Painting the wall at Watermill Center, via Art Observed

The 24th Annual Watermill Center Summer Benefit & Auction took place this past Saturday evening, returning to Robert Wilson’s expansive performing and interdisciplinary arts campus with a new selection of performances and installations laid out across the grounds. Honoring performer Laurie Anderson and actress Isabelle Huppert this year, the event also served as a tribute to the late artist and musician Lou Reed, while also serving to benefit the Watermill Center’s continued residency and research projects. Anderson and Reed previously performed a work together, The Wildebeests, at the event in 1997, reprised this year as a culmination of the evening’s proceedings.

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Christopher Knowles, House (2016), via Art Observed

A staple of the summer arts calendar, Robert Wilson’s Watermill Center hosted its annual benefit and auction this past weekend, bringing a score of artists, benefactors and revelers to the center’s scenic Long Island property.  Launching the event in collaboration with the Bruce High-Quality Foundation, which seems to be slowly but surely returning to a more concrete, object-oriented practice after several years almost exclusively focused around the BHQFU, the event featured As We Lay Dying, a new selection of works and performances spread out across the Watermill grounds, executed in conjunction with a series of sound installations by composer and artist Anohni. (more…)

Kanye West will give a guest performance at next week’s Watermill Center Benefit, an event to help fund the institution’s continued expansion and library construction.  “If we lose our history, we lose our memory,” artistic director Robert Wilson says. “So we try to have here some awareness of what happened in the past.” (more…)

Robert Wilson, Stargazer Beds (2013), courtesy Matthew Teti for Art Observed

This year’s Watermill Benefit, the annual summer event supporting Robert Wilson’s performance lab in Water Mill, New York, welcomed over 1,200 guests to Wilson’s 8-acre property, presenting over 20 site-specific performances, as well as a silent auction featuring over 100 works. Following this, 700 guests dined under a large outdoor tent to watch the Simon de Pury-led live auction of works by Andy Warhol, Jean-Michael Basquiat, Luc Tuymans, and Tseng Kwong-Chi, among others, with master of ceremonies Alan Cumming, and appearances by Winona Ryder, Marina Abramovic, and Lady Gaga.  Titled Devil’s Heaven, the event showcased a diverse group of performances which differed in content, but effectively came together to produce an ominous and sensual atmosphere as guests followed the prescribed path through the foundation’s grounds, appropriately lit by the setting sun and the fire of tiki torches.

View of Watermill grounds, courtesy Matthew Teti for Art Observed (more…)

Desi Santiago’s mass 2 (2012), image: Aniko Berman for Art Observed

On Saturday, July 28th, the Watermill Center hosted The Big Bang, its 19th Annual Summer Benefit. Held on the performance art center’s expansive Southampton grounds, the event commenced with cocktails for over 1,200 guests, all of whom were invited to explore over twenty site-specific performances and installations scattered throughout the center’s indoor and outdoor spaces, as well as to bid in a silent auction featuring works by Marina Abramovic, Sandro Chia, Shirin Neshat, Dennis Oppenheim, Terry Richardson, Will Ryman, Spencer Tunick, and Aaron Young, among others. A tented dinner for over 650 guests followed, including a live auction led by Simon de Pury, where works by artists such Michelangelo Pistoletto, Anselm Reyle, and Willem de Kooning were offered. Inclement weather threatened the evening, with unwelcome downpours impeding the guests’ ability to view the outdoor works. Nonetheless, the event raised more than $1.5 million for the center, which has actively promoted the creation and dissemination of performance art since its founding by leading “theater artist” Robert Wilson in 1992.

Guests in front of Paul McCarthy‘s Butt Plug (2012)

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All photos by L. Streeter for Art Observed.

At six o’clock on Saturday evening, throngs of guests could be seen gathering at the entrance of Robert Wilson’s art compound in Watermill, New York, awaiting entrance to “Voluptuous Panic.” Patrons of the arts gather here once a year to support the foundations ongoing effort to “provide a unique environment for young and emerging artists to explore new ideas and foster their career development” (via Watermillcenter.org).  Artists  from over 30 different countries living at the estate as a part of the Watermill International Summer Program Residency were asked to create installations and performances overlaying the six acre estate. Guests were invited to wander the grounds and woods exploring the various installations. This year, the attending crowd fit right in with the somewhat manic works themselves; the dress code, entitled “Fearless” allowed for a very flamboyant, almost surreal flock of guests.

More text and Images after the Jump…

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