Gert and Uwe Tobias at FRAC-Auvergne (Installation View), via FRAC-Auvergne

The work of Romanian brothers Gert and Uwe Tobias operates in a peculiar space between diverse artistic traditions.  Combining watercolor, woodcut prints, sculptures, typewriter drawings and ceramics, the Tobias brothers have created a body of work that combines Art Nouveau with Romanian folk heritage, Paul Klee with Russian Constructivism, and archaic technologies with contemporary art theory.  Using the broad world of contemporary art as their sounding board, the Tobias brothers seek to reevaluate and re-contextualize their native heritage.  (more…)

Installation view, Cellblock I, Andrea Rosen Gallery. All photos on site by Erica Simone for Art Observed

The Andrea Rosen Gallery opened Cellblock I at its main space on December 1st, 2012, and simultaneously inaugurated its new, second location–just down the street at 544 West 24th Street–with Cellblock II. Both shows, held together under the theme (and anti-theme) of imprisonment, were curated by the prominent scholar and curator Robert Hobbs.

Robert Motherwell’s Dover Beach III at Cellblock II, Andrea Rosen Gallery

Hobbs is well-known for his work as an art historian and writer. He has been the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University since 1991, and a visiting professor at Yale University for eight years. He is known as the definitive Robert Smithson scholar, and has contributed seminal writings on many of the artists he selected to show, including Alice Aycock, Beverly Pepper, and Kelley Walker. (more…)

Artist Nate Lowman at the DJ Booth - All photos by C. Dalaeli for ArtObserved

On Tuesday December 11th, The Whitney Museum of American Art hosted its annual Gala and Studio Party, sponsored by Microsoft and Pamella Roland. Originally scheduled to take place at Hudson River Park’s Pier 57 on October 30th, the annual events were postponed due to Hurricane Sandy. With more than $2.7 Million raised Tuesday evening, a portion of which will be donated to the New York Foundation for the Arts Emergency Relief Fund.

Atmosphere

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Guillermo Kuitca in front of his work at The Drawing Center, photo by H. Hannig for ArtObserved

Argentinian painter Guillermo Kuitca has, for the past several decades, continued to explore the visual aesthetic of organization, the varied architectural and illustrative lines at the heart of the maps, floor plans and aerial views, abstracting these images into his own personal artistic language.  The record becomes a personal interpretation, and vice versa.

Guillermo Kuitca at The Drawing Center photo by Cathy Carver

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The student occupiers at their press conference Monday, December 10th at noon. Photo by Phoebe Pundyk for Art Observed.

The eleven students who have been occupying the Cooper Union clock tower exited at noon yesterday from the Peter Cooper Suite. Sleeping bags in tow, the students (many of whom wore homemade t-shirts with “FREE” scrawled across them) were greeted with cheers. Although none of their original demands were met by the administration, the group felt it was time to end the lock-in: that they had made their point and that their work would be better carried on from the ground. They were accompanied by their dean, who handed each student a single red rose. This is just the beginning of a long road to resolution.

Signs accumulated at the gate in Cooper Square directly below the windows of the lock-in. Photo by Jennifer Lindblad for Art Observed.

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Sean Kelly Gallery, Los Carpinteros, Kosmaj Toy (2012).

All images by A.M. Ekstrand for ArtObserved, on location at Art Basel Miami Beach Fair.

Art Basel returned once again in Miami Beach this past week for the 11th annual Art Basel Miami Beach Fair. Featuring over 300 galleries representing 36 countries around the world, the show has exhibited marked growth from last year’s event, with well over 2,000 artists flocking to exhibit at what has become the internationally-renowned closing party for the world art market each year.  It is of course always an irony that tens of thousands will fly down for the events and parties, with many of them never visiting the vast aggregation of what it said to be roughly $1.5 billion worth of art in one (large) room, a collection that few museums in the world could compete with.   Below is a selection of some of the works we thought to be notable from the fair.

Helly Nahmad Gallery, Mark Rothko No. 1 (1957) and Alexander Calder, installation view

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Los Carpinteros  Güiro – Pop up bar on the Beach – All photos in this post by Art Observed

The events surrounding Art Basel Miami Beach have grown noticeably in the past few years, thankfully so has the pixel count in the latest issue cell phone cameras of our Art Observed staff on site (though some photos below seem to belie this capability). Below is a selection of some of the people, art, cars-as-art, parties and events we tweeted and instagrammed live during the week @ArtObserved, in case you missed it.

