Archive for the 'Minipost' Category
Wednesday, October 24th, 2018
Russia will show a selection of Wassily Kandinsky works from the State Russian Museum in Saudi Arabia, disregarding the current crop of countries and institutions fleeing the country following the murder of journalist Jamal Khashoggi. “Several works of famous avant-garde artists of the early 20th century from the collection of the Russian Museum have already arrived in the capital of Saudi Arabia,” for the Future Investment Initiative (23-25 October), the Russian Museum said in a statement on Tuesday. “A full-scale exhibition, which will likely be called ‘Kandinsky and Russia,’ will include not only the works of classics of abstract art, but also paintings of contemporary artists who develop on Kandinsky’s ideas in their work.” (more…)
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Tuesday, October 23rd, 2018
Rebecca Rabinow, director of the Menil Collection in Houston, has been named to the board of directors of the Richard Diebenkorn Foundation in Berkeley, California, Art News reports. “An authority on the work of Henri Matisse, Rebecca has long been aware that the master artist was a lodestar for Richard Diebenkorn, holding for him the spark of modernity and lessons of pure painting,” says foundation president Steven Nash. (more…)
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Tuesday, October 23rd, 2018
Emmanuel Macron has proposed a new approach to French cultural policy, pushing for a government that seeks to emphasize culture as a prominent part of society, and address the “political struggle we have today, fighting against obscurantism [extremism], and the marginalization of creation and culture.” (more…)
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Tuesday, October 23rd, 2018
Tomas Saraceno gets a profile in the NYT this week, as he opens his new exhibition at the Palais de Tokyo. “He’s a great artist, comparable to Marcel Duchamp or even Leonardo da Vinci, who always thought outside and combined disciplines,” says curator Rebecca Lamarche-Vadel. (more…)
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Tuesday, October 23rd, 2018
Vilnius, Lithuania has opened the new, €15m MO Museum, housing the 4,000-work private collection of biotech entrepreneur Viktoras Butkus and his wife Danguole. (more…)
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Saturday, October 20th, 2018
Simone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. (more…)
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Friday, October 19th, 2018
A fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.” (more…)
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Friday, October 19th, 2018
Jenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.” (more…)
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Friday, October 19th, 2018
Barbara Kruger will reprise her iconic installation Untitled (Questions) on the facade of LA’s Geffen Contemporary, the LA Times reports. “People in this city didn’t realize what a gem this building was,” Kruger says of the space. “It was able to shape-shift and be altered in brute, really material ways. It wasn’t a precious over-designed museum.” (more…)
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Friday, October 19th, 2018
Kassel’s controversial obelisk sculpture, installed during Documenta 14 last year, Monument to Strangers and Refugees by artist Olu Oguibe, will remain on view permanently in the city, following protests, defacement, and a temporary removal at the beginning of the month. “There was no way that I could possibly agree with, or approve of, or be party to the removal of the obelisk from the Königsplatz, and it is my hope that the ugly event of October 3 will give Kassel’s leaders cause to revisit the violence that they’ve repeatedly done to artists’ works and visions, and finally put in place a decent policy to avoid such violence in the future,” the artist said in a statement. (more…)
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Friday, October 19th, 2018
The Met and The Brooklyn Museum will reportedly halt the use of Saudi Arabian money for programs on Middle Eastern art, support coming from groups tied to the Saudi government. The move comes after the disappearance of journalist Jamal Khashoggi after entering the Saudi embassy in Turkey. “While this conversation and a subsequent public colloquium were to be supported by external funds, in light of recent developments we have decided that the Museum will itself fund this event,” says Met President Daniel Weiss. (more…)
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Thursday, October 18th, 2018
Kerry James Marshall gets a profile in the Financial Times this week, with the paper profiling and exploring the impact of his work. “Because I make figures does not mean that making work that appears to be abstract is not available to me, ” he says. (more…)
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Thursday, October 18th, 2018
Carrie Mae Weems gets a profile in the NYT this week, documenting her early life and the evolution of her groundbreaking photographic practice in conjunction with her socially-engaged practice regarding violence in black communities and against the same communities by the police. “There are days, especially when we’re editing, when we just leave the studio in a shambles, or we’re just too mentally exhausted to look at another image of someone being shot,” she says. “But as much as I’m engaged with it, with violence, I remain ever hopeful that change is possible and necessary, and that we will get there. I believe that strongly, and representing that matters to me: a sense of aspiration, a sense of good will, a sense of hope, a sense of this idea that one has the right, that we have the right to be as we are.” (more…)
