Liz Magic Laser has been chosen as the commissioned artist for the 2013 edition of The Armory Show, which celebrates the centennial year of its namesake exhibition of 1913. Laser’s performance and theatrical work has been presented at the Malmö Konsthall, the Performa 11 Biennial, The Kitchen and MoMA PS1. Laser will help create the visual identity of the 2013 fair, which takes place from March 7–10th, 2013. (more…)
Robert Rauschenberg Foundation We The People via Art Observed
Curator Alison Gingeras and artist Jonathan Horowitz have teamed up to organize an exhibition at the Robert Rauschenberg Foundation’s new project space in Chelsea which coincides with the upcoming election. Using the famous opening words of the constitution as a framework, We the People explores identity politics and creates a vision of the American demographic that both embodies and contests the categories that politicians and pollsters have used to divvy up the American population in recent years.
Norman Rockwell, courtesy Norman Rockwell Museum Collection ©1943 SEPS
Leo Villareal is installing his BUCKYBALL light sculpture (an homage to Buckminster Fuller) in Madison Square Park. The piece is a honeycomb-shaped, 20-foot-tall interactive structure with changing colors. The work will be on view from October 25, 2012 through February 2013. (more…)
The Eli and Edythe Broad Art Museum will open on November 10th, 2012 at Michigan State University, of which Mr. Broad is an alumnus. The Broads donated $26 million to the school in 2007 to build the museum, which has been designed by Zaha Hadid. The Broads also donated 19 works to the museum from their private collection. (more…)
Vanity Fair profiles Nate Lowman as he prepares for his new show at the Brant Foundation Art Study Center, opening on November 11th. The exhibition will house 10 gas-pump panels, large-scale air fresheners, paintings on studio drop cloths, a tow-truck boom in the shape of a cross, “Trash Landing Marilyn” paintings and digital prints of oil rigs named after stars from the TV show Dynasty.
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More information about the quantity of purportedly fake paintings sold by Knoedler has surfaced. The recent filings outline that Knoedler earned approximately $60 million in revenue from artwork it took on consignment from Glafira Rosales, clearing about $40 million in profit. Many of the works lacked full provenance records and were offered at below-market prices to the gallery. (more…)
Disaronno liquers is launching limited edition bottle designs in collaboration with Galeries Lafayette and Toilet Paper magazine. The magazine is a collaboration between Maurizio Cattelan and the photographer Pierpaolo Ferrari. Both based in Milan and New York, the publication is both magazine and artistic book, combining photographs and texts. (more…)
FIAC crowds, photo by Tiphaine Popesco for Art Observed
FIAC closed today, Sunday October 21st, with dealers reporting strong sales and a collective sigh of relief that the proposed inclusion of artwork over €50,000 to France’s wealth tax had not passed. The fair was, by all accounts, well-organized and exhibited an impressive program of young galleries alongside work by established blue-chip artists. This year the fair added exhibition space in the Salon d’Honneur, the newly-renovated upper floor of the historic Grand Palais. In past years the fair has seen more European collectors, but this year dealers reported sales to many collectors from Asia, Russia and the Middle East as well. The fair was directed by Jennifer Flay.