Azealia Banks at the Standard Hotel for Terrywood on Friday Night

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Exterior View, Wolfsonian FIU. All photos by A. M. Ekstrand for ArtObserved

On Friday, December 7th, 2012, the Wolfsonian Museum at FIU held a reception for its shows on view:  “Postcards of the Wiener Werkstätte: Selections from the Leonard A. Lauder Collection”,  “Esther Shalev-Gerz: Describing Labor” and “Art and Design in the Modern Age: Selections from the Wolfsonian Collection”. The exterior of the Mediterranean-revival style building recently underwent conservation and its dramatically lit 1926 cast stone façade welcomed invited guests.

Maria Likarz Fashion 1911 (more…)

Terry Richardson and Pharrell Williams at OHWOW It Ain’t Fair 2012 photo by Aviva for Art Observed

On December 7th, 2012, at 743 Washington Avenue (on the Miami Beach side and not across the bay in the design district) OHWOW inaugurated the fifth and last edition of It Ain’t Fair (IAF), a venue for avant-garde art across all media. It began in 2008 in Miami, concurrent with the main fair, as another way to view work by emerging artists such as Tauba Auerbach, Ashley Bickerton, Cyprien Gaillard, Clayton Patterson and others.

Atmosphere at OHWOW It Aint Fair Miami 2012, all photos by E. Schwartzberg for ArtObserved unless otherwise noted

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Danh Vo – We The People (detail) – Gallery Chantal Crousel, all photos by G. Hansen for ArtObserved

Copper – tarnished, polished, battered, and even mailed FedEx packages (as with Walead Beshty’s piece at Regen Projects) seemed to make an appearance in many places at Art Basel Miami Beach this year. One amazing example was Danh Vo’s curving, paneled “We The People” at Galerie Chantal Crousel, also perhaps the largest copper piece at the show.

Daniel Buren – Bortolami Gallery

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New Art Dealers Alliance (NADA) Art Fair 2012, all photos by E. Simone for ArtObserved

The NADA fair is home to the some of the youngest, and most surprising artists and gallerists during Art Basel week, and is often described as a respite from the big-named, shiny, high-altitude atmosphere of the main fair. Dealers and collectors come to NADA searching out the new artists they think have the most potential, reveling in the discovery.

Keith Farquhar, Leslie Fritz Gallery (formerly Renwick Gallery) (more…)

Inside the occupation of the tower.  All images courtesy the Students for a Free Cooper Union, unless otherwise noted.

Earlier this week, Art Observed reported that students at Cooper Union, the country’s only traditionally tuition-free art school, have barricaded themselves into the top floor of their school in an act of protest against the school’s recent economic scandal. Last year, after years of hiding its financial situation, the school’s administration revealed that they are in a $17 million debt that could leave students paying tuition as soon as 2018.

Although there has been minimal response thusfar from the school’s administration regarding the students’ actions, support has steadily grown, especially from faculty members. The media response to the students’ actions has been far-reaching, from early coverage by Art in America to mainstream media sources including MSNBC, CBS, The Wall Street Journal, and The Rachel Maddow Show.

Art Observed’s Jennifer Lindblad reached out to occupying students to hear their experiences and reflections so far.

Occupiers receive a delivery by balloon at the Cooper Union Foundation Building on Tuesday, December 4th. Photo by Phoebe Pundyk for Art Observed.

Click through for more images, text, and exclusive interview…

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Art Basel Miami Beach VIP Preview Entrance, all photos on site for Art Observed by Erica Schwartzberg

On Wednesday, December 5th, 2012, Art Basel Miami Beach hosted its 11th annual VIP Preview at the Miami Beach Convention Center. Organizers claim Art Basel Miami has surpassed its Swiss sister Art Basel in size and popularity, though it has yet to surpass attendance figures (62,500 people in 2010). This year, 680 galleries competed to show at Art Basel Miami and 257 were selected. More than 2,000 artists are represented and attendance is expected to top last year’s 55,000 figure. Though definitive sales reports are difficult to pin down (Art Basel Miami never releases official records), $2.5 billion worth of art was on offer in 2011, and several galleries reported record sales. VIP guests include business magnates Steve Wynn, who purchased a Roy Lichtenstein, and Eli Broad, who purchased a Jeff Koons sculpture. Newsprint mogul Peter Brant gave Owen Wilson a tour, and Will Ferrell ceded the stage to his wife Viveca, who sits on the board of the Los Angeles County Museum. Also spotted: Sean “Puffy” Combs purchasing an Ivan Navarro sculpture, Diane von Furstenberg, comedian/actress Chelsea Handler, and music mogul Russell Simmons. The following is a photoset from the 2012 Art Basel Miami Beach VIP Preview.

