Archive for the 'Auction Results' Category

AO Auction Results – London: Phillips 20th Century and Contemporary Evening Sale, June 29th, 2017

Thursday, June 29th, 2017

Gerhard Richter, Abstraktes Bild (682-4) (1988) final price £2,389,000, via Phillips
Gerhard Richter, Abstraktes Bild (682-4) (1988) Final Price: £2,389,000, via Phillips

Marking the final night of auctions before the market’s slow summer months, Phillips Auctions in London capped a buoyant sale that served as an emphatic close to two weeks of sales in the British capital.  Moving gradually through a 31-lot sale with slow, steady bidding, many works hung on the auction block for some time, coaxed up to estimate or beyond, with only 3 works going unsold, ultimately bringing the evening to a close on a figure of £24,373,000. (more…)

AO Auction Results – London: Sotheby’s Contemporary Art Evening Sale, June 28th, 2017

Wednesday, June 28th, 2017


Andy Warhol, Self-Portrait (1963-64) final price£6,008,750, via Sothebys
Andy Warhol, Self-Portrait (1963-64), final price: £6,008,750, via Sotheby’s

Marking its entry in London’s final week of major evening auctions for the first half of 2017, Sotheby’s closed a small, 41-lot proceeding this evening in its Contemporary department, running through its offered works with impressive results and  steady bidding  that ultimately brought home a final total sales figure of £62,325,750 for the sale.  Bounding through its lots, leaving only works unsold, the sale offered a high note for the contemporary market’s continued strength.    (more…)

AO Auction Results – London: Christie’s Impressionist and Modern Evening Sale, June 27th, 2017

Wednesday, June 28th, 2017

Max Beckmann, Hölle der Vögel (1937-38), final price £36,005,000, via Christies
Max Beckmann, Hölle der Vögel (1937-38), final price: £36,005,000, via Christies

Continuing a series of auctions this month in London, Christie’s capped its Impressionist and Modern Art Evening Sale tonight at its King Street location in the British capital on a relative high note.  The decidedly subdued, yet well-appointed auction closed on a final tally of £149,500,000 for its 33 lot offering, with only a small fraction of works going unsold (94 per cent sold by lot) over the course of the proceedings. (more…)

AO Auction Results – London: Sotheby’s Actual Size Curated Sale and Impressionist and Modern Evening Sale, June 21st, 2017

Friday, June 23rd, 2017

Wassily Kandinsky, Bild mit weissen Linien (1913), via Sotheby's
Wassily Kandinsky, Bild mit weissen Linien (1913), via Sotheby’s

Holding court with a short but well-appointed pair of sales in London, Sotheby’s kicked off a week of auctions in the British capital, closing its Impressionist and Modern Evening sale with a string of impressive figures and a new auction record for Wassily Kandinsky at £33 million, ultimately bringing a final sales figure of £127,945,750.  The night also saw a short curated sale, “Actual Size” precede the evening’s main event, which saw mixed results and a £20,931,250 final tally for its offering.

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AO Auction Recap – New York: Phillips 20th Century and Contemporary Sale at Sotheby’s Contemporary Evening Sale, May 18th, 2017

Friday, May 19th, 2017

Jean-Michel Basquiat, Untitled (1982), via Sotheby's
Jean-Michel Basquiat, Untitled (1982), via Sotheby’s

A pair of auctions capped off the May Evening Sales this evening, as Phillips and Sotheby’s concluded their respective Post-War and Contemporary marquee sales.  Notching a number of impressive records at both auction houses, the evening was an impressively strong final night for a week that made good on promises for the market’s slow but steady recovery. (more…)

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

Cy Twombly, Leda and the Swan (1962), via Christie's

Cy Twombly, Leda and the Swan (1962), via Christie’s

The week’s long stream of major auction sales saw another strong outing by Christie’s last night, with the auction house cruising through a 71 lot outing to reach a final tally of $448.1 million with only a handful of pieces going unsold.  The sale, which saw an overwhelming push from American buyers, meets early rumblings about a recovering market, and hints at continued growth over the coming months. (more…)

AO Auction Recap – New York: Sotheby’s Impressionist and Modern Evening Sale, May 16th, 2017

Wednesday, May 17th, 2017

Kazimir Malevich, Suprematist Composition with Plane in Projection (1915), via Sotheby's
Kazimir Malevich, Suprematist Composition with Plane in Projection (1915), via Sotheby’s

The Impressionist and Modern Sale at Sotheby’s this past evening has closed out the early week’s offerings in that market, capping a $173.8 million sale that saw few major highlights or sparks in bidding, a marked contrast from the occasional fireworks of Monday’s sale at Christie’s.  Despite early claims by Sotheby’s that the auction market was gradually strengthening again after several tepid sales in past months, the past evening’s outing in New York saw somewhat modest results that paled in comparison.  The sale’s sell-through rate hovered at 74%, tempered by the early withdrawal of an Egon Schiele work some had anticipated would reach over $30 million. (more…)

