Archive for the 'Art News' Category
Tuesday, March 19th, 2013
For the first time in its 84-year history as an independent state, the Vatican City will have its own contemporary art pavilion at the Venice Biennale, Biennale president Paolo Baratta announced yesterday. The news comes as the Catholic Church seeks to move forward from issues associated with the last pope stepping down. “They said they wanted to put into public view the fact that there were other things beyond mere country boundaries, political state boundaries, that united people.” Says Andrea Rose, the British Council Director of Visual Arts, who met with Vatican officials last year. (more…)
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Tuesday, March 19th, 2013
TEFAF is currently in talks with Sotheby’s and Beijing GeHua Group (China’s state-owned development company) over a new art fair in China. “TEFAF Beijing 2014” would place a new edition of the world’s largest art and antiques fair in the world’s second-largest art market. “We feel now is the time to further develop our presence in China, one of the most important art markets,” said TEFAF Executive Ben Janssens. “Tefaf is committed to contributing to the further growth of the market for European art in China.” (more…)
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Monday, March 18th, 2013
A painting bequeathed to the British National Trust has been identified as a self-portrait of Rembrandt van Rijn, refuting prior beliefs that the work was done by one of his students, or perhaps a copy. Donated in 2010, the work was recently rexamined by Rembrandt expert Ernst van de Wetering, of the Rembrandt Research Project, and who was immediately convinced that the work was by the famous Dutch artist. This new discovery raises the estimated value of the work to £20 million. “Over the past 45 years we have gathered far more knowledge about Rembrandt’s self-portraits and the fluctuations in his style,” said Van de Wetering. “In 2005 I published an analysis of the genesis of the painting on the basis of an x-ray. This analysis and newly found circumstantial evidence remarkably increased the likelihood that the painting was by Rembrandt himself.”
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Monday, March 18th, 2013
Dan Flavin (Installation View) via David Zwirner
The inaugural show at David Zwirner’s spacious new location on W. 20th Street in Manhattan is a pairing of two of minimalism’s major figures and long-time friends, Donald Judd and Dan Flavin. Given the size of the new location, with its towering ceilings and ample floor space, the show is sparese in both form and quantity, containing 8 illuminated frameworks by Flavin and 5 welded steel boxes by Judd.
Donald Judd, untitled (1991), via David Zwirner
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Sunday, March 17th, 2013
The New York Times has published a profile of the recently deceased Lisa de Kooning, daughter of 20th Century American painter Willem de Kooning. The article traces her youth in New York City, her active championing of her father’s estate after his death in 1997, and her struggles with alcohol and drugs, which ultimately led to her early death. “She had an immense amount of talent,” says actor Alex Kilgore, “but she knew what genius was and she could never free herself from her own eye.” (more…)
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Sunday, March 17th, 2013
Following a turbulent year of art sales and auctions, which saw a 7% reduction in worldwide sales, the United States is once again the leader for art sales globally, according to art economist Claire McAndrew. Presenting her findings this week at TEFAF Maastricht, McAndrew underlined the current instability of the global economy, and the resultant reliance on safe art investments and blue chip artists. (more…)
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Sunday, March 17th, 2013
L Magazine has published a a selection of talented, Brooklyn-based artists under 30, highlighting the rising talent coming from the borough. The list includes 8 young artists, including Brad Troemel, Trudy Benson, and Ann Hirsch. (more…)
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Sunday, March 17th, 2013
92YTribeca, a downtown arts and cultural space operated by the 92nd St. Y, will close this summer. The decision was made by the 92nd St. Y board on Wednesday night, in order to focus operations on the primary location. “We believe 92Y can best serve the community now and in the future by investing our resources into our flagship location uptown on Lexington Avenue.” Says executive director Sol Adler. (more…)
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Sunday, March 17th, 2013
Matisse: In Search of True Painting, (Installation View),via The Metropolitan Museum of Art
The Metropolitan Museum of Art in New York City opened the exhibition “Matisse: In Search of True Painting” on December 4th 2012. Dedicated to Henri Matisse’s painting process, and highlighting his tendency to “repeat compositions in order to compare effects,” the exhibition includes forty-nine works, emphasizing the artist’s lifelong work with pairs, trios, and series, and exploring his artistic exercise of variance to discover the true essence of an image.
