Global contemporary art events and news observed from New York City. Suggestion? Email us.

AO on Site – New York: Richard Serra “Drawing: A Retrospective” at the Metropolitan Museum of Art through August 28th, 2011

Tuesday, April 19th, 2011


Installation view at the Met Museum. All images Nicolas Linnert for Art Observed.

Notions of lightness, delicate strokes, and diminutive scale may come to mind when imagining the artistic tradition of drawing. However, not a single one of these tendencies is applicable to the Metropolitan’s Museum’s new exhibition Richard Serra Drawing: A Retrospective, in which the strokes are bold, the images dense and the scale massive. One of the few contemporary shows that the Met has shown recently and a chronological anomaly amidst the 17th-18th French painting galleries, this retrospective of Richard Serra‘s drawing is comprised of about fifty works and traces the artist’s use of mainly paintstick on varying textures from the 1970’s to present day.


Richard Serra, Abstract Slavery (1974).

More text and images after the jump…
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Go See- New York: John Baldessari “Pure Beauty” at the Metropolitan Museum of Art through January 9, 2011

Monday, November 1st, 2010


John Baldessari, The Overlap Series: Jogger (with Cosmic Event), 2000- 2001 Image © John BaldessariLos Angeles comes to New York with “Pure Beauty,” a survey of work by conceptual Californian artist John Baldessari. With a career spanning over five decades and a body of work composed of nearly every media, Baldessari pioneered many of the tropes associated with conceptual art today.  In “Pure Beauty,” established themes of language and seriality intersect with Baldessari’s interest in cinema, pedagogy and the culture of LA.


John Baldessari, God Nose, 1965 Image © John Baldessari (more…)

Go See- New York: "Miró: The Dutch Interiors" at The Metropolitan Museum of Art through January 17, 2011

Wednesday, October 6th, 2010


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Joan Miró, Dutch Interior I, 1928. Image via The Peggy Guggenheim Collection, Venice.

Currently on view at the Metropolitan Museum of Art is “Miró: The Dutch Interiors,” an exhibition featuring three surrealist works and the two seventeenth-century Dutch genre paintings that inspired them. Joan Miró first encountered the domestic scenes of Jan Steen and Hendrick Sorgh when he visited the Rijksmuseum during a 1928 trip to Amsterdam. The impact of these works on the Catalan artist resulted in The Dutch Interiors: a series of three paintings in which Miró re-envisions the Old Master works as abstract compositions, nearly four-hundred years after their original production. The exhibition, which debuted at the Rijksmuseum earlier this year, is the first occasion on which Miró’s reinterpretations of these scenes have been displayed with the works upon which they are based.


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Hendrick Sorgh, The Lute Player, 1660. Image via the Rijksmuseum.

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AO On Site – Picasso’s Paris in Philadelphia and New York: “Picasso and the Avant-Garde in Paris” at the Philadelphia Museum of Art through April 25, 2010, and at the Guggenheim “Paris and the avant-garde: Modern Masters from the Guggenheim Collection” through May 12, 2010

Saturday, April 10th, 2010


At PMA, “Head of a Woman” (1937-38). Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

AO visited the Philadelphia Museum of Art and the Solomon R. Guggenheim Museum in New York, which are both showing survey exhibitions of the avant-garde in Paris in the early twentieth century. “Picasso and the Avant-Garde in Paris,” at PMA, is an exhaustive display of thirty years of Picasso, from 1905 to 1945, following him through the development of Cubism and artist communities in Paris. The Guggenheim’s show is smaller and less concentrated on Picasso; it includes thirty works by Picasso, Léger, Chagall, Braque, and more, where the PMA’s 200-strong exhibition includes works by Picasso collaborators and contemporaries as they interact with his own.


