as an artist, his approach to his recent Sketch Restaurant commission, and his response to not winning the Turner Prize last year.  “It’s like, the day after they announced the winner of the Turner prize,” he says. “I’d had a bad back and the day afterwards my back got better like that.” (more…)

The colorful, shifting glasswork of Andrew Erdos

The annual festivities surrounding Bushwick Open Studios seem to get bigger each year, and 2014 was no exception, as the yearly summer art open wrapped its eighth year of open artist studios, new gallery shows, and a freshly inaugurated art fair in the heart of one of Brooklyn’s hotbeds for creative talent.

Seren Morey at 56 Bogart (more…)