Capitalizing on the growing market of private art sales, Sotheby’s Auction House will open a private sales gallery in London, Bloomberg reports.  The move follows the increasing trend of discreet art purchases for blue chip works, avoiding the high-profile spotlight of the auction room.  “It’s very smart. I would do the same,” said the New York-based dealer Christophe van de Weghe. “Sotheby’s will have the same clientele for both their auctions and their gallery sales.” (more…)

The Royal Academy of the Arts is preparing for a major exhibition of works from the Australian continent, opening in September.  Featuring some of the country’s most iconic works, the show is already generating a great deal of interest in both the UK and Australia.  “I think it’s true to say that there has never been an exhibition like this before,” said Kathleen Soriano, the show’s curator. “This survey is long, long overdue. We should know more of these important figures as part of our broader art historical canon, not least because so much of it relates directly back to this country but even more so because there are some tremendous artists we really should be aware of and should be able to enjoy.” (more…)

One of the most anticipated art events of the year, Creative Time’s annual gala took place Tuesday night at the Domino Sugar Factory in Williamsburg, honoring painter, artist and filmmaker Julian Schnabel.  Celebrating the artist’s career and creative output, the event lived up to expectations, hosting nearly 600 guests inside the Sugar Factory’s remarkably maintained space.  Featuring a menu prepared by renowned chef Mario Batali, as well as a performance by Laurie Anderson and a tribute to Schnabel by Dick Cavett, the event once again showcased Creative Time’s reputation as a driver in the New York art world.

May Andersen, Julian Schnabel and Anne Pasternak

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Rachel Whiteread, Detached (Installation View) © Rachel Whiteread. Courtesy Gagosian Gallery, Photo Mike Bruce

Gagosian London is currently exhibiting Detached, a self-reflexive exhibition by Rachel Whiteread that calls to attention the artistic process itself, abstracting and casting everyday objects into large scale sculptures meant to symbolize the detachment from reality that an artist experiences during his or her process.

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A pair of statues from the Metropolitan Museum of Art’s Southeast Asian collection will be sent back to Cambodia, officials announced this week.  The “Kneeling Attendants” were smuggled out of the country during the violent Cambodian civil war of the 1970’s, and were donated to the museum in the late 1980’s.  “This is a case in which additional information regarding the Kneeling Attendants has led the museum to consider facts that were not known at the time of the acquisition and to take the action we are announcing today,” said Met director Thomas P. Campbell. (more…)

Richard Jackson, Bad Dog, 2013 via Orange County Museum of Art

The Orange County Museum of Art is currently presenting the first retrospective of Los Angeles-based artist Richard Jackson. Known for his radical expansion of painting’s practice and definition over the past 40 years, Jackson’s personal take on “action” painting invigorated its performative potential, and brought it into the sculptural dimension, while extending his practice into everyday life. Jackson’s pioneer approach to making paintings most likely has roots in his homestead upbringing. Sacramento born and raised, he spent most of his free time on a 2,000 acre ranch as a child before going on to study art and engineering at Sacramento State College.

Richard Jackson, Deer Beer, 2013 via Orange County Museum of Art

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Skateboard and fashion brand Supreme is currently embroiled in a lawsuit over its iconic logo, suing another designer for using their name and logo in a series of shirts.  The legal action has prompted artist Barbara Kruger, whose color scheme and typography appears to have inspired the Supreme brand design, to respond, calling them: “Totally uncool jokers.”  She continued,  “I make my work about this kind of sadly foolish farce.  I’m waiting for all of them to sue me for copyright infringement.” (more…)

Following the departure of Frank Gehry, and an installation project currently running behind schedule, MOCA Guest Curator Christopher Mount has speculated that the museum may have to cancel its planned exhibition for the Getty Museum’s Pacific Standard Time show on Modern Architecture.  Titled A New Sculpturalism, the exhibition ran into delays when architects (including Gehry) began expressing concern over how Mount was choosing to display and explain their work.  “I didn’t feel comfortable in it,” Gehry said. “It didn’t seem to be a scholarly, well-organized show.” (more…)

