The New York Times has published an extensive profile on artist James Turrell in advance of his three museum retrospective opening this summer at the Guggenheim Museum, LACMA, and the Museum of Fine Arts, Houston, occupying 92,000 square feet in total, with some of Turrell’s most striking visual illusions and light works.  Profiling the artist’s career and body of work, the article covers the full range of Turrell’s discipline, including his massive project at Roden Crater.  “It has become, even unfinished, as important as any artwork ever made,” LACMA director Michael Govan said. “I know I’m going out on a limb here a little bit, but I think it’s one of the most ambitious artworks ever attempted by a single human being.” (more…)

Ana Mendieta, Untitled (Cuilapán Niche) (1973), via Galerie Lelong

The current exhibition at Galerie Lelong contains a wide range of Ana Mendieta’s work, spanning from photography (Mendieta was known for her documented performances), sculpture, and works on paper. Mendieta’s diverse approach often brings to question the artist’s practice and style: was she an earth artist, a conceptual artist, a performance artist, a filmmaker, a photographer, or a sculptor?  Featured prominently in this show, the artist’s earth sculptures in particular provide viewers a unique opportunity to examine the transformation of Mendieta’s work during the last years of her life. Presenting ephemeral works the artist executed in natural environs, as well as her three-dimensional pieces, made from natural elements such as earth, wood and sand, these pieces show the artist’s continued imagery of the female body.

Ana Mendieta, Alma Silueta en Fuego (Silueta de Cenizas), (1975), via Galerie Lelong (more…)

As Sotheby’s and Christie’s prepare for the upcoming sales in London this week, the Financial Times has published a profile on the two houses, tracing their competitive rivalry for market dominance, and their divergent tactics regarding private sales, online auctions, and increasing buyers premiums.  Says Sotheby’s President Bill Ruprecht: “We are betting our future on the fact that wealth will continue to be created and there will continue to be an economic elite, and that works of art will be relevant to them all over the world.” (more…)

Riding the current wave of interest in the art and life of Jean-Michel Basquiat, production a Broadway musical focusing on the artist is currently underway.  Basquiat the Musical will have its first reading on Monday, June 24th, and stars Eric LaJuan Summers as the young artist. (more…)

Tracey Emin, I Followed you to The Sun (2013) via Lehman Maupin

Tracey Emin, a central member of the Young British Artists (YBA) group, is on-view at the Lehmann Maupin gallery through June 22. The gallery is hosting a multi-location show of Emin’s work, exhibiting in both its Chrystie Street and Chelsea locations, as well as promoting her project Roman Standard, installed in Petrosino Square through September 8. Roman Standard, open for public viewing in the square features a single bronze bird perched on a thirteen-foot pole and welcomes quiet contemplation, something of a departure from Emin’s more well-known, confrontational work.

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A German investigation into a multi-million dollar art forgery ring has led to the arrest of two suspects, and the seizure of over 1,000 objects.  The illegal operation specialized in avant-garde Russian works of the 20th century, including forged pieces by Wassily Kandinsky, Kazimir Malevich and Natalia Goncharova.  “It’s well known that avant-garde works are particularly subject to forgery purely on stylistic grounds,” says auctioneer William MacDougal. “It’s not that difficult to paint a convincing black square. It’s much more difficult to forge a Rembrandt, for instance.” (more…)

Michigan’s Attorney General Bill Schuette has spoken out on the proposed plan to auction off parts of the Detroit Institute of Art’s collection to pay off some of the city’s considerable debts.  Speaking on Thursday, Schuette emphasized the public nature of the collection, and its role as part of a public trust.  “The art collection of the Detroit Institute of Arts is held by the city of Detroit in charitable trust for the people of Michigan, and no piece in the collection can thus be sold, conveyed or transferred to satisfy City debts or obligations.”  He said. (more…)

The Museum of Modern Art has announced that Stuart Corner, former Curator of Film at the Tate Modern, London since 2004, will take over as the Chief Curator of Media and Performance Art at the Museum.  Mr. Corner is also a co-curator for the 2014 Whitney Biennal.  “Artists working across time-based media—from performance to the moving image and all of the many permutations in between—continue to push and reshape artistic practice in fundamentally challenging and exciting ways,” say Mr. Comer. “I look forward to exploring this dynamic field and its rich history by continuing the development and exhibition of MoMA’s distinguished collection.” (more…)