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 15th, 2017

Tuesday, May 16th, 2017

Contantin Brancusi, La Muse Endormie (1913), via Christie's
Contantin Brancusi, La Muse Endormie (1913), via Christie’s

The first auction of the week has come and gone in New York, as Christie’s notched an impressive outing for its Impressionist and Modern Evening Sale, confirming expectations of a solid return of buying interest in the secondary market.   Considering the past several outings for the auction houses in London and New York, where only a handful of buyers were reportedly keeping the market afloat, this week’s sales hit a different note entirely, with ample phone bids that saw one major auction record fall with Constantin Brancusi’s La Muse Endormie demolishing expectations at over $57 million, and marquee lots performing quite well over the course of the evening.  (more…)

AO Auction Results – London: Sotheby’s Post-War and Contemporary Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

Gerhard Richter, Eisberg (1982), via Sothebys
Gerhard Richter, Eisberg (1982), via Sothebys

The marathon weeks of March art sales have completed their run in London this evening, following a Sotheby’s outing this evening that concludes a trio of Contemporary and Post-War sales in the British capital.  Challenging easy assumptions about a slumping art market, Sotheby’s indicated an early push for market share with this sale, carrying a daring 40% of its offerings this evening with guaranteed bids that seemed to pay off with consistently strong results.  The auction house’s 64-lot outing managed to manage a number of impressive sales on top of a consistently comeptitive pool of bidders, resulting in a final sales figure of £118,015,150 with only a handful of unsold lots (4 total). (more…)

AO Auction Results – London: Phillips 20th Century & Contemporary Art Evening Sale, March 8th, 2017

Wednesday, March 8th, 2017

Christopher Wool, Untitled (1989), via Phillips
Christopher Wool, Untitled (1989), via Phillips

Taking its turn after a consistent offering yesterday at Christie’s, Phillips held its spring 20th Century Sale at its 30 Berkeley Square this evening, a 30-lot affair that saw a less measured evening by comparison, underscoring the auction house’s continued efforts to compete alongside the auction house giants, and the challenges it still faces in competing against these marquee sales . Scaling its offering back in comparison with full 60-lot offerings at the other sales, the house managed to move its premier works, while occasional struggles in placing lots overshadowed some of its larger successes.  The sale saw 5 lots go unsold over the course of the evening, not counting two withdrawn lots, bringing a final tally of £14,660,000.   (more…)

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 7th, 2017

Tuesday, March 7th, 2017

Mark Rothko, No. 1 (1949), via Christie's
Mark Rothko, No. 1 (1949), via Christie’s

Following a few days pause for collectors to recover from the busy rush of Armory Week in New York, Christie’s has kicked off another week of major sales in London this evening, concluding its Post-War and Contemporary Evening offering with an unexpectedly energetic outing.

Critics and insiders watching the sale had said little on the auction house’s offerings this week, other than its focus in recent sales on Asian bidders, instead focusing primarily on the high percentage of guaranteed lots in Sotheby’s competing offering tomorrow night.  Even so, Christie’s carried its own trove of guarantees, with at least 5 works promising third-party guarantees before the sale.  The strategy seemed to pay off, as the evening’s lots moved swiftly and without issue, with only 3 lots failing to find a buyer, and ultimately bringing the sale to a final tally of £96.3 million.

Njideka Akunyili Crosby, The Beautyful Ones (2012), via Christie's
Njideka Akunyili Crosby, The Beautyful Ones (2012), via Christie’s (more…)

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Sale, March 1st, 2017

Wednesday, March 1st, 2017

Gustav Klimt, Bauerngarten (Blumengarten) (1907), via Sotheby's
Gustav Klimt, Bauerngarten (Blumengarten) (1907), via Sotheby’s

Following a strong outing by Christie’s this week in London, Sotheby’s has taken its turn at the Impressionist, Modern and Surrealist markets, capping a tightly-run sale this evening that continued a week of unexpectedly strong outings for both auction houses, ultimately tallying a final of £177,022,250 for the auction house’s Impressionist and Modern sale (with 4 lots going unsold over the course of the evening), and £17,671,250 for its Surrealist sale shortly after (which saw only 2 lots go unsold).   (more…)

AO Auction Recap – Christie’s Impressionist and Modern Evening Sale, February 28th, 2017

Tuesday, February 28th, 2017

Paul Gauguin, Te Fare (La maison) (1892), via Christie's
Paul Gauguin, Te Fare (La maison) (1892), via Christie’s

