An exhibition at La Monnaie de Paris, curated by Hans Ulrich Obrist and Christian Boltanski, will allow users to take away the works.  “Just like currency, the works are destined to be dispersed. This is what is suggested by the title of Christian Boltanski’s piece Dispersion, which encourages the public to leave the exhibition with a bag filled with clothes,” says Chiara Parisi, the director of cultural programmes at La Monnaie de Paris. (more…)

Hans Ulrich Obrist has been awarded with the 2015 International Folkwang Prize awarded by the Folkwang Museum in Essen, Germany.  Obrist had previously organized his lauded 12 Rooms project at the museum in 2012. (more…)

An article in the New York Times explores the project 89plus, an initiative founded last year by Simon Castets, director of the Swiss Insitute, and Hans Ulrich Obrist, co-director of the Serpentine Gallery, in the hopes of fostering artists born after 1989. 89plus has already attracted over 5,000 interested young artists, including several hundred that have participated in workshops at the Luma Foundation in Zurich, the Serpentine Gallery, and Mexico City’s Museo Jumex, among others. (more…)

Inside the LA Art Book Fair, via Art Observed

Despite its size and immense popularity, the LA Art Book Fair is only two years old. Originally a New York function based out in MoMA’s PS1 satellite location, the dramatic growth of the fair has led to a second location across the country . Conceived by artist AA Bronson and Printed Matter, the Book Fair is not necessarily art-world exclusive, aiming to continue Printed Matter’s dedication to the “dissemination, understanding and appreciation of artists’s books.” Indeed, respected art world publishers such as Mörel Books and Primary Information were in attendance, but one of the primary concentrations of the LA Book Fair once again focused on the grassroots, DIY zines that gave voice to subculture interests on the fringe of the arts community from the 1970’s until today.

LA Art Book Fair, via Art Observed

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Jake and Dinos Chapman, The Sum of all Evil (2012-2013), via Serpentine Sackler

An exhibition of Jake and Dinos Chapman, the English brothers turned artistic-collaborators, is currently on view at the Serpentine Sackler Gallery in London’s Hyde Park through February 9.  Titled Come and See, the show is something of a magnum opus – the Chapmans display an interest in any and all media, from painting to film. Their cheeky disregard to a medium-centric practice allows them to mesh subject material in mock conspiracy-theory style. Posed KKK members, McDonald’s characters and scenes of war and chaos reminiscent of Urs Graf or their frequent muse, Francisco Goya are assembled in an “overtly-designed-chaos” where homage and meaning are tossed about for the sake of pointed caricature. (more…)

Over the past two years, curator Hans Ulrich Obrist has sought to bring a controversial piece by artist John Baldessari to realization, which would require exhibiting a human cadaver in a gallery space, viewed through a small peep-hole.  The work has been attempted several times, but has faced staunch legal opposition and considerations over the will of deceased body being included in the final product.  Says Obrist: “It’s not excluded that one day it will happen. You need the consent of the person obviously before they die. At the same time you need the consent of the family as well as legal authorization.” (more…)

Calling itself the first online-only art biennale, BiennaleOnline has announced that it will launch its exhibition on April 26th.  Featuring a high-profile curatorial team, including Hans Ulrich Obrist and Daniel Birnbaum, and a strong roster of artists including Ed Atkins, Tony Chakar and Ragnar Kjartansson, the online exhibition will have a total roster of 180 artists, and will charge $10 for admission to the site.  BiennaleOnline will also feature a separate exhibition curated by Jan Hoet. “Great contemporary art is the sum of reflection and imagination,” said Hoet. “The artist adds his or her personal vision to history and the memory of history. I hope this combination of factors will be present in every single work in this biennale. In this way we’ll come to a new world and new art.” (more…)

ICI Executive Director Kate Fowle, Leo Award recipient Dasha Zhukova, and Independent Vision Curatorial Award recipients Nav Haq and Jay Sanders

All photos by C. Daleli for ArtObserved

On Monday, November 19th, 2012, Independent Curators International held its Annual Fall Benefit & Auction. ICI’s Executive Director, Kate Fowle, kicked off the party with a toast to all Honorees, Board of Trustees and supporters of the institution. The intimate Honoree Hour celebrated the recipient of this year’s Leo Award, Dasha Zhukova. Agnes Gund, President Emerita of the Museum of Modern Art and member of the Board of Trustees of the National Council on the Arts presented the award to Zhukova after listing her endless accomplishments are an art world patron. This was followed by acclaimed curator Hans Ulrich Obrist presenting the prestigious Independent Vision Curatorial Award to Jay Sanders and Nav Haq.

Wendi Murdoch (more…)

Image: Installation shot, Tim Noble & Sue Webster, “Wild Mood Swings,” 2009-10 – Nihilistic Optimistic, all images courtesy of the artists and Blain|Southern, Photographer: Peter Mallet

After the private viewing this evening in London, Nihilistic Optimistic, a sculptural illustration of oppositional and complementary forces by Tim Noble & Sue Webster – their first major solo exhibition in London since 2006 – will open to the public on October 10th  at Blain Southern Gallery in London’s Hanover Square. Six large-scale sculptures constructed from wood scraps and other discarded materials, “fracturing things up – splintering things. So the mind has to wander in a different way…” continues the artists’ “investigation of self-portraiture.”