Sculptor Anish Kapoor has been inducted as a knight of the British Empire this week, part of Queen Elizabeth II’s 2013 Birthday Honors.  The 59-year old Turner Prize winner joins a list of 24 other Indian-born honorees, and also became the first living British artist of Indian origin to take over the Royal Academy in 2009. (more…)

With growing confidence among Chinese contemporary art buyers, Sotheby’s will heavily feature work from the Asian state in its June 26th and 27th contemporary sales in London.  Works by Zhang Xiaogang, Shi Xinning, Yue Minjun, and Zhang Huan will feature prominently in the sales, with a series of works expected to sell anywhere between £120,000 and £450,000. (more…)

Jean Dupuy, Performances/Bouffe Théâtre d’en face (1979) (detail), via Galerie Louevenbruck

Galerie Louevenbruck Paris is currently exhibiting Jean Dupuy: the collective years (1973-1983),  a first time retrospective of the artist’s “collective” period during the late 20th century. This period of work was developed after Dupuy left Paris for New York in 1967. Having begun his art career as a painter, he infamously threw his old works into the Seine before heading off to America, where a year later his Cone Pyramid (Heart Beats Dust) sculpture became his introduction to the notions of the collective.  Shortly after its creation the piece had already been exhibited at both the Museum of Modern Art and the Brookyln Museum, and its success launched the artist into his 40 year study of “techno-sensual” techniques and collective art practice.

Jean Dupuy, The Collective Years (Installation View), via Galerie Louevenbruck

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Takashi Murakami is featured this week in a video interview with Nowness Magazine, discussing his recently opened shows in Los Angeles and Hong Kong, his film Jellyfish Eyes, and his attempts to make work in the aftermath of the earthquake and fallout from the Fukushima power plant disaster. “Those natural disasters birthed in me a desire to understand spirituality,” he says. “When I consider what art means to humanity, capitalism and the money game can longer be the main themes of my work.  As an artist, I can heal people.  Now, I feel art is just about healing.” (more…)

Starting its campaign to create a “neighborhood of art” around its Houston campus, the Menil Collection has hired landscape architect Michael Van Valkenburgh to redesign and expand the environment around its 6 buildings.    “It’s always a challenge to take a landscape that has evolved incrementally and a landscape that has a subtle and modest character and to somehow succeed in improving it,” Mr. Van Valkenburgh says. “It’s not something that needs to be reinvented.” (more…)

Artist and filmmaker Julian Schnabel has announced the opening of an exhibition space on the ground floor of his West Village home in New York.  Titled Casa del Popolo, the space’s first show will feature six new works by British painter Nick Mead.  “This is the first installment of a program to show the work of other artists and an opportunity to collaborate with people who present unique perspectives on art that I believe in. I wanted to open part of my house to the public so they could have an art experience ‘far from the maddening crowd’.”  Says Schnabel. (more…)

Monkeytown, the unique film and performance event presented by Brooklyn artist Montgomery Knott, will stage its first iteration in Manhattan this summer, at Chelsea’s Eyebeam Art and Technology Center.  The event will run for 60 days, beginning tonight, and features a selection of works by Theo Angell, Shana Moulton, Eve Sussman, and more, alongside a dinner and beer or wine pairing.  “It’s strange to be a restaurateur, as I think of this as an art installation. But I’m very aware of service.”  Knott says. (more…)

A 41-year old man has been arrested in London under suspicion of defacing a portrait of the Queen at Westminster Abbey.  The work, done by artist Ralph Heimans, went on view in May, and was commissioned to celebrate her diamond jubilee last year.  “In an incident at lunchtime today, a visitor to the abbey sprayed paint on the Ralph Heimans portrait of the Queen presently on display in the Chapter House. Until work can be done to remedy the damage it will, very regrettably, not be possible to have the painting on public view.”  The abbey said in a statement. (more…)

Nadja Frank, Red Headed Stranger (2013), via Denny Gallery

Creating links between the exterior world and the white cube of the gallery space, artist Nadja Frank’s work explores the intersections of natural forms and fabrication through her sculptural and painted works.  Often creating works around samples and materials culled from natural landscapes, Frank’s pieces express an attempt to bridge the distance between her experience and practice, while sitting firmly between the two.  For her first solo show at Denny Gallery in New York, Frank has turned her focus to the landscapes of the High Desert, exploring the rich hues and striking forms of the American West.  (more…)

Alex Israel, Self-Portrait (2013), via Peres Projects

Los Angeles-based Alex Israel makes work that seems constantly engaged with his home city, the Californian metropolis that plays home to so many of image-driven outlets of the culture industry.  Borrowing from the high-gloss, high production-value world of the Hollywood studio systems and culture corporations, Israel’s works explore the trappings and conventions of celebrity, perception and fame in the context of a city so actively engaged in the manipulation of each.