As New York City gears up for the rush and bustle of Armory Week, London has its own series of sales in swing, opening two weeks of major evening sales this evening with an impressively steady outing at Christie’s that offered some reassurance for towards alarmists and critics of the market’s current strength and consistency.  The pair of sales, kicked off by Impressionist and Modern works, and capped with a brisk sale of Surrealist pieces shortly after. (more…)

AO Auction Results – New York: Phillips 20th Century Evening Sale and Christie’s Impressionist and Modern Evening Sale, November 16th, 2016

Wednesday, November 16th, 2016

Claude Monet, Meule (1891), final price: $81,447,500, via Christie's
Claude Monet, Meule (1891), final price: $81,447,500, via Christie’s

Doubling down on Wednesday night, Phillips and Christie’s went back to back on a marathon pair of auctions, Phillips with its 20th Century Sale and Christie’s with its Impressionist and Modern sale, that pushed the fall auction week to near completion with surprisingly potent results, including a new auction record for both Claude Monet and Wassily Kandinsky.   (more…)

AO Auction Results – New York: Sotheby’s Impressionist and Modern Evening Sale, November 14th, 2016

Tuesday, November 15th, 2016

Edvard Munch, Girls on the Bridge (1902), via Art Observed
Edvard Munch, Girls on the Bridge (1902), via Art Observed

The packed week of New York auctions began uptown tonight, as Sotheby’s capped its Impressionist and Modern Evening Sale this evening to unexpectedly energetic results, reaching a final tally of $157,714,75o, with 9 of the night’s 42 lots offered going unsold.  Auctioneer Helena Newman led a brisk sale over the course of the evening, coordinating quick back and forth bids that kept prices rising and works moving quickly, a performance that earned a number of strong sales in the early lots, and kept momentum high until the last lots of the sale, when enthusiasm seemed to peter out. (more…)

AO Auction Recap – London: Sotheby’s Post-War and Contemporary Evening Sale, October 7th, 2016

Saturday, October 8th, 2016

Jean-Michel Basquiat, Hannibal (1982), via Sotheby's
Jean-Michel Basquiat, Hannibal (1982), via Sotheby’s

The Sotheby’s Contemporary and Post-War Evening Sale closed out a weekend of unexpectedly strong and enthusiastic sales in London this week, continuing both a solid week of sales at Frieze London as well as a series of impressive sales at both Christie’s and Phillips in the past days.  Adding its own mark to the week’s proceedings, the auction house saw strong results for its first major offering of the fall season, tallying a final result £47,953,000 with 3 of the 34 lots going unsold. (more…)

AO Auction Recap – London: Christie’s Post-War and Contemporary Evening Sales, October 6th, 2016

Friday, October 7th, 2016

Adrian Ghenie, Nickelodeon (2008), via Christie's
Adrian Ghenie, Nickelodeon (2008), via Christie’s

Continuing the week’s unexpectedly strong auction results, Christie’s cinched up its entry in Frieze Week’s series of Contemporary Evening sales tonight in London, capping a 42-lot offering with a sale of brisk and enthusiastic bidding that ultimately pushed the sale to impressively strong results given the glut of sales and works on offer this week.  Only 2 works went unsold over the course of the main sale, with 1 lot withdrawn to bring a final of £34,266,000, followed by a less impressive Italian sale that still managed to achieve £18,680,250 in its own right after a number of passes and underbid lots.

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AO Auction Recap – London: Phillips 20th Century and Contemporary Evening Sale, October 5th, 2016

Wednesday, October 5th, 2016

Andy Warhol, 20 Pink Maos (1979), via Phillips
Andy Warhol, 20 Pink Maos (1979), via Phillips

Complementing the offering of new works across town at Regent’s Park, Phillips London has opened a week of auctions around Frieze Week, closing out its 30-lot sale this evening with a consistent sale, seeing 6 of the evening’s 30 lots go unsold to reach a final tally of £17,867,750. (more…)

Los Angeles – Paul Lee: “Layers for a Brain Corner” at Maccarone Gallery Through August 12th, 2016

Thursday, August 4th, 2016

Paul Lee, Lung (2016), via Art Observed
Paul Lee, Lung (2016), via Art Observed

Currently on view at Maccarone Gallery in LA, New York-based Paul Lee has brought a series of his enigmatic assemblages to bear on the gallery walls.  The artist, who previously worked between film and photography, has branched out over the course of his career into a wide variety of techniques, formal elements and material engagements, turning his attention here to a minimal selection of objects that allow him to explore a series of visual correlations and systems within Maccarone’s spacious rooms.