Marc Quinn, The Origin of the World, 2012, photo by Tiphaine Popesco for Art Observed
New York’s November auctions will offer several Warhol works, among them Christie’s $100 million sale of works in three separate sales from the Warhol Foundation, and at Sotheby’s two “A-plus” paintings from the “Death and Disaster” series. Concerns that an influx of Warhols on the market have lowered demand stem from weak London sales for the artist earlier this month. (more…)
Richard Prince will design a can for the AriZona beverage company’s Arnold Palmer line, called “Lemon Fizz”. Prince proposed the project to the company with the idea of re-appropriating commercial imagery that depicts American masculinity. The drink will be on sale beginning at this year’s Art Basel Miami Beach in December. (more…)
Larry Gagosian has dropped his lawsuit against collector Ron Perelman, stating that legal action had been taken only to establish Gagosian was the owner of the named artworks. The Perelman lawsuit concedes this fact, says Gagosian’s attorney, so he has no need to continue with the complaint. Mr. Perelman’s suit against Gagosian continues; it is related to the purchase of Koons‘ Popeye and other works for fraud, breach of fiduciary duty, unjust enrichment, negligent misrepresentation and breach of contract. (more…)
London’s gallery district in Mayfair may face higher rents and an influx of retail tenants as soon as 2016, due to retail and residential developments in the area. A £90 million redevelopment of a building into luxury apartments coincided with an announcement by the developer that seven galleries’ leases will not be renewed, including Cork Street’s oldest, the Mayor Gallery. A separate landowner plans to redevelop another site on Cork Street, the current location of four other art galleries. The Westminster Council plans to rule on the developments early next year. (more…)
Gallerist Adam Lindemann and artist Peter Coffin, photo by Art Observed
Peter Coffin’s first solo show in New York City in four years, A,E,I,O,U, is on view through November 2nd at Venus Over Manhattan Gallery at 980 Madison Avenue.
Prepared in just three months, the show features several large scale sculptures: an iconic Warholian larger-than-life dog, a skeletal wooden hand forming the “ok” symbol (reminding us of Nauman’s hand series, where each hand makes a sign whose meaning changes depending upon context), to a panel holding spools and spools of satin ribbons of various widths and colors.
Peter Coffin, Untitled (Dog) (2012). All photos by Ryann Donnelly for Art Observed
There are also several unassuming additions one might only find from reading the show’s checklist: a marble slab installed at the entry of the gallery and planter boxes which are hung outside the open windows. A round speaker mounted to a stand near the middle of the gallery– a piece labeled Untitled (Pet Store)— also fills the space with sounds of birds, dogs, and bubbling fish tanks.
Art Observed recently sat down with Coffin to discuss the nature of the work, which he identifies as “Idea Art”.
The New York Times reports on Jeffrey Deitch, highlighting that the controversy regarding the LA MOCA director is not one-sided. While Deitch entered direction of a museum in dire financial straits, he in fact has strengthened its online presence, has presented almost two dozen exhibitions – some groundbreaking – and has hosted successful celebrity fundraisers. However his critics assert that he has appealed to both the public and billionaire board member Eli Broad, while neglecting artists and curators, turning the museum into a “black hole”. (more…)
Robert Irwin – Dotting the i’s & Crossing the t’s: Part II (2012), Courtesy Pace Gallery
A pioneer of the Light and Space movement in 1960s Los Angeles, Robert Irwin made monumental contributions to the conceptual art practice, bringing considerations of interrelation, perception, condition and experience into the broader art lexicon. Continuing an ongoing exploration of Irwin’s 40-year career, the Pace Gallery in New York is currently hosting a large-scale exhibition of new works.
Robert Irwin –Dotting the i’s & Crossing the t’s: Part I (2012), Courtesy Pace Gallery (more…)
The WSJ reports on a vineyard in Tuscany that has been commissioning projects by well-known contemporary artists for over a decade. Lorenza Sebasti and Marco Pallanti, the husband and wife owners, started their first of 12 commissions at the vineyard with a work by Michelangelo Pistoletto, at a rate of about one per year. The works are created in situ among stone buildings and 18th-century villas. Artists who have commissioned works include Louise Bourgeios, Daniel Buren and Anish Kapoor, among others. (more…)
The Getty Institute has announced that it will purchase the former Knoedler Gallery’s complete archives. Before the gallery was mired in lawsuits and closed its doors, it was an 165-year old institution whose client roster included Paul Mellon, Henry Clay Frick and Robert Sterling Clark. It exhibited and sold work by van Gogh, Manet, Winslow Homer, Frederic Church, John Singer Sargent, Louise Bourgeois, Willem de Kooning and Barnett Newman, among others. The well-preserved archive includes stock books, sales books, photos and illustrated letters from artists and collectors. (more…)
Stray Light Grey opening at Marlborough Chelsea. All photos by Ryann Donnelly for Art Observed unless otherwise noted.
