Artist Tania Bruguera, following the return of her passport, has been named the first artist-in-residence in the New York City Mayor’s Office of Immigrant Affairs (MOIA), in part of an effort to bring more attention to the benefits for immigrants in the city, and in the ownership of a City ID Card. “This project provides a unique opportunity to enhance the notion of art as a useful tool to materialize a vision of a more inclusive society,” Bruguera says. “I’m excited to explore new ways of collaborating with New York’s immigrant communities to make a real impact on the lives of city residents.” (more…)

Philippe Parreno, Danny La Rue,  H {N)Y P N(Y} OSIS

The Park Avenue Armory has opened its doors this summer to Paris-based artist Philippe Parreno’s largest U.S. installation to date, H {N)Y P N(Y} OSIS, a symphony of events unfolding in scripted and random sequences that constantly blend and transform in shape and context, tuning the entire space as a series of interlocking events.  Sharing authorship, Parreno avidly collaborates with performance artist Tino Sehgal, artist Pierre Hughye and pianist Mikhail Ruby, giving Parreno the role of both artist and director.  (more…)

The Tom Bradley terminal at LAX has launched a series of new arts commissions this week, including works by Mark Bradford, Pae White and Ball-Nogues Studio.  “We imagined this space as a kind of reprieve or garden where people could rest their minds as they moved through the building,” says Benjamin Ball of Ball-Nogues. “The project is meant to be seen from a variety of angles.” (more…)

The London Underground has announced a year-long series of artist commissions in the newest iteration of its ongoing arts patronage, including video work from Liam Gillick, and new design commissions from Giles Round and Design Work.  “Gillick has taken his camera, picking out features of the Victoria Line in an unfolding narrative,” says Eleanor Pinfield, the head of Art on the Underground. (more…)

A muralist and designer is suing Starbucks, following the coffee company’s allegedly unlicensed use of her signature style.  Painter Maya Hayuk was approached by the corporation late last year, and declined an offer to work with them on a campaign, but sued when Starbucks rolled out new branding that seemed strikingly similar to her own work.  “Starbucks brazenly created artwork that is substantially similar to one or more of Hayuk’s copyrighted works,” the lawsuit claims. (more…)

Artist Marlene Dumas has been commissioned to paint an altarpiece for St Anne’s Church in Freiberger Platz, Dresden, replacing the current work, which was damaged in WWII.  “They are giving me a lot of freedom. I can choose the form. The theme is also open,” Dumas says.  “The only ‘restriction’ is that [my painting] should not be too depressing. It should offer some hope.” (more…)

This week, The Guardian looks at the fates of past years’ Serpentine Pavilion commissions, and their destinations after the work is taken down.  With most pavilions sold before they are installed, the article offers a look at the shifts in use and context as works appear in the gardens of Indian steel magnates, or used as a beachside restaurant in the Côte d’Azur in France. (more…)

The Whitney Museum has launched a new program for emerging and young artists, giving them access to the spaces of the new downtown location to put on their first U.S. solo exhibitions.  The first artists selected for the project are New York-based artists Jared Madere and Rachel Rose, as well as Qatari-American writer and artist Sophia Al-Maria.   (more…)

The Guardian has an article this week looking at composer Arvo Pärt and Gerhard Richter’s early careers under communism, and the pair’s respective pieces dedicated to the work of the other, to premiere at this year’s Manchester International Festival this month. (more…)

The Art Production Fund has launched another collaboration with luxury retailer Barney’s in an effort to raise funds for additional public arts projects.  Launching May 1st, the collaboration will feature a series of products with designs and illustrations by Alex Katz.  “Working with Alex is a dream come true,” says PF co-founder Doreen Remen.  “His work has long been influenced by pop culture imagery, and he’s passionate about getting his work out there to be enjoyed by everyone. Alex is the quintessential New Yorker and Barneys is such an iconic New York retailer, so the pairing was irresistible.” (more…)

The design for the Serpentine’s annual summer pavilion has been announced for 2015, a colorful, cocoon-like structure by the architectural collaborative Selgas Cano that celebrates the program’s 15th anniversary.  Selgas Cano “sought a way to allow the public to experience architecture through simple elements, [a] journey through the space, characterized by color, light and irregular shapes with surprising volumes.” (more…)

Artists Elmgreen and Dragset will install a commissioned sculpture on the High Line next month, a “dysfunctional” telescope that plays on lines of site for New York landmarks.  “The telescope will be located at a point where it is possible to see with the naked eye landmarks such as the Statue of Liberty,” Elmgreen says. “It is an oversized black structure with very thin legs; it looks a little like an insect.” (more…)