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Subodh Gupta, Untitled, 2011, oil on canvas. All images courtesy Hauser & Wirth.

Opening tonight at Hauser & Wirth New York is an ascetic new exhibition by Indian artist Subodh Gupta. The artist, who is often referred to as “The Damien Hirst of Delhi,” earned his nickname from a dazzling sculpture of a skull entitled Very Hungry God (2006). He is the leader of a group of Indian artists whom mega-curator Hans Ulrich Obrist frequently heralds as art world game-changers, and his works regularly fetch auction prices over 1 million USD.

In contrast to this glitzy reputation, “A glass of water” is shockingly subdued. The exhibition takes its name from a work in which a metal drinking cup rests atop a table, filled to the brim with fresh water. Its origin and constant replenishment remain a mystery. The tension created– that the cup may overflow at any moment, from a visitor’s step or breath– “serves up a rich metaphor for the almost unbearable tension between luxury and depletion, accumulation and deprivation, acquisition and exhaustion that are the daily diet of exploding international culture,” explains the exhibition statement.

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Team Gallery Booth at Art Basel 2010, Image via Art Basel.

AO is on site at Art Basel, Switzerland, where Wednesday marked the official, public opening of the international show.  On the roster was an inaugural Conversation Series speech by Paul McCarthy, an Art Film at Stadtkino Basel, and an Artist’s Talk with Rodney Graham at Kunstmuseum.  If the congenial and thronged atmosphere hadn’t tipped us off to the anticipation surrounding this year’s exhibitions, Tuesday’s sales would have been a clear indication.   A $15 million Picasso 1960 plaster maquette, Personnage, was snatched up immediately from Krugier Gallery by one of the VIP guests (an American collector) invited to Basel’s early opening, as was a line drawing by the same artist, one by Egon Schiele, and paintings by Max Ernst and Paul Klee. Sara Kay of the Geneva- and New York-based Kugier Gallery was unable to disclose the buyer of yesterday’s Picasso sale, but ten minutes after the purchase’s confirmation noted to Art Info that “[The] piece went to a very important collector with the best modern masters.  This is museum-quality, not trophy-level. It’s a very serious piece.” Skarstedt Gallery also enjoyed a  meritorious patronage yesterday, with sales including a Christopher Wool painting, Untitled, for $800,000, a Barbara Kruger photograph for $700,000, a Cindy Sherman piece for $500,000, and two works by George Condo: The Madman and The Colorful Banker, which fetched $375,000 and $225,000, respectively.  Hufkens Gallery sold a Louise Bourgeois etching, A Baudelaire (#7), which the late artist completed several months before her death in May, for $650,000 to a European collector.  Cheim & Read boasted a lucrative afternoon as well, with sales including a $2 million Joan Mitchell abstraction, a $125,000 Sam Francis drawing, a $100,000 Ghada Amer painting, Paradise, and a 28-strong Bourgeois watercolor series, Les Fleurs.  Lisson Gallery sold two Anish Kapoor‘s for $742,000.  Richard Prince‘s Student Nurse brought Gagosian $4.2 million, and Paul McCarthy’s bronze suites–Sneezy and Dopey–yielded Hauser & Wirth a combined total of $3 million. Blum & Poe sold a dyptich by Takashi Murakami for $1 million. White Cube reportedly sold six of Damien Hirst‘s new paintings, as well as Hirst’s “Memories of Love,” valued at $3.48 million. Lehmann Maupin sold two neon works by Tracey Emin, each for $74,000.

Damien Hirst, ““Memories of Love,” at White Cube’s booth, sold for $3.48 million. Image by Art Observed.

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The Hirshhorn Museum with proposed “bubble” in Washington, D.C. via Washington City Paper

A high-tech, futuristic design for a meeting hall in the Hirshhorn Museum at the National Mall in Washington, D.C., is making headlines this week across the art community. The proposed “bubble” would constitute dimensions of 145 feet and swell out like a balloon from the primary structure, inflating during the months of May and October and collapsing for the duration of the year. Advocating for the design, Hirshhorn Museum Director Richard Koshalek insists that it will not detract from the museum’s most valuable possession: its art [Washington Post].

Fernando Botero via Art Daily

Fernando Botero criticizes the art awarded by the $50K prize bearing his name, and the administrators of the prize decide to cancel it as a result [ArtDaily]

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Ron, Will Cotton via Artnet

-Eric Fischl, Chie Fueki, Hilary Harkness, Will Cotton, Francesco Clemente, Peter Halley and Barbara Kruger  are all a part of the long list of artists who have created, dedicated and portrayed Ron Warren in their works; Mary Boone’s assistant he has always played an understated yet influential role leading to a Mary Boone Gallery exhibition in his honor [The New York Times]

-The 2009 edition of the Power 100 by ArtReview is released with Hans Ulrich Obrist taking the first place and the list showcasing some changes in the influences and forces of the art world; the top ten include dealers and artists as Larry Gagosian, Francois Pinault, Eli Broad and Bruce Nauman [ArtReview]
-In related, Hans-Ulrich Obrist, the director of Serpentine Gallery, just voted to be the art world’s most powerful figure by the Power 100, gives an idea of how busy his week gets [The Independent]

-A $310 million collection of Mark Rothko paintings to be shown next spring in artist’s first Moscow solo exhibition at Dasha Zkukova’s Garage Center for Contemporary Culture [Bloomberg]

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