At the Guggenheim, Pablo Picasso, “Mandolin and Guitar (Mandoline et guitare)” (1924). Oil with sand on canvas Solomon R. Guggenheim Museum, New York  Estate of Pablo Picasso/Artists Rights Society (ARS), New York

More images, story, and relevant links after the jump…

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AO Breaking News – Pablo Picasso Painting Incurs 6-inch Tear at Metropolitan Museum of Art, New York

Monday, January 25th, 2010

Pablo Picasso's The Actor

A Pablo Picasso painting at the Metropolitan Museum of Art was damaged last Friday, Janauary 22, when a woman attending an adult education class lost her balance and fell into the piece. “The Actor” (1904-5) incurred an irregular vertical tear 6 inches in length in the lower right-hand corner.

more story and links after the jump…

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Go See – New York: ‘Velázquez Rediscovered’ at the Metropolitan Museum of Art through February 7, 2010

Wednesday, December 23rd, 2009


Diego Rodriguez de Silva y Velazquez, “Portrait of a Man,” 1630. Via The Met

Currently showing at the Metropolitan Museum of Art in New York is an exhibition of works by the great Spanish painter Diego Rodriguez de Silva y Velázquez.  The heart of the exhibition features a newly identified painting by the artist.  Formerly ascribed to his workshop, the work was only recently re-attributed to the master himself after an incredibly revealing cleaning and restorative process.  Prior to the conservation, the painting was distorted by “degraded varnish” and “discolored restoration,” obscuring significant qualities of the work.  The new attribution represents a fascinating kind of case study regarding altering critical opinion surrounding the origin of a work and changes in its identification.  The painting is exhibited amongst other works by the Spanish artist, to whom fewer than 120 paintings are known to exist.


Diego Rodriguez de Silva y Velázquez, “Portrait of a Man,” (Detail of face and hair) Via The Met The subjects identity remains in question.

More text, images and related links after the jump…

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Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009


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Tacita Dean’s Christmas tree, ‘Weihnachtsbaum‘ at Tate Britain via Zimbio

The Tate has been embracing the Christmas spirit this week with a series of headlining seasonal happenings.  The Tate Christmas Tree 2009, “Weihnachtsbaum” designed by Tacita Dean, shocked critics by actually appearing “Christmassy”[Bloomberg]  This weekend, Tate Modern’s vast Turbine Hall was taken over by Rob Pruitt‘s festive ‘Flea Market’ – originally held at Gavin Brown’s Passerby gallery in New York in the late 1990s, this event was programmed to coincide with the Tate Modern exhibition Pop Life: Art in a Material World, in which Pruitt also appears [POP Magazine]

Italian police have seized works of art belonging to Carlisto Tanzi – founder of the Italian firm Parmalat who collapsed in a massive fraud scandal in 2003. The 19 paintings and drawings, included works by Picasso, Monet and Van Gogh, and is estimated to be worth more than 100million euros [BBC News]


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Antony Gormley’s Event Horizon that will appear in New York’s Madison Square Park in March 2010 via ArtInfo

Antony Gormley has announced plans to install 31 nude sculptures cast from his own body in and around Madison Square Park in Manhattan’s Flatiron District beginning March 26 [NY Times]

to stay apprised of the latest relevant news of the art world read more…..
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Go See – London: John Baldessari at Tate Modern through January 10, 2010

Tuesday, November 3rd, 2009


Pure Beauty
1966-1968, Acrylic on canvas © John Baldessari, Courtesy of Baldessari Studio and Glenstone

Tate Modern are currently exhibiting the largest ever UK retrospective featuring the work of the prolific Californian artist, John Baldessari, through January 10. Tate Modern’s exhibition, John Baldessari: Pure Beauty, acts as a parallel to the Ed Ruscha exhibition only minutes away at the Hayward Gallery in London’s Southbank Centre; both artists employ humor and a compulsion toward language and American pop culture in their works.


Bloody Sundae
1987 Black and white photographs, vinyl paint © John Baldessari, Courtesy of Baldessari Studio

More text, images, video and related links after the jump…. (more…)

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009


The First Annual Art Awards via Guggenheim.org

Last night, October 29, marked the inauguration of a new annual art event: Rob Pruitt presented The First Annual Art Awards at the Solomon R. Guggenheim Museum, New Yorkin association with the city’s oldest alternative art space, White Columns.

The awards were conceived by artist, Rob Pruitt, as a performance-based artwork; for the occasion he recruited the characters of Index Magazine’s wry satirical web series, Delusional Downtown Divas. The New York Times have reported that “…the Divas schemed to infiltrate the art establishment by any means possible. In one segment they pitched a tent in the Guggenheim, doing their laundry in the lobby fountain.”