Jesús Rafael Soto, Cubo de Roma, Galeria Elvira Gonzalez

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All photos on site for Art Observed by Erica Schwartzberg

UNTITLED. art fair is celebrating their first year at Art Basel Miami. Under the art direction of New York-based curator Omar Lopez-Chahoud, a beachfront pavilion was designed by architecture firm K/R (John Keenen and Terence Riley) to house a collection of international works by contemporary artists presented by 50 invited galleries. The space aims to emphasize the viewer’s experience  while creating context for the works. “It is about creating a conversation,” says Lopez-Chahoud, “and thereby offering collectors a sense of discovery, diversity, and quality with an international perspective.” UNTITLED. is open through Sunday, December 9th.

Paco Cao, mid-session of a seance, Eternal Rest at (Art) Amalgamated

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Art Basel Miami Beach 2011 photo by ArtObserved

Despite the large number of exhibitors from New York who are in recovery from Hurricane Sandy, almost  every Chelsea gallery scheduled to exhibit will be at this year’s 11th edition of Art Basel Miami Beach week. Events begin as early as today, Monday, December 3rd and run through Sunday, December 9th. Exhibitors and artists are preparing for a flurry of activity, with a multitude of fairs, some old, some new; public installations, exhibitions, collaborations and of course, parties centering around the Delano, The W, Soho Beach House, The Deauville, The Raleigh, The Standard and others. Check out the detailed schedule of events below.

Visionaire Magazine party at Delano Hotel 2011 photo by ArtObserved

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Sia performs live. All photos by C. Dalaeli for ArtObserved

Performa’s Relâche—The Party welcomed more than 500 guests on Thursday evening. Event co-chairs RoseLee Goldberg, Julie Blakeslee and John Spong, Toby Devan Lewis, Andrea & Marc Glimcher, Wendy Fisher, Amanda & Glenn Fuhrman, Jeanne Greenberg Rohatyn, and Cindy Sherman helped organized the black and white haute couture themed party, a tribute to Francis Picabia and Erik Satie, and their groundbreaking 1924 Surrealist performance Relâche in Paris. The party was honoring Milly Glimcher, art historian and curator of “Happenings: New York, 1958–1963” at the Pace Gallery, 2012.

Aerial acrobat performance (more…)

ICI Executive Director Kate Fowle, Leo Award recipient Dasha Zhukova, and Independent Vision Curatorial Award recipients Nav Haq and Jay Sanders

All photos by C. Daleli for ArtObserved

On Monday, November 19th, 2012, Independent Curators International held its Annual Fall Benefit & Auction. ICI’s Executive Director, Kate Fowle, kicked off the party with a toast to all Honorees, Board of Trustees and supporters of the institution. The intimate Honoree Hour celebrated the recipient of this year’s Leo Award, Dasha Zhukova. Agnes Gund, President Emerita of the Museum of Modern Art and member of the Board of Trustees of the National Council on the Arts presented the award to Zhukova after listing her endless accomplishments are an art world patron. This was followed by acclaimed curator Hans Ulrich Obrist presenting the prestigious Independent Vision Curatorial Award to Jay Sanders and Nav Haq.

Wendi Murdoch (more…)

Phillips de Pury saleroom photo by ArtObserved

On Thursday night, boutique auction house Phillips de Pury & Co. hosted the final Contemporary Art Evening Sale in a blockbuster week for the art market. Tallying $79.9 million against its projected estimate of $73 to $110 million, Phillips de Pury’s Chief Executive Officer, Michael McGinnis, stated “we’re happy with the competition and prices,” especially after the third consecutive night of Contemporary Art sales. McGinnis reflected on the evening saying ” it was a small and deliberate sale, with works specifically chosen to compliment the week.”

Andy Warhol Mao courtesy Phillips de Pury & Co.

Despite achieving just over its low estimates for the sale, Phillips de Pury had a sell by value of 98% and a sell by lot of 83%. With a very carefully selected 35 lots offered, only six artworks failed to find a buyer. However, all of the lots had third party guarantees, of which there were five guarantors.

