Paul Klee, New Harmony (Neue Harmonie) (1936), Solomon R. Guggenheim Museum, New York, 71.1960. © 2013 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

On view at the Guggenheim Museum in New York, is a unique exhibition of abstract works taken from the museum’s 20th century collection, intended to show the trends present between the years of 1919 and 1939, during which time a variety of abstract artists flourished, pioneering new techniques and creative philosophies across the mediums of painting, sculpture and drawing.

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Announced this week, the Getty Museum has launched the beginnings of the Open Content Program, a fully catalogued library of over 4,600 hi-resolution images from its personal collection, allowing site visitors to use, modify and publish these images in any capacity.  “Artists, students, teachers, writers, and countless others rely on artwork images to learn, tell stories, exchange ideas, and feed their own creativity. In its discussion of open content, the most recent Horizon Report, Museum Edition stated that ‘it is now the mark—and social responsibility—of world-class institutions to develop and share free cultural and educational resources.’ I agree wholeheartedly.”  Said J. Paul Getty trust President James Cuno on the Museum’s blog. (more…)

The Crystal Bridges Museum in Bentonville, Arkansas has announced that it will soon welcome its one millionth visitor since opening in 2011.  Founded by Wal-Mart heiress Alice Walton, the museum has exceeded all visitor estimates, seeing annual attendance well over 500,000 annually.  “Reaching one million visitors just 21 months after our opening is a huge milestone for us,” said Executive Director Rod Bigelow. “From the day we opened our doors, our goal has been to welcome visitors to experience the power of art and the beauty of nature, and we’re thankful to have been able to create these connections with such a vast audience.”  (more…)

As the trial for the suspects in the 2012 theft from the Kunsthal Rotterdam looks to begin, Romanian director Tudor Giurgiu has begun work on a feature film about the suspected thieves, an action adventure that documents their rise to art world infamy.  “The subject sells itself, it is an excellent pretext for an action movie.”  Giurgiu said. (more…)

The value of art exports exported from the United Kingdom has reached the highest level since the 2008 financial crash, the BBC reports.  In a report by Sweet and Maxwell, exports were charted at £2 billion in 2012, an impressive number that defied a new law entitling artists and their heirs 4% of the resale price on any work.  “Art experts and dealers were concerned that London’s position in the art world could suffer compared to New York or Hong Kong, which haven’t introduced any such levy on the resale of modern and contemporary art,” said editor Massimo Sterpi of Sweet & Maxwell. (more…)

Artists Sarah Lucas and Tracey Emin are profiled in The Guardianthis week, recounting their early exploits running “The Shop,” a small East London gallery and boutique that served as a launching pad for the pair’s artistic ambitions.  “It was just an idea we had at an Indian restaurant on Brick Lane, but we were excited about it right away. We both had an anti-art slant, and this was always more than just a shop: it was a social thing. I remember we wanted it to be in the Brick Lane area mainly because of its bagel shop! But both of us were marketgoers and had sold stuff there when we needed a few bob.”  Lucas says.

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Dealer Glafira Rosales, who was being held without bail in New York in connection with the sale of dozens of forged and fake paintings claimed to be works by Rothko, Pollack and Motherwell, was released from prison Monday under new bail terms.  A federal court in Manhattan set the new terms at $2.5 million, with $250,000 cash and four properties, which were promptly paid by the dealer.  Under the terms, Rosales is also prohibited from leaving the state, and will be monitored electronically. (more…)

For the first time in 25 years, MoMA’s PS1 campus will play host to a full-building retrospective, focusing on the work of the late Mike Kelley this October.  The retrospective first debuted at the Stedelijk Museum in Amsterdam last year, featuring over 200 works from Kelley’s body of work. (more…)

The suspects currently on trial for the theft of seven paintings from a Rotterdam Museum have pledged to return five of the works if their trial is moved from Romania to the Netherlands, the BBC reports.  Including works by Monet and Picasso, the total value of the works has been estimated at €18 million, and were feared destroyed by the mother of one of the thieves.  “It is more likely the paintings are intact. My client says they can be handed over to the Dutch authorities. In exchange, they want to go on trial in the Netherlands.”  Said lawyer Maria Varsii. (more…)