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Sunday, March 17th, 2013
Richard Prince, Untitled, (2012), via Sadie Coles
This winter, Sadie Coles presents a shifting, multifarious collection of works courtesy of Richard Prince, exploring notions of the human form, consumption, and value through the depiction and obfuscation of explicit content.
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Saturday, March 16th, 2013
La Miroiterie, a long-running artist’s settlement and squat in the Parisian neighborhood of Ménilmontant is facing eviction from the development company that owns the abandoned mirror factory. Founded in 1999, the space has a reputation as fiercely independent, and avoided working with the Parisian government to legitimize the space. “The City Council has always respected and admired what was done at La Miroiterie, but we never supported them” financially “because they never wished for their project to be institutionalized,” said a spokesman for the Paris city council. (more…)
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Friday, March 15th, 2013
The New York Times publishes an in depth story on Kathy Grayson and The Hole Gallery, which blends a forward thinking curatorial practice with a vibrant atmosphere. The gallery has charged into an art scene still bemoaning the loss of Jeffrey Deitch’s Deitch Projects space. “There hasn’t been a gallery like this since Deitch,” said Mike Malbon, of Frank151 magazine. “It’s got a good buzz and a cool, creative vibe. Other art shows, to me, are just stuffy.” (more…)
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Friday, March 15th, 2013
The Luck You Collective, a group of young, born and bred New York artists aged 19 to 21, is currently making on impact on the downtown arts scene. “To me they represent the heart and soul of the young New York creative scene,” says photographer David Mushegain. “They are the ones who grew up here and are continuing the conversation that started so long ago. They are seemingly the last stand in a downtown scene that is surely vanishing, and I love them for that.” (more…)
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Friday, March 15th, 2013
The Venice Biennale has released its final list of artists for this summer’s art exhibition, titled The Encyclopedic Palace. The list includes a number of both prominent and young artists, including Ed Atkins, Uri Aran, and Miroslaw Balka. “With the Encyclopedic Palace, Massimiliano Gioni (this year’s Biennale’s curator), much more than presenting us with a list of contemporary artists, wishes to reflect on their creative urges and seems to push the question even further: what is the artists’ world?” says president Paolo Baratta. (more…)
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Thursday, March 14th, 2013
The European Fine Art Fair, which opened its doors to VIP buyers today in the Netherlands, is offering over $5.2 billion in museum-quality artwork and antiques this year, including a “reasonable” $14 million painting by Velzaquez. “Collectors, or more generally rich people, will continue to buy what the market considers are the best pieces,” says art adviser Henry Bounameaux. “At fairs like Tefaf, they feel secure.” (more…)
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Thursday, March 14th, 2013
Wim Delvoye, Oeuvres Choisies (1988-2011) (Installation View), via Galerie Guy Bartschi
This month, Galerie Guy Bärtschi in Geneva, Switzerland presented a solo show of works by Belgian neo-conceptual artist Wim Delvoye, running through March 15th, 2013. Exploring a broad selection of the artist’s work, from his bold reinterpretations of classical symbolism to more contemporary iconography and satire, the show illustrated Delvoye’s broad practice, as applied towards the analysis of meaning and value in contemporary and classical art.
