A minimalist portrait of Disney icon Mickey Mouse, done by Damien Hirst, is up for sale next month at Christie’s in London to benefit the Kids Company charity.  Created using Hirst’s signature “dot” technique, the portrait plays on a long history of pop art appropriation of the character.  “Mickey Mouse represents happiness and the joy of being a kid and I have reduced his shape down to the basic elements of a few simple spots. I hope people love it, because it is still instantly recognizable – Mickey Mouse is such a universal and powerful icon.”  Hirst says. (more…)

The Financial Times continues its ongoing “Breakfast with the FT” series with Nicholas Penny, director of the National Gallery, talking about the challenges of public interest, his opinions on contemporary art, and the role he sees the National Gallery taking in education and advocacy.  “I don’t believe art up to the present should be taught at university,” he says. “Because of consumer demand, the explosion of teaching of contemporary art now is colossal – and it is achieved at the expense of older art. We at the National Gallery should do more to become a magnet for scholarship.” (more…)

Honoré Daumier, The Sideshow (Parade de Saltimbanques) (1865-66) Courtesy Royal Academy of Arts

On view at the Royal Academy of Arts is an exhibition of 130 works by 19th century artist Honoré Daumier, composed primarily of paintings, drawings, watercolors, and sculptures, that strengthen the artist’s history as both a perceptive and nuanced painter, as well as a truly comic satirist.

(more…)

Kevin Francis Gray, 12 Chambers (2013) Courtesy Pace London

On view at Pace London through mid January is an exhibition highlighting new sculptures by Irish artist Kevin Francis Gray. These realistic, detailed works were crafted from bronze and marble in a traditional manner uncommonly seen in the contemporary art world. Included in the display are five double life-size bronze heads, a group of twelve life-size nude figures cast in bronze, and a life-size sculpture of two white marble figures alluding to the tradition of covering of dead bodies in Judeo-Christian cultures.

(more…)

Larry Gagosian’s proposed space in the Mayfair neighborhood of London has been approved, and will take up residence after renovations headed by Caruso St John, the firm responsible for the refurbishment of Tate Britain.  “We’re really excited to be working with Gagosian to create a preeminent commercial art gallery for London and we are delighted that Westminster City Council has given us the go-ahead,” says Ian Morrison, development director for Grosvenor’s London. (more…)

Two of Damien Hirst’s Dot artworks have been stolen from a West London art gallery, valued at about $54,000.  Police believe that a single person stole the two prints from the Exhibitionist Gallery, where gallery manager, Nathan Engelbrecht, told the BBC that he was scouring around “trying to find new artwork for the Christmas season.’’  (more…)

Sarah Lucas, Nice Tits (2011), Copyright of the artist, courtesy Sadie Coles HQ

English sculptor, photographer, and installation artist Sarah Lucas has long been labeled as the “wildest” member of the Young British Artists who emerged in the 1990s, with a career of pieces that has openly and aggressively challenged sexual identities, psychological states, and cultural images of the body through her evocative and often grotesque assemblages and Situations. Entitled SITUATION Absolute Beach Man Rubble, her current retrospective at Whitechapel Gallery examines this ongoing interest in the body and its cultural reifications.

(more…)

Martin Creed, Work No. 1690: Self-portrait (2013), Courtesy Hauser & Wirth and Gavin Brown’s Enterprise

On November 8th, Hauser & Wirth and Gavin Brown’s enterprise opened parallel solo exhibitions in New York City featuring works by Scottish artist Martin Creed. The exhibitions will present new works in addition to selections from the past thirty years of his career. The display will remain on view at the two New York locations through December 21st 2013.

Martin Creed at Gavin Brown (Installation View), via Gavin Brown

(more…)

Steven Parrino, Skeletal Implosion, 2001

Dedicated to the movement of abstraction throughout the past decades of art, and equally to the divisive concept of “the end of painting,” The Show is Over is an exhibition presented by Gagosian Gallery in London, combining works from a variety of artists to point to a single thesis: that painting as a medium of expression will never be quite be “over.”

Richard Prince, “Untitled,” 2012

(more…)

Yayoi Kusama, INFINITY NETS [FBB] (2013), via Victoria Miro

Victoria Miro Gallery is currently opening its new Mayfair gallery with an exhibition of works by Yayoi Kusama‘s newest series of White Infinity Nets, intricate canvases covered almost entirely with white paint over a wash of black and grey.

(more…)

Philip-Lorca diCorcia, Mr. Briggs (2008), via David Zwirner

“People thought they could have anything.  And then it just blew up in their faces.”  So says photographer Philip-Lorca diCorcia in the press release for his show of works from the East of Eden series at David Zwirner, an ongoing series of photographs documenting what the artist calls the “collapse of everything.”

Philip-Lorca diCorcia, East of Eden (Installation View), via David Zwirner (more…)

Kara Walker, Negress (Installation View), Courtesy Camden Arts Center

Currently on display in all three gallery spaces of Camden Arts Centre in London is a new exhibition  of works by American artist Kara Walker, which directly confront racial and gender tensions through familiar characters found in American culture, pop culture, and history.

