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New York – Doug Aitken: “New Era” at 303 Gallery Through May 25th, 2018

Sunday, April 22nd, 2018

Doug Aitken Receives Inaugural $100,000 Frontier Art Prize

Thursday, October 19th, 2017

Doug Aitken Places Mirrored Ranch Home in California Desert

Tuesday, February 28th, 2017

Doug Aitken’s Underwater Sculpture Profiled in NYT

Tuesday, November 22nd, 2016

Doug Aitken Profiled in The Guardian

Thursday, September 15th, 2016

NYT Offers a Look at Doug Aitken’s Underwater Sculpture

Thursday, September 8th, 2016

Doug Aitken Executes Sky-writing Piece in Monaco

Wednesday, June 15th, 2016

Doug Aitken Opens New Version of “Station to Station” in London

Tuesday, June 30th, 2015

Doug Aitken Interviewed in Financial Times

Monday, June 29th, 2015

Liz Glynn Interview with Doug Aitken Posted by New York Times Magazine

Monday, February 3rd, 2014

Doug Aitken Interviewed by New York Times on “The Source”

Monday, January 20th, 2014

Doug Aitken Announces Film Project at Sundance Film Festival

Sunday, January 12th, 2014

Doug Aitken Interviewed for Another Magazine on Station to Station

Saturday, October 12th, 2013

AO On-Site: New York – Doug Aitken’s Station to Station at Riverfront Studios

Tuesday, September 10th, 2013

Doug Aitken’s discloses details of his Happening piece ‘Station to Station’

Saturday, June 22nd, 2013

New York – Doug Aitken: “100 YRS” at 303 Gallery Through March 16th, 2013

Thursday, March 14th, 2013

Doug Aitken Prepares Digital Land Art Installation for Seattle Art Museum

Tuesday, March 5th, 2013

Liverpool – “Sky Arts Ignition: Doug Aitken – The Source” at Tate Liverpool, through January 13th, 2013

Friday, October 26th, 2012

Washington D.C.: Doug Aitken ‘Song 1′ at The Hirschhorn Museum through May 13, 2012

Wednesday, April 11th, 2012

Don’t Miss – Los Angeles: Doug Aitken “House” at Regen Projects Through December 18, 2010

Friday, December 17th, 2010

Go see – Los Angeles: Doug Aitken at Regen Projects through October 17, 2009

Tuesday, September 29th, 2009

AO On Site (with video): Doug Aitken ‘Migration’ at 303 Gallery, Saturday, September 20, 2008

Tuesday, September 23rd, 2008

Go See: Doug Aitken “99¢ dreams” and Ugo Rondinone: “twelve sunsets, twenty nine dawns, all in one” at Galerie Eva Presenhuber, Zurich through August 2

Wednesday, July 23rd, 2008

Doug Aitken

Monday, March 24th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

CNN Looks at Business and Legality of Removing and Selling Street Art Pieces

January 21st, 2020

CNN has a piece this week on the business behind removing and selling street art murals, and the legality that drives who can remove and sell a piece. “Generally, when you purchase a building, you own the fixtures within the building, whether they’re ceiling fans or [a] fine art mural painting on a wall,” says Paul Cossu, a partner at legal firm Pryor Cashman and part of the firm’s art law group. “Of course, what an owner can do with a fine art mural after acquiring the building will depend, in part, on whether the mural is protected by the Visual Artists Rights Act.”
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Art Thieves Confess to Stealing Gustav Klimt Work and Returning It

January 21st, 2020

Two men have confessed to stealing the Gustav Klimt recently discovered in the wall of a Piacenza gallery, as well as to returning the work. “They said they returned the painting four years ago,” says Guido Gulieri, the pair’s lawyer. “But we don’t yet know the details of how it came to be [in the recess] and what exactly happened to the painting in the intervening years. They had confessed before but were not believed.”
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Desert X AlUla Annnounces Artist List

January 21st, 2020

The inaugural edition of Desert X AlUla in Saudi Arabia has announced its artist list, including work by Lita Albuquerque, Wael Shawky, Superflex, and more. This edition of the event has earned strong condemnation for its part in the country’s push to rebrand itself as open and free after the murder of journalist Jamal Khashoggi.  “Unless artists are willing to make their host’s state control of expression an explicit subject of their work, those who participate cannot escape compromise from the polluted context,” says critic Christopher Knight.
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