Artist Hans Haacke’s commission for London’s Fourth Plinth is the subject of an article in The Guardian this week, examining the work’s ties to money, power and speculation in the arts.  “The reason I thought it would not be accepted was that I knew what would have happened in New York,” Haacke says. “There is no way that something that plays with Wall Street in this fashion would ever be approved under the auspices of the mayor.” (more…)

Jeff Koons has reportedly been given an $8 million commission from the government of Sacramento to build one of his Coloring Book works at the city’s new basketball arena.  This is the most the Californian capital has spent on a public work of art to date. (more…)

Abraham Cruzvillegas, the Mexican artist who fashions sculptures and situational works out of reclaimed materials, has accepted an offer from the Tate Modern to take part in its Turbine Hall commission.  “His work reflects Tate’s deep interest in showing truly ground-breaking international art,”  says director Chris Dercon. (more…)

Richard Tuttle, I Don’t Know, or The Weave of Textile Language, (Installation View), all images courtesy Tate Modern

The largest work ever created by American sculptor Richard Tuttle (1941) is currently on view at Tate Modern’s Turbine Hall, which has been the host to some of the world’s most striking works of monumental contemporary art.  I Don’t Know, or The Weave of Textile Language was a commissioned work, composed of vast cuts of fabrics designed by Tuttle himself from both manmade and natural fibers. Three vibrant colors are hung in a bold, majestic display, making use of its coiling form to generate a sense of movement within the massive hall.

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The Met has announced its next artist for the museum’s ongoing site-specific rooftop installation series, commissioning French conceptualist Pierre Huyghe to create a new piece looking out on Central Park.  “Pierre loves the fact that the park is full of animals,” says associate curator Ian Alteveer. (more…)

Artist Sebastien Errazuriz has created a new project for Time Square’s ongoing “Midnight Moment” arts series, a digital video showing the artist yawning on the area’s countless digital video displays in an attempt to trigger yawns among viewers.  “I intuitively trust that at times it is the importance of leaving a pause or a blank space that allows us to highlight and be aware of everything else that is in that space.,” Errazuriz says.  “At times the simplest projects are the hardest to do. You cannot hide behind a simple project, the truth is exposed, distilled and present.” (more…)

Anish Kapoor will be the next artist given a solo show at the Palace of Versailles, the organization announced this week.  Kapoor’s show will run from June to October of 2015, and was chosen “because he has something particular to say in this setting,” says Chief Administrator Catherine Pégard. (more…)

Bay Lights, the LED installation by Leo Villareal on San Francisco’s Bay Bridge is set to become a permanent installation, after nonprofit Illuminate the Arts announced that it had raised the $4 million needed to pay for new equipment and maintenance.  The work will be removed next year to treat bridge cables, but will likely be reinstalled by the time Super Bowl 50 takes place in the city in 2016. (more…)

Douglas Gordon gives an enigmatic interview in the Art Newspaper this week, as the artist opens his newest commissioned piece at the Park Ave Armory, an immense, flooded space around which pianist Hélène Grimaud performs.  “The whole thing started by accident when I was making a lithographic edition based on the eclipse of the sun in the south of France back in 1999,” says Gordon, “and one of the people involved asked me why I was interested in lunacy. I said, “Well, I like wolves…”. And so we got into this hilarious conversation and she said that I should get Hélène Grimaud involved in my practice because, well, she’s clearly not a lunatic, but she has this condition—synaesthesia—which means that she sees colors when she plays music. And she also loves wolves.” (more…)

Pawel Althamer, The Secret of the Phaistos Disc (Installation View), all images courtesy Deste Foundation Project Space, Slaughterhouse of Hydra

On view at the Deste Foundation’s exhibition space, the Slaughterhouse of Hydra, is an experimental blend of contemporary sculpture and performance, as designed by Polish artist Pawel Althamer. The interactive project explores the nature of family relationships, and their role in making up the broader structural arrangements and familial relations that often drive global social interactions.

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BBC 4 has launched a series of new station identifiers, created by British artists.  The short clips include work by 2013 Turner Prize winner Laure Prouvost, 2014 Turner Prize nominee James Richards, film-maker John Smith, and Sebastian Buerkner, and follow a perceived attempt at the BBC to embrace more arts-minded programming and content. (more…)

Lee Ufan, Relatum – The Arch of Versailles (2014), all images Courtesy the artist ; kamel mennour, Paris and Pace, New York © Tadzio

Lee Ufan‘s work takes its strength from its silence.  Utilizing simple materials placed into careful interactions with the space around them, the Korean artist has pioneered his particular brand of minimalism over the past half century.  Tight, angular lines converge with natural materials in carefully measured configurations, often utilizing the passage of shadow and light through the work to create a nuanced dialogue with its surroundings.

Lee Ufan, Relatum – The Shadow of the Stars (2014) (more…)