Robert Morris, via NYT

Artist Robert Morris, a defining voice of American conceptualism, and a contributing force in the development of an American post-war avant-garde, has passed away at the age of 87. The artist, who embraced a complex and ever-shifting series of investigations into the production, elaboration and understanding of both the art object and its function in both exhibition and broader cultural modes, passed away after a battle with pneumonia.  

(more…)

Robert Morris, Untitled (Williams Mirrors) (1976-77), all photos via Anna Corrigan for Art Observed

Now through January 14, Sprüth Magers in Berlin is hosting a historical exhibition of works by Robert Morris, exploring a series of six works developed over the course of the artist’s career, and often drawing on the use of mirrors and reflective surfaces to expand the viewer’s perception of space.  Pulling from some of the earliest works in Morris’s conceptual practice up to a work completed in 2014, Refractions traces Morris’s engagement with movement, space and the body, often in relation to the gallery space itself.

(more…)

Jessica Diamond, No Money Down (1986/2016), via Art Observed

Taking the currently fraught political climate in the U.S. as a starting point for a deeper reflection on national and local history, James Fuentes’s summer group show offers a fitting cultural parallel in the early years of the 1980’s in New York City.  Charting the era’s conservative economic and foreign policies, the exhibition, curated by Andrew J. Greene & James Michael Shaeffer, brings together works by Nayland Blake, Jessica Diamond, Peter Halley and Robert Morris executed between 1982 and 1984.  Recording and critiquing a range of social and economic crises during the era, the show is a subtly resonant look at the deeper histories of cultural critique in the city, and the role artists have played in this process.

Peter Halley, Yellow Cell with Conduit (1982), via Art Observed

(more…)

Sol LeWitt, Drawing Series I,II,III,IIII (Drawings for Xerox Book) 24 Drawings (1968), via Art Observed

In 1968, a group of artists interested in the material limits of art practice, and the interrelations between text, language and action launched The Xerox Book, a published art book culling contributions from Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner to be printed and copied as an easily distributed art work.  Presented at Paula Cooper’s 21st Street Location in New York, The Xerox Book is a return to this landmark publication, incorporating a series of works and objects drawn from or inspired by each artist’s contributions.

The Xerox Book (Installation View) © Paula Cooper Gallery, New York, Photo: Steven Probert

(more…)

Installation view, Cellblock I, Andrea Rosen Gallery. All photos on site by Erica Simone for Art Observed

The Andrea Rosen Gallery opened Cellblock I at its main space on December 1st, 2012, and simultaneously inaugurated its new, second location–just down the street at 544 West 24th Street–with Cellblock II. Both shows, held together under the theme (and anti-theme) of imprisonment, were curated by the prominent scholar and curator Robert Hobbs.

Robert Motherwell’s Dover Beach III at Cellblock II, Andrea Rosen Gallery

Hobbs is well-known for his work as an art historian and writer. He has been the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University since 1991, and a visiting professor at Yale University for eight years. He is known as the definitive Robert Smithson scholar, and has contributed seminal writings on many of the artists he selected to show, including Alice Aycock, Beverly Pepper, and Kelley Walker. (more…)

–>
Yutaka Sone Little Manhattan (2007-2009) at David Zwirner Gallery – All images by Caroline Claisse for Art Observed

Art Observed remains on site in Basel, Switzerland for Art 42 Basel 2011.  The following is our second of the photosets of the main fair.  Stay tuned for more coverage of the main fair before the end of the week as well as profiles of the satellite exhibitions and events.

–>
Artist Wim Delvoye before one of his sculptures at Galerie Emmanuel Perrotin

more images and links after the jump…

(more…)

Bruce Nauman, Parallax Shell (1971-2000).

Currently on view at the Lehmann Maupin Gallery is The Parallax View, an exhibition curated by Manuel E. Gonzalez exploring the nature of conflict in the works by acclaimed artists Teresita Fernández, Dan Flavin, Gego, Mary Heilmann, Eva Hesse, Robert Irwin, Agnes Martin, Robert Morris, Bruce Nauman, and Robert Smithson. Centered around the notion of “parallax,” which is defined as “the apparent displacement of an observed object due to a change in the position of the observer,” the exhibition examines how each artist confronts notions of space, light, and observation in their work. Works by such stylistically disparate artists spanning the course of post-war 20th century confront each other through various shapes and forms resulting in an expression of conflict and disharmony.

More text and images after the jump…
(more…)

Robert Morris, Untitled, 2010. Felt with steel brackets. All images courtesy of Sonnabend Gallery.

Currently on display at Sonnabend Gallery are works by Robert Morris.  These include for the most part reiterations of works he has explored at various points in his career, such as the Felt Pieces, which he began making in 1967, and the Blind Time drawings, which he executes blindfolded following certain self-imposed rules, and which he began making in 1973.  Two films, Neo-Classic and Slow Motion, made in 1971 and 1969 respectively, are also on display.  Morris played an important role in defining the principles of Minimalism, a practical field which he also endued with a new softness and sensuousness, most notably with these works in felt.

Robert Morris, Sonnabend Gallery installation view.