Wim Delvoye, Viae Crucis – Station XIV. Jesus Is Laid In The Tomb (2006), via Galerie Guy Bartschi (more…)
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Thursday, March 14th, 2013
More conflicts have come to light in the recent dispute between the board members of the Cy Twombly Foundation. A lawsuit, filed on Wednesday in Delaware state court, accuses director Thomas Saliba and lawyer Ralph Lerner of taking an unauthorized $300,000 in investment fees from the organization. “Lerner and Saliba have refused to provide a copy of the trust or disclose their trustee commissions, which makes it impossible to confirm the extent of their wrongdoing, but the facts currently known raise very serious questions about Lerner’s and Saliba’s conduct,” the lawsuit said. (more…)
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Thursday, March 14th, 2013
The National Gallery in Washington, DC has announced a renovation to its East Building that will add 12,260 square feet of exhibition space, as well as a rooftop sculpture garden. The new spaces will host a selection of modern art from the Gallery’s collection, including a room potentially dedicated to Mark Rothko. “This gift to the nation by these generous donors will enable us to exhibit more art from our ever-growing modern collection in spaces that will be at once spacious, airy and contemplative.” said director Earl A. Powell. (more…)
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Thursday, March 14th, 2013
The Opening for Doug Aitken, 100 YRS, Courtesy of 303 Gallery
Working across a broad body of media and techniques, including photography, sculpture, video, installation, sound art and architectural interventions, Los Angeles-based artist Doug Aitken’s work frequently explores concepts of rhythm, repetition and duration, exploring interrelations between time, memory and space and the subsequent fluctuations of meaning and understanding caused by their interactions. His work has been ehxibited in a variety of institutions and contexts, including his enormous Song1 installation on the outside of the Hirshhorn Museum in Washington, DC, as well as his upcoming video art installation at the Seattle Art Museum.
Doug Aitken, MORE (Shattered Pour) (2013), Courtesy of 303 Gallery
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Thursday, March 14th, 2013
In a new twist to the Museum of Contemporary Art’s current fiscal problems, MOCA is reportedly in talks for a partnership with the National Gallery, a development that casts doubts on that museum’s possible acquisition by the Los Angeles County Museum of Art. The discussed plan between MOCA and the National Gallery would open the door to collaborations on exhibition and research, but would do little to alleviate MOCA’s financial woes. “The goal at this point is stabilizing them and get them standing as an independent institution,” says National Gallery chair John Wilmerding. “We’d like to see them survive and thrive, and if we can help them, that’s all we’re doing.” (more…)
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Thursday, March 14th, 2013
Rembrandt’s “Portrait of the Father” has been recovered in Serbia, seven years after its theft from a museum in Novi Sad. The painting, which is currently valued at $4 million, was stolen in a masked robbery alongside works by Peter Paul Rubens, marking the second time the painting has been stolen in the space of ten years. The theft underlines Serbia’s problems with art theft, which has struggled to provide adequate security for some of its masterworks. (more…)
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Wednesday, March 13th, 2013
2 Works by Mark Flood at Peres Projects, photo by Daniel Creahan for Art Observed
The Independent Art Fair returned to Chelsea this year, taking up three floors of Center548 with work from over 40 galleries around the world, offering a markedly fresh take on the busy sales rush of Armory Week in New York.
Independent, New York, 2013 (Installation View) Courtesy Independent, New York
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Tuesday, March 12th, 2013
At a time when some major artist committees are disbanding for fear of lawsuits over authentication practices, and increased reliance on studio practices has challenged the notion of the singular, “authentic” work of art, standard practices of authenticity in contemporary art are increasingly under fire. Issues of market value, versions, and lack of knowledge challenge ideas of validity, and pose interesting questions into the value of the art object.
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Tuesday, March 12th, 2013
Chinese artist and dissident Ai Weiwei has announced plans to release an album of heavy metal, inspired by his 81 days in detention in 2011, and his political stance towards the Chinese government. Called “Divina Commedia,” the title is a comic play on the nickname “Ai God” that he has earned among his supporters. “You know, I’m a person that’s furthest away from music, I never sing,” Ai said. “But you’ll be surprised. You’ll like it.” (more…)
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