Sterling Ruby, THE POT IS HOT (2013), via Hauser and Wirth

Los Angeles-based Sterling Ruby is currently exhibiting a selection of new works in London, on view at Hauser and Wirth’s Savile Row location.  Investigating a creative process that incorporates studio detritus and recycled elements of previous work into his assemblages and collages, Ruby welcomes a new perspective on the fixed artwork. (more…)

Art mogul Larry Gagosian has announced plans to open his 3rd London gallery in the city’s Mayfair neighborhood, and his 13th gallery worldwide.  The new space is set to open this fall.  “We’ve been looking for a bigger place in Mayfair, one that would resemble a Chelsea gallery,” Gagosian says. “And this has great space with over 15-foot-high ceilings.” (more…)

Lisa Spellman’s 303 Gallery is set to open its new location tonight on 24th Street in Chelsea.  The move is the latest in a series of migrations from the space’s original location on Park Ave, and will also serve as the opening for a show of new work by Rodney Graham.   Spellman’s gallery has a long reputation for cultivating major talents; “I try to work with artists I feel a connection to,” she says, “since that helps determine the quality and longevity of the relationship.” (more…)

Damien Hirst, Forbidden Fruit (2012-3), via White Cube Hong Kong

White Cube Hong Kong is currently presenting Entomology Cabinets and Paintings, Scalpel Blade Paintings and Colour Charts, a broad exhibition of new work by British artist Damien Hirst. Through the three series on view, Hirst explores life’s dualities through the beauty and horror of both the Natural world and modernity.

Damien Hirst, The Judged (2012), via White Cube Hong Kong

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Roni Horn, Untitled (“Consider Incompleteness as a Verb”), (2010-2012), via Hauser and Wirth Zurich

Currently on view at Hauser & Wirth Zürich is a solo show by American visual artist and writer Roni Horn, encompassing the artist’s signature glass sculptures alongside a photographic series created between 2010 and 2012.

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The Smithsonian Institution has announced a series of summer closures in order to make up for the current national budget sequester.  Beginning yesterday, the Institute closed several rooms at the Hirshhorn, the Smithsonian Castle, and the Museum of African Art as it cut back on security and maintenance during the summer.  The measures are scheduled to conclude on September 30th. (more…)

Local Planning Committee the Thorney Island Society has raised objections over the proposed installation of artist Katharina Fritsch’s bright blue cockerel sculpture on London’s Fourth Plinth.  Taking umbrage with the work’s apparent “innappropriate” placement in Trafalgar Square, the group is taking action to prevent its installation. “We cannot see any logical reason for the proposed sculpture to be placed on the fourth plinth. It is unrelated to the context of Trafalgar Square and adds nothing to it but a feeble distraction.”  The group said in a statement. (more…)

Next month, the Los Angeles County Museum of Art will announce an ambitious, $650 Million plan for a new museum space.  As the plans stand, the new construction would call for the destruction of core parts of LACMA’s campus, including the original 1956 building by William Pereira.  The proposal is the latest in a series of proposed major construction on the museum over the years, but the first under director Michael Govan, who has already led the museum through a number of smaller expansion projects. (more…)

The British Museum’s current expansion efforts, projected to cost £135 Million, are currently running on schedule, and on budget, museum curators said in a progress report this past Monday.  The project will add much needed operations space to the institution, as well as a 1,100 square foot exhibition space designed for major exhibitions.  “Almost in every decade, there’s had to be some kind of amendment, adjustment or extension to the building to make it fit for purpose.” says the museum director, Neil MacGregor. (more…)