More text, images and related links after the jump…

(more…)

–>
Eva Hesse, No Title, 1969

Currently on show at Hauser & Wirth, through April 24, is a series of small sculptures by Eva Hesse that are essentially fragments rescued from her studio. They are fragile and diaphanous in substance, almost anti-sculptures. A year before her death, in 1969, Hesse wrote of her desire “to get to non-art, non-connotive, non-anthropomorphic, non-geometric, non-nothing; everything…It’s not the new, it is what is yet not known, thought, seen, touched; but really what is not and that is.” Though not quite there, or not quite anything, the works, nonetheless, feel significant and demanding. As Leslie Camhi wrote for the New York Times blog, though the work in the exhibition seem closer to prototypes to autonomous works of art, they are compelling in revealing those familiarly Hesse-ian themes: “plasticity, an engagement with ephemeral materials, the elusive and incomplete nature of memory, and a redolent corporeality.”

More text and images after the jump…
–>
(more…)

From “White Noise,” a group show at the James Cohan Gallery.

The James Cohan Gallery is hosting “White Noise,” a show that incorporates pieces by various artists that focus on silence.  Can one write silence? portray it in art? Is silence merely the absence of sound or an entity in itself? These are among the questions which the performance artists, painters, photographers, installation artists, and video artists of “White Noise” confront, in an exhibition that features an additional four new works specially commissioned for the show.  Nick Cave, Simon Evans, Brendan Fowler, and Fred Tomaselli present exhibition-specific works, alongside those by well-known artists Laurie Anderson, Robert Morris, Joseph Beuys, Yoko Ono, and more.

Related links:
James Cohan Gallery : WHITE NOISE
Exhibition of Sounds to be Looked at and Objects to be Heard at James Cohan Gallery [artdaily]

Jack Pierson, “Silence,” at James Cohan Gallery.

More images and story after the jump…

(more…)

Os Gemeos at work on their mural in at Houston and Elizabeth via The Art Collectors

Brazilian street art duo Os Gemeos are completing a mural on the corner of Houston and Bowery in New York on the site of the Keith Haring tribute memorial [The Art Collectors]
A rare interview with Bruce Nauman after he was awarded the Golden Lion at the Venice Biennale [The Art Newspaper]
The British Museum has raised 2/3 of the $200 million for its new Herzog & de Meuron-designed wing [Bloomberg]

Hirst’s recurring butterfly imagery adorns Lance Armstrong’s bike frame via Designweek

With perhaps one of the more thought provoking of the Livestrong bike creations, Damien Hirst has designed the bike Lance Armstrong will use during the final stage of the Tour de France with his recurring mortality metaphor of butterflies [Galerie Perrotin]
A breakdown of ArtNews’s Top 200 Collectors: 81% collect contemporary, 34% collect modern, 9% collect Impressionist, and 9% collect Old Masters [ArtNews]

Digital rendering of Claude and François-Xavier Lalanne’s menagerie on New York’s Park Avenue via NY Times

From Sept. 13 through Nov. 20, Claude and François-Xavier Lalanne’s animal menagerie will adorn the medians between 52nd and 57th Streets in Midtown Manhattan [NY Times]

Franz West’s The Ego and the Id via the The Public Art Fund

In related, Franz West’s 20 foot ‘The Ego and the Id’ will be installed Central Park at 5th Ave & 60th tomorrow, on loan from Amalia Dayan and Adam Lindemann through March [PublicArtFund]
BBC1 announces a four-part documentary focusing on Picasso, Dali, Matisse and Warhol, airing next year [BBC]
The Castlestone art fund is buying Post War art from deceased and non-producing artists such as Picasso and Warhol as it posits that pricing has dropped 20-40% from last year [International Advisor via ArtMarketMonitor] and a related email gaffe from Castlestone [ArtNewspaper]

Performance view of Anselm Kiefer’s ‘Am Anfang’ via Opera de Paris

German painter and sculptor Anselm Kiefer directed and designed, ‘Am Anfang,’ or ‘At the Beginning,’ for the Opera de Bastille in Paris, is currently running [TheGuardian]
In related, contemporary artist Zhang Huan will design and direct a 250 year anniversary production of Handel’s Semele in Brussels for the 2009/10 season [ArtDaily]

A new Banksy mural in Africa via SlamxHype

A number of Banksy murals in Africa have popped up, possibly in Mali [World’s Best Ever] and related, 120,000 have visited the artist’s exhibition in his hometown of Bristol [BBC Bristol via FAD]
Charles Saatchi has replaced his Abstract America show his Kings Road gallery for an installation promoting the Jaguar XJ [Vogue]

John Morton at the site of his sound installation in Central Park via NY Times

A pedestrian tunnel in Central Park is the site of an immersive sound installation by John Morton [NY Times]
A brush fire near Getty Center caused Getty museum officials to evacuate 1,600 visitors and 800 employees [LA Times]

Michael Jackson series by Andy Warhol via ArtDaily

A portrait of Michael Jackson by Andy Warhol is dropped from a NY auction after overwhelming inquiries [ArtDaily]
Phillips de Pury & Company is launching a series of new theme auctions, including 21st century art and “New York, New York” [Artdaily]
Abu Dhabi Art, a new art fair, will debut in November [Artinfo]

A “plinther” participant in Antony Gormley’s One & Other via The Guardian

Antony Gormley’s ‘One&Other’ continues its 100-day run on the fourth plinth of Trafalgar Square in London [One & Other (livefeed)]
In related participatory British art, 23 museum visitors sufferred minor injuries during Robert Morris’s recent Bodyspacemotionthings reprisal at the Tate Modern [ArtInfo]
The Tate announces the judges of the 2010 Turner Prize [The Art Newspaper]