Martin Creed, Work No. 2209, Woman with a dog at a table (2015), Photo: Todd White © Martin Creed Courtesy the artist and Hauser & Wirth London

Martin Creed is the subject of a solo exhibition of recent work at Hauser & Wirth Zurich this month, once again delving into his signature, multimedia-based interdisciplinary practice.  Among the most controversial contemporary British artists, Creed came into global recognition with his 2001 Turner Prize winning installation Work No. 227: The lights going on and off, presenting, as its self-descriptive title suggests, a vacant room in which the lights go on and off in five second breaks.  Like much of the artist’s work, the minimal gesture drew staunch criticism due to Creed’s endorsement of such a simple act in endless repetition. (more…)

PAVILLON DE L’ESPRIT NOUVEAU: A 21st Century Show Home (2015), all photos via Sophie Kitching for Art Observed

The interior of Swiss Institute is coated in Chroma key green this month, as the gallery opens the 2^nd Edition of its Annual Architecture and Design Series entitled PAVILLON DE L’ESPRIT NOUVEAU: A 21st Century Show Home, curated by Felix Burrichter, the editor and creative director of architecture and design magazine PIN–UP.  Taking a hearty investment both in design and its correlative practices in contemporary art, the exhibition plays on the ever-increasing slippage between delineations of interior design, environmental assemblage and pure installation. (more…)

Ugo Rondinone, clouds + mountains + waterfalls at Sadie Coles HQ (Installation View), via Art Observed

Sadie Coles HQ is currently presenting a vibrantly colorful exhibition, clouds + mountains + waterfalls, by Swiss born artist Ugo Rondinone, an artist already recognized by his idiosyncratic and often whimsical works in a wide range of media. Rondinone, whose oeuvre has been subject to numerous exhibitions and national museum shows globally since the mid ‘80s, here presents three independent yet narrative-driven and interconnected series of pieces, following the artist’s signature bright color palette and fascination with natural landscapes and materials.

Ugo Rondinone, clouds + mountains + waterfalls at Sadie Coles HQ (Installation View), via Art Observed

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Idris Khan, Displacement (2015)

Artist Idris Khan is presenting his exhibition, titled Overture, in New York this month, marking his first show in the city since 2010, and his first show with Sean Kelly, adorning the gallery’s two floors with intricate and spectral works stemming from his interdisciplinary approach.  Known for a meticulous aesthetic that draws inspiration from both Eastern and Western cultures, Khan executes a mosaic of various histories, narratives and disciplines in his expansive practice, while primarily leaning towards his work in digital photography. (more…)

FIAC 2015, all photos by Andrea Nguyen for Art Observed

Having established itself as the second leg of Europe’s fall tour of art fairs, following hot on the feels of Frieze London, Paris’s FIAC fair has built itself into one of the art calendar’s more impressive exhibitions, and is now expanding even further, pushing for a place as one of the market’s premier selling events.  Boasting an attendance list of 175 galleries from 23 countries, the 42nd edition of the fair continues Paris’s push for a place in the international fair circuit that matches its century long prominence in the modern and contemporary avant-garde.

FIAC 2015 (more…)

Gardar Eide Einarsson, Utah to Resume Use of Firing Squads for Executions (2015), all photos by Elene Damenia for Art Observed

Returning to the United States for his first solo exhibition since leaving the country for Tokyo, Gardar Eide Einarsson has once again brought his particular brand of appropriation-based practice to Team Gallery for a solo exhibition of new work, taking aim this time at the United States’ often twisted ideological rhetoric, and the iconography that often carries it. (more…)

Katherine Bernhardt, Sharks, Plantains, and Cigarettes (2015) all photos courtesy Venus Over Manhattan

Painter Katherine Bernhardt has created an exhibition of work inspired by her recent residency in Puerto Rico, taking inspiration and encouragement from the landscape and artists of the city as her muse, and translating them into the artist’s signature hand.   (more…)

Tracy Emin, You Made Me Feel Beautiful again! (2015), at White Cube, all photos by Andrea Nguyen for Art Observed

As the weekend arrived, Frieze London shut its doors on another week of strong sales, live projects and installations taking up the yards of Regent’s Park, with the fair reporting an impressive 260% increase in attendees during the VIP hours.  Even after the rush of buyers in the fair’s early hours, sales continued steadily through the rest of the week, concluding yesterday as the last vistors left the space. (more…)

Gordon Matta-Clark, Energy & Abstraction (Installation View)

Mystery, stemming from associations with the notion of void, always played a crucial role in opulent practice of Gordon Matta-Clark.  Differing from the often massively-sized voids he created in or between buildings before their demolition throughout his career, however, the pen and ink works currently on view at David Zwirner’s 20th street location appears as an almost direct response, although on a much more manageable scale.  Blank paper surfaces submit to restless marks of ink in splashes of color or stark black hues, signaling complex narratives behind the artist’s demanding projects, while deep carvings on gesso expose concealed layers that otherwise would go unnoticed when compared to his immense carvings through the architectural skeletons of buildings. (more…)

Robert Irwin, 2 x 2 x 2 x 2 (Installation View), via White Cube

White Cube Bermondsey is currently playing home to a slight, albeit impressive exhibition by Robert Irwin, taking the artist’s interest in environmental sculpture, space and light to arguably its most minimal conclusions.  Taking up two rooms at the London Gallery, the exhibition continues Irwin’s exploration of objects in space, and their relationships to the site in which they reside. (more…)

Peter Doig, Cabin Essence (1993-1994), via Christie’s

The sales have concluded in London tonight, after Christie’s capped a tightly run 54-lot auction that saw a final tally of £35,562,500, with 9 lots going unsold. (more…)

Christian Marclay, Green Plop on Yellow (2014), via Art Observed

Christian Marclay returns to Paula Cooper this fall with an exhibition of new video work and paintings, continuing the artist’s interests in the intertwining of action and image in pop culture formats.  Here, turning his attention to comic books and graphic novels, the artist’s collagist practices are given a light-hearted twist.