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Liliana Porter (right) and Ana Tiscornia, photo by ArtObserved

The following an interview with Liliana Porter, November 14th, 2012, by Anna Mikaela Ekstrand for Art Observed:

As Liliana Porter received me in her West Village pied-a-terre for our interview, she asks, “hablas español?” The apartment is light, airy and sparsely decorated with objects such as a Claes Oldenburg pretzel on a shelf and a Richard Artschwager exclamation mark on a wall. As we walk to the window, Porter points out highlights of the view; the Chrysler building to the left and perhaps of more interest the rooftops and a garden beneath, belonging to Donna Karan “where she throws crazy parties”. Looking down it feels like we are on the balcony of a theater.

Liliana Porter, Man with Axe, 2011 courtesy Hosfelt Gallery New York and Pinta

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Christie’s saleroom photo by ArtObserved

Christie’s Post-War & Contemporary Art Evening Sale broke the record for the highest ever grossing Contemporary Art auction in history, totaling over $412 million in sales. The auction came on the heels of Sotheby’s Postwar & Contemporary Art Evening Sale, which broke its own record for highest-grossing auction in Sotheby’s long history ($375 million). Christie’s achieved an astounding 92% sell by lot and 93% sell by value – of the 73 lots offered only 6 failed to sell.

Records at auction were broken for Richard Diebenkorn, Jeff Koons, Richard Serra, Franz Kline, George Condo, Jean- Michel Basquiat, and Mark Grotjahn. Additionally, Jean Dubuffet, Cy Twombly and Jean-Michel Basquiat set new records for their artworks on paper. A record was set for an Alexander Calder wire sculpture at auction with Policeman, which sold for $4.2 million.

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Gallerist Barbara Gladstone and Cindy Rachofsky

November 12th marked Dia Art Foundation’s Fall Gala. The annual event raises funds for Dia’s ongoing projects, such as its current relocation to Chelsea, after a few years’ hiatus.  Co-chair Nathalie de Gunzburg
 was in attendance with her husband Charles and daughter Laura. Other art world attendees included: Robert Longo,Rirkrit Tiravanija, Brice Marden, Marty Marguiles, Barbara Gladstone, Jim Cohan, David Maupin, Andrew Kreps, Gavin Brown, Arne Glimcher, Glenn Ligon, Fred Wilson, Kara Walker, and Lawrence Wiener.

Artist Glenn Ligon

All photos by C. Daleli for ArtObserved

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Kilo Kish (Performance) - All photos for E. Damenia for ArtObserved

The annual RxArt Live and Silent Auction took place on November 12th, honoring Dan Colen and his installation for King’s County Hospital Pediatrics, Brooklyn. The event paid tribute to the artists and donors who have made projects in over 20 hospitals nationwide possible. RxArt aims to improve patients’ experience in hospitals with creativity and art.

RxArt live auction (more…)

Nate Lowman

All photos by E. Damenia for ArtObserved

This past Sunday, The Brant Foundation Art Study Center held the opening party and preview for Nate Lowman: I wanted to be an artist but all I got was this lousy career. The exhibition features recent and new work including paintings, collage and sculpture. Also on view on the foundation lawn was the actual White Ford Bronco from OJ Simpson’s June 17, 1994 car chase, and Gang Gang Dance performed. Artists such as Scott Campbell, Adam McEwen, Richard Prince, Kalup Linzy, Kaws and Aaron Young were in attendance, as well as dealers, collectors and museum directors such as Eli Broad, Jeffrey Deitch, Larry Gagosian and the Mugrabi family.

Gang Gang Dance performing

The OJ Simpson White Bronco brought in for the event from Los Angeles

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Installation view: Bjarne Melgaard “A New Novel” at Luxembourg & Dayan, New York. All images by Jennifer Lindblad for Art Observed unless otherwise noted.

The door of Luxembourg & Dayan’s historic townhouse on Upper East Side—the second most narrow in New York City— opens to a visual assault: sequined dolls wearing Proenza Schouler-designed evening gowns and Pink Panther figurines perch atop neon-colored piles of books just narrow enough to snake through, violent sexual vignettes are played out by clay figures, and 1970s-style wallpaper and overlapping area rugs serves as a rough-and-tumble backdrop. All comprise Bjarne Melgaard’s twisted vision for “A New Novel.”

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