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Thursday, October 18th, 2018
The New York Times takes a deep look at Okwui Enwezor’s ouster from Munich’s Haus der Kunst, profiling the management issues, flagging sales and strange controversies that led to his termination, including government surveillance after a number of Scientologists were discovered working in the museum. “Enwezor had too many scandals to handle at once,” says Isabell Zacharias, a spokeswoman from the center-left Social Democratic Party in the Bavarian Parliament. “Enwezor is not a manager. He’s a great artist, but artists are not managers.” (more…)
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Thursday, October 18th, 2018
Artist Sophie Calle’s last project is an expansive tribute to her deceased cat Souris, featuring songs and pieces by Laurie Anderson, Jarvis Cocker and Michael Stipe, among many others. (more…)
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Thursday, October 18th, 2018
Collector J. Tomilson Hill claims that the art market shows no sign of cooling or crashing due to the number of interested buyers from new museums and private collections in China. “In 1949, when Mao took over China, there were 25 museums in China,” Hill said. “Do you know how many museums there are in the United States today? 35,000. There are under 7,000 museums in China but they’re growing at between 500-1,000 museums a year. So there is a massive demand for interesting things to either look at, to talk about.” (more…)
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Thursday, October 18th, 2018
Christie’s is offering 16 pieces from the collection of Herbert and Adele Klapper in its upcoming evening sale of Impressionist and modern art on November 11 in New York, Art News reports. The collection, estimated at $50 million, includes Claude Monet’s L’escalier à Vétheuil, (1881), estimated at $12 million–to–$18 million. (more…)
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Thursday, October 18th, 2018
The former Actes Sud CEO Françoise Nyssen has been replaced today as France’s minister of culture following allegations of conflicts of interest. She will be replaced by Franck Riester. (more…)
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Thursday, October 18th, 2018
The most recent filing in a case between collector Steven Tananbaum and Jeff Koons/Larry Gagosian claims that the collector should have expected to wait several years for the work he paid $13 million for. “Tananbaum is a prominent hedge fund manager, a trustee of the Museum of Modern Art, and a sophisticated art collector who regularly invests in exclusive works of fine art,” Gagosian’s attorney Matthew Dontzin notes in court papers. “Mr. Tananbaum was being advised by one of the world’s leading art advisors and fully understood that (i) Mr. Koons is a perfectionist who often takes years to make each sculpture; (ii) Mr. Koons provides only estimated completion dates for the sculptures; and (iii) those estimated dates are often extended by multiple years,” Dontzin adds in the motion to dismiss the suit. (more…)
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Tuesday, October 16th, 2018
Three Georgia O’Keeffe paintings deaccessioned by her namesake Museum in Santa Fe will head to Sotheby’s in New York this November, Art Newspaper reports. “Removing an artwork from the collection is never an easy thing for any museum to do, but it is an integral part of good collections management to continually build and refine our holdings,” Museum Director Robert A. Krets says. (more…)
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Tuesday, October 16th, 2018
Five pieces from the collection of filmmaker and architect François de Menil will join the Christie’s New York postwar and contemporary art evening sale in November, including a 1964 Mark Rothko painting that is estimated to sell for between $35 million and $45 million. (more…)
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Tuesday, October 16th, 2018
After many years of rumor and preparation, e-flux is opening Bar Laika, a restaurant and bar that will host readings, screenings and more alongside food by chef and artist Hsiao Chen. The space will open for the first time with a screening by Anri Sala. (more…)
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Tuesday, October 16th, 2018
Paul Allen, the relentless art collector and a cofounder of Microsoft, has died at 65, due to complications from non-Hodgkin’s lymphoma. Allen poured parts of his fortune into his personal art holdings, and was instrumental in trying to build a deeper infrastructure for the arts in Seattle. “As time goes by, you start to understand the history of the progression of art and how art evolved, and your tastes and your eye develop over that period of time,” he said of collecting. “Some of these works are so amazing . . . so you do feel a real responsibility to keep them safe. You are the custodian. It is a serious responsibility, and I take it as such.” (more…)
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Tuesday, October 16th, 2018
Bruce Nauman gets a profile in the NYT this week, as he prepares to open an expansive retrospective at MoMA PS1 this month. “I’m not sure how you develop as an artist outside of a major cultural center,” he says, looking back on his life outside New York. (more…)
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