Allan Sekula, the multimedia artist and former recipient of the Guggenheim Fellowship, has passed away at the age of 62.  Working across disciplines, Sekula produced a diverse and challenging body of work that included film, installation and photography (his most recognized work), often generating texts alongside the work that helped to further investigations into the media he utilized.  His work has shown at the Tate Modern, Moderna Museet in Stockholm, and MoMA, among others.  His death comes just days after MoMA announced the acquisition of his seminal Fish Story series. (more…)

New York’s popular Performa biennial has announced the commissions for this year’s edition of the festival, including new works by Jake and Dinos Chapman, Subodh Gupta, Marianne Vitale, Raqs Media Collective, Ryan McNamara, and Pawel Althamer, among many others.  Centered around a loose theme of “citizenship,” the festival will also feature a special segment on black performance at the Studio Museum in Harlem, as well as the Grey Art Gallery at NYU.  “We have a thrilling line-up of new work this year,” said Director and Curator, RoseLee Goldberg, “showing that more and more visual artists consider performance an important medium for expressing their ideas, and that cultural institutions now appreciate performance for its communicability to a broad public and as essential to their programs.”  (more…)

A victim of convicted defrauder Marc Dreier has been awarded 18 artworks, valued at over $33 million, from Dreier’s collection, among them works by Damien Hirst, Andy Warhol, Mark Rothko and Roy Lichtenstein.  Dreier had given the victim a security interest in the works several years prior, in order to get their signature on forged promissory notes, which held a face value of over $110 million.  Other works from Dreier’s collection have already been sold at auction to help pay off his debts to other defrauded investors. (more…)

A recent article in the New York Times investigates the growing trend towards museum exhibitions and spaces that prioritize experience and interaction over the quiet reflection and observation of more traditional art environments.  Exploring various approaches, including interactive installations, games, parties, interactive displays and social networking, museums are seeking ways to reposition themselves in a broader creative economy. (more…)

A group of art researchers, led by self-styled art history detective Silvano Vinceti, claim that they have taken a major step in identifying the remains of the model for Da Vinci’s most famous painting.  Taking DNA samples from remains in the crypts of Florence’s Santissima Annunziata basilica, the group will perform a number of tests before attempting to reconstruct the face of the woman, conventionally believed to be Lisa Gherardini, the wife of a Renaissance-era silk merchant.   (more…)

Ghost of a Dream’s Living Trophy Sculpture, via Daniel Creahan for Art Observed

This past friday, Creative Time returned to the beaches of Far Rockaway for its second annual “Creative Castles” sand castle building competition, welcoming a diverse group of artists to the redeveloping waterfront at Beach 86th Street for another year of bizarrely original sand sculptures, structures and imaginative installations.

Rachel Owens’ Sperm Whale Car, via Daniel Creahan for Art Observed (more…)

Akio Suzuki, Ku (detail) (2012), via Lisa Cooley

The field of sound art, as trumpeted by the New York Times and the Museum of Modern Art, is currently emerging into the mainstream dialogues of the high art world, exposing what was once seen as a relatively underground practice to the milling crowds of major museums.  Even so, with that sort of focus placed on the medium, a new level of critique, or rather, a reassessment of the techniques, practices and processes inherent in the creation of sound art.

The String and The Mirror (Installation View), via Lisa Cooley (more…)

While Olga Dogaru, the Romanian woman who claimed she burnt works by Picasso and Monet in her stove after fearing for the arrest of her son, has since retracted her story, Romanian authorities have identified at least three paintings in the ashes of the woman’s home.  Authorities found nails and tacks, as well as traces of oil paint in Dogaru’s oven, but were unable to correctly identify the paintings as the missing works.  “We found remains of burned oil paintings, but whether they are the ones that were stolen is a separate question, to be determined by prosecutors and judges.”  Says Ernest Oberlaender-Tarnoveanu, head of Romania’s National History Museum. (more…)