Stray Light Grey is a full gallery installation on view at Marlborough Chelsea by artist collaborators, Justin Lowe and Jonah Freeman. Equal parts creation and destruction, a series of rooms has been gutted and destroyed in order for the viewer to pass through a maze of the artists’ apocalyptic scenery. The torn walls, fluorescent horror-film lighting and the glut of strange objects such as crystals, antique dentist chairs and 1980s movie posters all make up the experience.
Freeman Lowe installation courtesy Marlborough Chelsea
FIAC Grand Palais, photo courtesy We Want Contrast for Art Observed
FIAC, one of Europe’s main three art fairs, held its vernissage last night in Paris at the Grand Palais. Dealers saw strong blue chip sales, including an $8 million Joan Miro panting, despite concerns over France’s proposed increase in wealth taxes and a strong Frieze and Frieze Masters in London the week before.
Gilles Fuches, President Prix Marcel Duchamp
All photos by Tiphaine Popesco for Art Observed unless otherwise noted
The crowd at FIAC
FIAC has added more contemporary work from the second half of the 20th century in the last two years, attracting big collectors like Francois Pinault, Bernard Arnault, Alberto Mugrabi and Omer Koc.
A woman ranked #1 on Art Review’s Power 100 of 2012 for the first time ever. The Bulgarian curator, Carolyn Christov-Bakargiev, topped the list for her dOCUMENTA (13) exhibition in Kassel. After 100 days of being open to the public, the fair received a total number of 887,000 visitors. The Power 100 is based on “a combination of influence over the production of art internationally, sheer financial clout … and activity in the previous 12 months”. Numbers, 2, 3, 4 and 5, are Larry Gagosian, Ai Weiwei, Iwan Wirth and David Zwirner, respectively. (more…)
Heather Hubbs, the director of the New Art Dealers Alliance (NADA), sent out a letter to its Miami exhibitors who also plan to have a booth at the inaugural “Untitled” fair, saying they must “commit to NADA solely”. The “Untitled” fair is in its first year in Miami, is curated by Omar Lopez-Chahoud and will take place in a tent on the beach designed by Terry Riley. Hubbs also stated any gallery that did not withdraw would be barred from future participation in NADA fairs. A spokesman from “Untitled” issued a statement saying: “Our attorneys have sent a cease and desist letter to NADA and demanded that they immediately notify those with whom it has been in contact that it is withdrawing its opposition to such exhibitors participating in the Untitled fair.” (more…)
Last week, a Gerhard Richter from the collection of Eric Clapton set a record as being the most expensive work by a living artist to be sold at auction. Now, Sotheby’s, who sold that painting, is offering another 1990s Richter, also called “Abstract Painting,” in its November 13th New York sale. The presale estimate is $16 million, according to the WSJ. There are 65 paintings from this series that are 6 feet or higher, with 1/3 of these large pieces in museum collections. The auction will also offer major Abstract Expressionist works, such as Mark Rothko‘s No. 1 (Royal Red and Blue) from 1954 and a 1951 Jackson Pollock drip painting.
Rotterdam Kunsthal, photo Peter Dejong AP
The Kunsthal Rotterdam in the Netherlands suffered the loss of several valuable paintings in a theft around 3:00 a.m. on October 16th, among them Picasso, Monet, Gauguin, Matisse and Lucian Freud. The paintings were part of an exhibition of 150 works in the Triton Foundation’s collection as part of the museum’s 20th anniversary celebration. The burglars set off an alarm at a security agency and authorities responded within 5 minutes, but not in time to catch the suspects.
Picasso Harlequin Head, 1971 courtesy Businessweek
A Roy Lichtenstein painting, missing for 42 years has been returned to its owner by Federal authorities. Barbara Castelli’s late husband, Leo Castelli, had purchased the painting in the 1960s for $750; it is now valued at $4 million. The piece was sent to be cleaned in 1971 and remained there unnoticed until the restorer’s widow said the the employee who had kept track of the painting asked her to find a buyer for him. She found a buyer in Colombia, not knowing it was stolen. When the buyer contacted the Lichtenstein Foundation to authenticate the work, the Foundation contacted Castelli, who alerted the FBI. (more…)