Artnet’s Katherine Markley is reporting on the continued growth of the art market for contemporary female artists, focusing in particular on the work of Yayoi Kusama.  Analyzing sales figures for the last several years, Markley points out that Kusama has vastly exceeded the current sales figures for both Damien Hirst and Jeff Koons since 2007, and reframes the question of female artists’ presence in terms of comparison to direct market competitors, in favor of the 100 highest selling works list often cited in news articles and auction reports. (more…)

Boléro, a collaboration between artist Marina Abramovic and Belgian choreographers Sidi Larbi Cherkaoui and Damien Jalet, is set to open tonight in Paris.  Interpreting Ravel’s immediately recognizable work for dance, the work debuts at the Palais Garnier alongside Maurice Béjart’s “Firebird” and versions of “Afternoon of a Faun” by Nijinsky and Jerome Robbins.  “In my own work I am completely in control, but the interesting thing with collaboration is to give up part of yourself, the ‘I,’ ” said Abramovic. “It’s very liberating to be in a new field, dance, to let things come to you and not to make decisions.” (more…)

The Dia Art Foundation has released the details on artist Thomas Hirschhorn’s Gramsci Monument, a library, performance theatre and monument to the Italian thinker Antonio Gramsci, established in the Forrest Houses Projects in the Bronx.  The piece will be the fourth and final work in a series of installations to Hirschhorn’s favorite thinkers, installed temporarily at locations around the world.  Says Philippe Vergne, Director, Dia Art Foundation. “Gramsci Monument reinforces Dia’s commitment to off-site commissions, which is at the center of our mission. I am confident that through this project Dia will become a different, stronger institution — one that is even more engaged with the reality of art today.”  Gramsci Monument will open July 1st. (more…)

Inside the Brooklyn Artists Ball at the Brooklyn Museum

The annual Brooklyn Artists Ball took place last week on April 24th, featuring award presentations to Barbara Knowles Debs, Vik Muniz, Wangechi Mutu and Roxy Paine for their collective contributions to the vibrant and growing arts scene of New York’s second borough.  The event also featured a series custom designed table settings from a number of New York artists, including Jules de Balincourt, Njideka Akunyili, Daniel Arsham, FAILE, Jennifer Catron and Paul Outlaw, a performance by Brooklyn’s The Push Pop Collective, and more.  Art Observed was on site for the event, and took these photos showcasing the highlights of the night.

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California-based artist Alex Israel recently sat down with AnOther Magazine to talk about his new show in Berlin, his new series of self-portraits (one of which is on view as part of After-Hours 2:: Murals on the Bowery), and the close ties between his work and the film culture of his home city, Los Angeles.  “For me, going to the studio is a phrase that can only refer to going to a movie studio. That is why I made my work at Warner Bros. I am also a fan. I like movies and TV.” (more…)

A week after Richard Prince’s court case on fair use was decided in his favor, the artist has announced the release of a new print series, featuring a composite rendering of Jerry Seinfeld’s 57 girlfriends from his hit television show Seinfeld.  Titled Jerry’s Girl, the prints are available from Two Palms Press in a fitting edition of 57. (more…)

Gutai: Splendid Playground (Installation View), Courtesy Solomon R. Guggenheim Museum

The main hall of the Guggenheim Museum’s signature, spiraling exhibition space is currently dominated by an enormous hanging sculpture.  Long plastic envelopes swim over the atrium, filled with brightly-dyed water that casts faint, glimmering shadows on the floor below.  This is Work (Water), by Motonaga Sadamasa, a foundational member of the Gutai art collective. Hailing from the Japanese town of Osaka, the Gutai helped to define the vibrant Japanese contemporary and conceptual art scene of post-war Japan.  Blending an open exploration of the raw materials of creation with a playfully subversive worldview, the Gutai made enormous contributions to the contemporary art practice worldwide.

Shiraga Kazuo, Work II (1958),  Oil on paper, mounted on canvas  183 x 243 cm  Hyōgo Prefectural Museum of Art, Kobe

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