The Museum of Modern Art has announced a new show, opening this December, focusing on the life and patronage of collector Ileana Sonnabend, a Romanian emigré who at one time was married to Leo Castelli, and presided over the New York art world, eventually developing a collection valued at well over $900 million, and championing artists like Robert Rauschenberg and Mario Merz.  “For us, the emphasis will clearly be on the history she made.” Says Chief Curator Ann Temkin. (more…)

Several days after the birthday of Andy Warhol, a group of artists in Pittsburgh have begun the process of covering the Andy Warhol Bridge in layers of knitted blankets, part of a project titled Knit the Bridge.  The project, which raised over $100,000 in crowdsourced funding, launched yesterday, and will be on view until September, when the blankets used in the project will be donated to homeless shelters.  “Everybody is jubilant,” said Jenny Tabrum, the technical adviser for Knit the Bridge. “The excitement is palpable in the air because everybody is thrilled that it’s finally happening.” (more…)

The newly launched Amazon Art marketplace system has opened, and close behind are a series of bizarre and sarcastic comments from users eager to weigh in on the offering of high-priced works for sale online, including a $1.45 million Monet.  Says one commenter: “I think I’m going to touch this up a bit with some water colors I have laying around. Make the colors pop more.” (more…)

James Turrell, Breathing Light, (2013) Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr.

Part of his three-museum, nationwide retrospective, James Turell lights up LACMA with a retrospective that exhibits works from the artist’s nearly fifty-year career.  Extending across an entire wing of the Resnick Pavilion, and an entire floor in the Broad building, the exhibition is easily the heaviest concentration of works by Turrell in one place that one could hope to see in a lifetime.  Loosely chronological, the show begins with a projection work from the first years of Turrell’s light experiments, and ends with an immersive environment created this year.  These works, Afrum (White) (1966) and Breathing Light (2013), provoke pure wonderment, emphasizing the device central to Turrell’s artistic investigations: that the work itself doesn’t necessarily exist in the space, but within the viewer’s experience, moving through the work.

James Turrell, Afrum (White), (1966), Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr. (more…)

Gallery mogul David Zwirner has been featured in Bloomberg’s Businessweek, discussing his early aspirations as a jazz drummer, the increasingly wealthy art market, and his thoughts on the impact of the internet on the techniques and approaches to the aesthetics of contemporary art.  “It changes the way they interact with the world.”  He says.  “I’m starting to see work where there’s something radically new in the way images are produced. Some of it’s in film and video, some of it’s in photography, some of it’s in sculpture. But we’re on the cusp of something. The emotional quality around the Internet is nonexistent—that cold, cold, cold energy I’ve seen in some works of art recently.” (more…)

James Turrell, Tycho White: Single Wall Projection, (1967), Courtesy the Museum of Fine Arts, Houston, © James Turrell

Part of his ongoing retrospective spanning three cities and upwards of 92,000 square feet of exhibition space, American artist James Turrell has brought several of his iconic light installations to the Museum of Fine Arts in Houston.  Serving as the way station between the Guggenheim’s “blockbuster” exhibition of Turrell’s Aten Reign, and the Los Angeles County Museum of Art’s blowout review of Turrell’s nearly fifty years of work, the Museum of Fine Arts, Houston offers a subdued, yet cohesive addition to the national celebration of one of America’s pioneering light and space artists. (more…)

Artist Ruth Asawa, known for her complexly crocheted wire sculptures and communal sculptures has passed away at the age of 87. A pioneering student at Black Mountain College in rural North Carolina, Asawa worked to transcend the fierce discrimination she faced as a Japanese-American in mid-20th century America, creating a body of work that mixed elegant architectures with a spirit of communal obligation, epitomized in her Union Square fountain sculpture in her home city of San Francisco.  “She was in a very real sense knitting the community together with the communal public fountain,” says Timothy Anglin Burgard, curator of American art at the Fine Arts Museums of San Francisco, “ mirroring the city back to itself and saying we are a community.” (more…)