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AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

Christie’s Guillaume Cerutti Interviewed in WSJ

Saturday, February 24th, 2018

$18 Million Jackson Pollock Drip Piece Announced for Christie’s London Sale

Monday, February 12th, 2018

Christie’s to Launch Standalone Sale of Works from Rockefeller Collection

Wednesday, November 22nd, 2017

Christie’s da Vinci Sale Explored in Art Market Monitor

Wednesday, November 22nd, 2017

AO Auction Results – New York: Christie’s Post-War and Contemporary Evening Sale, November 15th, 2017

Wednesday, November 15th, 2017

AO Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 13th, 2017

Tuesday, November 14th, 2017

Visitors Crowd Christie’s to View da Vinci Piece on Sale this Week

Tuesday, November 14th, 2017

Christie’s Announces Works from Bass Collection for Fall Sale in New York

Tuesday, October 24th, 2017

Never-Before-Auctioned Léger Leads Christie’s Auction with $65 Million Estimate

Tuesday, October 17th, 2017

Christie’s to Offer Last da Vinci in Private Hands Next Month in New York

Wednesday, October 11th, 2017

AO Auction Recap – London: Christie’s and Phillips Contemporary and Post-War Evening Sales, October 6th, 2017

Sunday, October 8th, 2017

Francis Bacon’s Last “Pope” Painting to Sell Next Month at Christie’s in London

Monday, September 18th, 2017

Francis Bacon Pope Painting to Star at Christie’s in London

Tuesday, September 5th, 2017

Christie’s Moves Contemporary and Modern Middle Eastern Sales to London

Tuesday, August 1st, 2017

Private Sales Drastically Down at Christie’s

Monday, July 24th, 2017

AO Auction Results – London: Christie’s Impressionist and Modern Evening Sale, June 27th, 2017

Wednesday, June 28th, 2017

Rockefeller Art Collection Heads to Christie’s

Wednesday, June 7th, 2017

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 15th, 2017

Tuesday, May 16th, 2017

Spiegel Family Collection Sparks Sibling Rivalry at Christie’s and Sotheby’s

Thursday, May 11th, 2017

Loic Gouzer and Alex Rotter Named Christie’s Contemporary and Post-War Co-Chairs for Americas

Thursday, May 11th, 2017

“Reloaded” Christie’s Profiled in Art News

Wednesday, May 3rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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