Alex Israel, Self-Portraits (Installation View), via Peres Projects (more…)

Henri Labrouste, Bibliothèque Sainte‐Geneviève, Paris, (1838‐1850) View of the reading room, Photograph Michel Nguyen © Bibliothèque Sainte‐Geneviève Michel Nguyen, courtesy of MoMA

Moving beyond mere architectural details, The Museum of Modern Art’s current exhibition, Henri Labrouste: Structure Brought to Light,is not simply a survey of the French architect’s (1801-1875) work and influence, but also something of a meditation and retrospective on the library’s role in society.  As information continues its march from papers to servers, and books are routinely traded in digital form, Labrouste’s vision of the library as a central mechanism for the dissemination of knowledge offers an intriguing meditation on the significance, symbolism and vitality of the library today.  The show is also apropos here in New York as the city’s Central Public Library, in response to these changes, prepares for a potentially devastating renovation.

Henri Labrouste, Bibliothèque Sainte-Geneviève, Paris, (1838-1850) Southwest corner elevation and section (Late 1850), Bibliothèque Sainte-Geneviève, Paris

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Damien Hirst’s spot paintings are once again the subject of analysis and discussion, this time in the New York Times, which looks forward to the publication of his catalogue raisonné for the series this fall.  Released by Other Criteria, the book will catalog the full series of spot paintings, 1,365 in all, and is speculated by some as a way to lend authenticity to the work of an artist whose auction prices have fallen in recent years.  “He needs to regain the trust of the marketplace,” said Jeff B. Rabin, an advisor and co-founder at Artvest Partners. “It seems the catalog is one measure he could perhaps take to start to rectify some of the ill feeling out in the marketplace.” (more…)

Wolfgang Tillmans, young man, Jeddah, b, (2012), via Andrea Rosen

Continuing their ongoing relationship, Andrea Rosen Gallery is currently exhibiting its 11th solo exhibition of work by German photographer Wolfgang Tillmans, on view through June 22nd.  From Neue Welt is the result of a four-year project that Tillmans began in 2008, and completed in 2012, a vigorous photographic cataloguing of the dawn of the 21st century. 25 works have been selected from the hundreds of photographs that were a part of the original work, which culminated at the Kunsthalle Zurich in the fall of 2012.

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Outside View, Art Basel 2013, Photograph Courtesy of Art Basel

The city of Basel, situated at the border between Switzerland, France and Germany, will be transformed into a contemporary arts hub this week for the 44th annual Art Basel. Anticipating record attendence, the fair will look to top its record of over 65,000 visitors at the marathon art event this year.  With over 300 top galleries from all over the world flocking to the city to display over 4,000 artists’ work, the fair is commonly referred to as the “Olympics of the art world.”  and features a similarly brimming schedule of events and claustrophobic crowds of eager spectators. Each day boasts its own full agenda, including film screenings, artist talks, and performances, and joined by the vast number of peripheral art exhibitions and events hosted by cultural institutions of Basel throughout the entire region, held in obscure and romantic venues amidst the Swiss lakes and mountains.

Olafur Eliasson, Untitled (2003), Courtesy of Art Basel

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Mike Kelley, Eternity is a Long Time (Installation View), Photo by Agostino Osio Courtesy Fondazione HangarBicocca, Milan All Mike Kelley works © Estate of Mike Kelley  

Running in tandem with this summer’s Venice Biennale, Milan’s HangarBicocca is currently presenting a selection of works by the late American conceptual master Mike Kelley, culling together a series of sculptures, installations and video from the last few years of his life, alongside several of his earlier notable conceptual pieces.

Mike Kelley, Eternity is a Long Time (Installation View), Photo by Agostino Osio Courtesy Fondazione HangarBicocca, Milan All Mike Kelley works © Estate of Mike Kelley   (more…)

West Coast art dealer Blum and Poe has begun its search for a gallery space in New York City, which is intended to “focus on our artists who currently do not have representation in New York, in addition to very specific projects, both historical and otherwise,” says co-owner Tim Blum.  The gallery is currently based in Los Angeles, and will look to open by August. (more…)