(more…)

96 Cheyne Walk, the former East End London home of painter James Whistler, has been placed up for sale, with an asking price of £30 million.  The artist lived there for just over 10 years, from 1867 to 1878m during which time he created his most iconic work, Arrangement in Grey and Black No. 1, affectionately referred to as Whistler’s Mother.  Other residents of the Chelsea street have included Dante Gabriel Rossetti, George Eliot, Henry James, former British prime minister David Lloyd-George, Laurence Olivier and the musician Mick Jagger. (more…)

Ahead of an upcoming show at Tate Britain, featuring a group of five British painters under fifty, Chris Ofili and Simon Ling sat down with the Financial Times to discuss their personal styles, the act of painting, and their inspirations from the streets of London.  “Well, this is about the city’s lack of aspiration.”  Says Ling during the interview, considering a fragmented canvas. “The lack of planning and failure, where the city is almost like a tectonic construction, a weird jumble.” (more…)

Mayfair restaurant Sketch has invited artist David Shrigley to redesign its exhibition space and menu, following in the footsteps of Martin Creed, who redesigned the space in 2012.  Working on the aesthetic appearance of the space, Shrigley will also collaborate with the restaurant’s kitchen, creating a series of menu items heavily inspired by his art.  The restaurant will close at the end of the year for the renovations, opening again in February of 2014. (more…)

The upcoming show on the work of Vincent Van Gogh, held next year at London’s National Gallery, will reunite two of the surviving versions of the artist’s iconic Sunflowers.  Painted in 1888, one of the canvases is on loan from the Van Gogh Museum in Amsterdam, while the other was purchased by the National Gallery in 1924.  “It will deepen every visitor’s appreciation of the artist,” said  Nicholas Penny, director of the National Gallery. (more…)

Another activist investor is making waves at Sotheby’s.  Richard McGuire, the head of Marcato Capital Management LLC (currently the third-ranking stockholder at the company) is apparently engaged in behind the scenes talks to convince the auction house to sell off its New York and London locations, while unlocking money from its smaller dealings in art finance and dealing.  Some have anticipated such a move could free up to $1.3 billion in cash, enough to buy back nearly a third of the company’s stock.  “Sotheby’s is committed to healthy two-way communication with its investors and welcomes thoughtful suggestions as we pursue our common goal of a strong, growing, competitive Sotheby’s open to new opportunities,” said company spokesman Andrew Gully. (more…)

Bertrand Lavier, Dino (1984), Yvon Lambert, all photo by Caroline Claisse for Artobserved.

Contemporary and conceptual art spring forth once again within the Grand Palais in Paris yesterday for the first day of the Foire Internationale d’Art Contemporain, or FIAC. Starting off as the Frieze Art Fair in London ends, it is the 40th year that FIAC has been held in France.   Below is a photoset from the fair.

Ai Weiwei, Iron Tree (2013), neugerriemschneider, photo by Caroline Claisse for Artobserved.
(more…)

All photos by Caroline Claisse for ArtObserved.

The last visitors have filtered out, the gallerists have begun packing up and preparing sold works for buyers, and another year of the Frieze London Art Fair  has concluded, following another action-packed week of new works, special commissions, sales, auctions and openings that once again placed London at the center of the contemporary art world’s cross hairs.

Work by Pierre Huyghe at Esther Schipper (more…)

Mark Tansey, The Raw and the Framed (1995), via Christie’s

The last major auction of Frieze Week in London concluded this evening at Christie’s, a strong sale that saw nearly all of the 55 lots on sale finding a buyer, bringing the total sales for the evening up to £27,788,900, placing the auction house as the clear leader in a week of busy auctions and impressive sales figures.

Yayoi Kusama, Infinity Nets (T.W.A.) (2000), via Christie’s (more…)

Acquavella Galleries New York. All photos by Caroline Claisse for Art Observed.

Running alongside the hustle and bustle of Frieze’s Contemporary Art proceedings next door, the Frieze Masters section is showing an exceedingly strong set of galleries and works, albeit somewhat removed from the spotlight its adjacent fair receives each year.  Mixing classic works by artists like Francis Bacon and Picasso with works by still active artists like Robert Long and Richard Serra, the fair offered a more subdued, but equally impressive offering.     (more…)

Glenn Brown, Ornamental Despair (painting For Ian Curtis) Copied From ‘the Stars Like Dust’, 1986 By Chris Foss (1994), via Sotheby’s

Another session of competitive auctions wrapped up this evening in London, with Sotheby’s Contemporary Art sale providing an uneven, yet overall successful auction of contemporary works during the ongoing events of Frieze week, bringing forth a total sale amount of £21,459,000, with 7 of the 49 works remaining unsold. (more…)

Oscar Murillo, Untitled (2012), via Phillips

The Phillips Contemporary Art Evening Sale wrapped tonight in London, kicking off another edition of Frieze week auctions in the British capital. Running efficiently through the 38 lot auction, the first in the week’s three nights of sales achieved strong, if not expectable results.  With the events of Frieze week as a major draw for collectors around the world, Phillips had little problem finding new buyers for all but 6 of the works on sale, with 10 lots selling well above their maximum estimates.

Tauba Auerbach, Untitled (Fold) (2011), via Phillips (more…)

Elmgreen and Dragset, Powerless Structures (2013) and Hernan Bas, Pearl and pink pansy (fishing in the foliage) (2013) at Victoria Miro

Frieze London officially opened its doors today for its press and VIP preview, welcoming buyers from around the world to the temporary structure in Regent’s Park for another week of high-profile sales and new works.  A markedly reduced affair from last year (the number of galleries on view has been reduced by about 25), the fair still kicked off in traditional fashion, with a rush of early buyers passing through the galleries to review the plenitude of paintings, sculpture, videos and photography spread throughout the fair’s enormous space.

Damien Hirst, The Afterlife (2012) (more…)