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Antony Gormley, EXPANDED FAMILY X2: CHOOSE (2014)

On view at Galerie Thaddaeus Ropac’s Salzburg location through October 31st is Space Out, artist Antony Gormley’s ongoing investigation of physical space and its encapsulation through sculptural intervention.  One of the most recognized and influential sculptors working today, Gormley has always been interested in space and its correspondence to physicality, yet with his recent series, Expansion Field, the artist accentuates his often noticeable tendency towards stripping human figures down to geometrical forms. Divorced from human attributions such as curves or postures, these robust creations bear various references to the history of art including Minimalism and Russian Constructivism. (more…)

Jean-Michel Basquiat, Untitled (The Black Athlete) (1982), via Sotheby’s

Another evening of auctions sales has come and gone as Sotheby’s concluded its Contemporary Evening Sale in London tonight, a fast-paced event that saw brisk sales and strong interest until the late lots, with 15 works of the 53 lot sale going unsold, and bringing in a total of £36,351,250. (more…)

Cy Twombly, Untitled (2006), via Phillips

The sales have concluded tonight at Phillips London, as the auction house capped a procedural yet impressively consistent outing, seeing a white glove sale where all 36 lots sucessfully found a buyer, bringing a final total tally of nearly £32 million for the night. (more…)

Mark Leckey, Inflatable Felix (2014) at Galerie Bucholz

The doors have opened on Frieze 2015 in London, bringing the art world en masse to Regent’s Park for the 13th edition of one of the fall’s biggest selling events.  The exhibition, which capped its “VIP” day last evening, saw viewers flocking to its long, loping hallways to browse the works on view. (more…)

Hilla Becher, via Artforum

Hilla Becher, the influential German photographer who, alongside her husband Bernd, worked as a pioneer in the field of contemporary art photography, has passed away at the age of 81.   (more…)

Agnes Martin, Untitled (1999-2000), via Sotheby’s

With the opening days of the Frieze art fair in London also come the annual fall auctions at Christie’s, Sotheby’s and Phillips, launching another season of marquee sales at the auction houses.  Starting on October 14th, one day after the fair opens its doors for the VIP viewing, the sales will offer a second opportunity for collectors to vie for top works. (more…)

Richard Long, Untitled (2006), via Lisson Gallery

This week, the global art world touches down in Regent’s Park for the 13th edition of the Frieze art fair, marking one of the first major staples of the fall festival circuit in London.  Featuring over 160 galleries from both the UK and around the globe, the event promises another year of in-depth exhibitions, special projects and installations across the British capital. (more…)

Sol LeWitt, Drawing Series I,II,III,IIII (Drawings for Xerox Book) 24 Drawings (1968), via Art Observed

In 1968, a group of artists interested in the material limits of art practice, and the interrelations between text, language and action launched The Xerox Book, a published art book culling contributions from Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner to be printed and copied as an easily distributed art work.  Presented at Paula Cooper’s 21st Street Location in New York, The Xerox Book is a return to this landmark publication, incorporating a series of works and objects drawn from or inspired by each artist’s contributions.

The Xerox Book (Installation View) © Paula Cooper Gallery, New York, Photo: Steven Probert

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Mark Grotjahn, Untitled (Orange over Mountain Walk, Italian Mask M30.g) (2014), via Anton Kern

Twisting the formal language of both his chosen objects and the painterly signifiers he has built up over the course of his career, Mark Grotjahn returns to Anton Kern Gallery for his fourth solo exhibition with the New York Gallery.  Building on the sculptural objects presented last year at the artist’s exhibition at the Nasher in Dallas, the works on view take Grotjahn’s interest in cast-off materials and repurposed objects, the show turns the artist’s frequently reoccurring subject, the cardboard box, into a container for his own aesthetic interests. (more…)

Dana Schutz, Fight in an Elevator (2015), via Art Observed

Currently on view at Petzel Gallery is a series of new works by artist Dana Schutz, the New York-based painter whose fluid hand, surreal scenarios and meticulous commitment to polymorphous narratives have made her a leading voice among U.S. painters. (more…)

Wolfgang Tillmans, Iquitos Dos (2013), All images are by Osman Can Yerebakan for Art Observed.

David Zwirner is currently presenting artist Wolfgang Tillmans’ PCR, his first exhibition with the gallery following his departure from longtime representatives Andrea Rosen Gallery. Doing the justice to the exhibition’s inaugural nature, the gallery has reserved its two locations on 19th street for the massive show of photographs, sculpture and video, which takes its name from an abbreviation of the scientific term “polymerase chain reaction.”  A technique applied in molecular biology to reach a deeper and more particular genetic identity for a person’s DNA, PCR serves as a metaphor for the works on view, which near a hundred in total.  Each piece here underscores the breadth and depth of the artist’s expansive oeuvre, and every piece, similar to a molecule, contributes to build a larger pattern, holding traces of the German-born artist’s decades long career. (more…)

David Douard, bat-breath battery (Installation View), all photos by Daphné Mookherjee for Art Observed

David Douard’s bat-breath battery, presented at the Gallery Chantal Crousel, is a hybridization of formal territories, exploring correlations between poetry and vernacular, human and machine – recurring interests for the artist.  Often delving into the mechanisms of transformation and development, Douard’s work centers on  infectious relations between different worlds and objects, explained through media terminologies that draw from tech, biology, history, and visual culture at large.

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