Paul Lee, Either Side of the Night (2016), via Art Observed
Paul Lee, Either Side of the Night (2016), via Art Observed

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New York – Richard Serra on View at Gagosian Gallery Through October 22nd, 2016

Friday, July 29th, 2016

Richard Serra, NJ-1 (2016), via Art Observed
Richard Serra, NJ-1 (2016), via Art Observed

Spread across both of Gagosian’s Chelsea exhibition spaces, Richard Serra’s immense spatial investigations have returned to New York City, marking a continuation and expansion of the artist’s already tightly honed sculptural language.  Consisting of a total of only four works, the gallery is showing Serra’s immense rolled steel work NJ-1 in its 21st Street space, while giving over its 24th Street gallery to a trio of Serra’s pressed steel installations, a pairing that sees him returning to his precise visual vocabulary while pushing its expressive limits.

Richard Serra, Every Which Way (2015), via Art Observed
Richard Serra, Every Which Way (2015), via Art Observed (more…)

New York: “People Who Work Here” at David Zwirner Through August 5th, 2016

Friday, July 22nd, 2016

Colin O'Con, Magma Arch (2015), via Art Observed
Colin O’Con, Magma Arch (2015), via Art Observed

In 2012, David Zwirner Gallery launched a novel concept for the summer group show.  Called People Who Work Here, the gallery opened its floors to its own employees, launching an exhibition of works that underscored the depth of talent of those working for the international mega-gallery.  Four years later, the gallery has picked up where the last exhibition left off, opening a new iteration of the show that welcomes over 35 artists to show their work at the gallery’s 19th Street location, just steps away from a massive new Jeff Koons sculpture in the gallery’s open garage exhibition space.  Curated by Marina Gluckman and Jaime Schwartz in gallery’s Research and Exhibitions department, the show takes a playful look at the gallery’s skilled employee based, and offers subtle historical parallels with its own selection of artists.

Joel Fennell, Still-life (after McCobb) (2016), via Art Observed
Joel Fennell, Still-life (after McCobb) (2016), via Art Observed

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New York – Sam Lewitt: “Less Light Warm Words” and Mathis Althmann: “Foul Matters” at Swiss Institute Through July 24th, 2016

Wednesday, July 20th, 2016

Sam Lewitt, Less Light Warm Words (Installation View), via Art Observed
Sam Lewitt, Less Light Warm Words (Installation View), via Art Observed

The news that Swiss Institute would leave its location at 18 Wooster this summer joined a slow but steady list of high-profile departures from SoHo that included Artist’s Space and other longtime residents of the neighborhood.  With this movement from its home soon to be underway, Swiss Institute has turned its attention to a pair of exhibitions dealing with concepts of the institution, infrastructure, and urban locales as it takes its final bow in the space.  Giving the space upstairs over to artist Sam Lewitt’s installation Less Light Warm Words, while German artist Mathis Altmann takes over the gallery’s basement exhibition space, filling it with a bizarre series of pieces that mix the abject with the structural.

Mathis Altmann, Untitled (2016)
Mathis Altmann, Untitled (2016)

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Paris – “La Mia Ceramica” at Max Hetzler Through July 16th, 2016

Saturday, July 16th, 2016

Liz Larner, xv (caesura) (2016), via Max Hetzler
Liz Larner, xv (caesura) (2016), via Max Hetzler

Exploring recent trends in the use of ceramics and pottery in contemporary art practice, Galerie Max Hetzler has launched a group exhibition exploring not only current approaches and interests in the ancient art of ceramics, but equally placing it in the context of 20th and 21st Century practice.  Delving into the historical undertones and evolutions of the ceramic craft in the hands of those not originally trained in the medium, the show moves from the early explorations of Lucio Fontana, through to a range of works made in the past five years.

La Mia Ceramica (Installation View), via Max Hetzler
La Mia Ceramica (Installation View), via Max Hetzler

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London – Wolfgang Tillmans at Maureen Paley Through July 31st, 2016

Thursday, July 14th, 2016

Wolfgang Tillmans, The State We’re In, A (2015), via Art Observed
Wolfgang Tillmans, The State We’re In, A (2015), via Art Observed

Few artists have served as such fervent and enigmatic documentarians of the modern landscape as Wolfgang Tillmans, the German-born, London-based photographer who mixes astute and often empathetic images of nightlife and youth culture alongside his more exploratory projects, mixing natural photos, landscapes, and even surreal images of technological innovations, massive building projects, or the iconography of international commerce.  For his current exhibition at Maureen Paley in London, Tillmans has allowed each of these elements to take their moment in the spotlight, creating an expansive catalog of works that feels remarkably perceptive in the context of current events.

Wolfgang Tillmans, I refuse to be your enemy, 2 (2016), via Maureen Paley
Wolfgang Tillmans, I refuse to be your enemy, 2 (2016), via Maureen Paley

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