Jeffrey Deitch and Kembra Pfahler at The First Annual Art Awards at the Solomon R. Guggenheim Museum via style.com

More images, text and related links after the jump….

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Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009


Marc Quinn’s Blood Head Self-Portrait displayed in a refrigeration unit at The National Gallery in London via Guardian

The National Portrait Gallery in London acquires and shows the most recent of Marc Quinn’s self-portraits created with the use of artist’s own blood [Bloomberg]


Titian, Diana and Acteaon via Artdaily

In related, Titian’s Diana and Acteaon, one of the six large-scale mythologies inspired by Ovid, acquired by The National Gallery in London, is to be displayed at Trafalgar Square [Artdaily]
Three paintings attributed to Adolf Hitler were sold at Weidler’s auction house in Germany for an accumulative price of  $60,000 to three phone bidders [The New York Times]
The Museo National del Prado’s is exhibiting 2 Sorolla paintings of the Fanjul family that were illegally confiscated by the Cuban government which may cast the museum’s directors legal bind [Reuters]
A private European collector helps settle a 7-Year discord between the Swedish Moderna Museet and heirs of a Jewish businessman over a Nazi-looted Nolde painting and in related, Dutch Museums will return 13 artworks lost during Nazi occupation to heirs of Jewish collectors [Bloomberg]


Velázquez, Portrait of a Man via The New York Times

After restoration and cleaning of “Portrait of a Man” in MET’s collection, the author of the painting attributed to Vélazquez’ workshop is confirmed to be Vélazquez himself [The New York Times]
Phillips de Pury auction house, known for its focus on contemporary art, is adding 18 new sales for the upcoming year and a half [The Wall Street Journal]
As the market fluctuates, art collectors seize opportunities of investment, yet the auction market based on no identical units, making calculated predictions almost impossible, turn investing into gambling [NYTimes]
The Glyndebourne Opera House, England to sell a painting by the Italian Old Master, Domenichino; estimated at $16.5 million [Bloomberg]
Bill Viola declines an invitation to participate in a culture summit, organized by Pope Benedict XVI in an attempt to reconcile spirituality and artistic expression, supposedly due to the artist’s disagreement with policies put forth by the Vatican and the Catholic Church [Artnet]


Six of the missing works by Andy Warhol via Telegraph

$1million is being offered for a lead to locating the “Athletes” series by Andy Warhol from Richard Weisman’s collection that has been stolen from the collector’s Los Angeles residence [Telegraph]
Pencils from an installation by Damien Hirst were stolen by a 17-year old artist named Cartrain [The Independent] who had been stripped of his artwork for incorporating Damien Hirst’s ideas into his collages [ArtObserved]
“You can be immortalized in an artwork” says Damien Hirst in his search for a numerous sets of identical twins to literally become part of his artwork at Tate Modern [Guardian]


Charles Saatchi with his wife Nigella Lawson via The Independent

“My Name is Charles Saatchi and I am an Artoholic”, a book written by Charles Saatchi, who almost never gives interviews, is released without a loud PR campaign and is written in a format of potential interviewer’s questions and answers
[Guardian UK]
Aleksandra Mir’s installation at Collective gallery in Edinburgh consists of rows of a limited edition cookbook titled “The How Not to Cookbook: Lessons Learned the Hard Way” [The Moment]
German police uncover a thousand fake Giacometti bronzes in the possession of  a man who tried to sell them as originals [Art Market Monitor]
An editorial on the state of galleries dictated by the financial market provides an encompassing snapshot of what a gallery represents in the art-world and how it is likely to function in the current economic condition [NYTimes]


Bruce Nauman’s skywriting fittingly reads “Leave The Land Alone” via Los Angeles Times

On September 12 in Pasadena, artist Bruce Nauman realized his skywriting project, reading Leave the Land Alone, after a 40 year wait [Los Angeles Times]
Frédéric Mitterrand’s appointment to the post of French minister of culture is well received by most for his extensive previous background  and involvement in the world of art and culture [The Art Newspaper]
London’s Outset Contemporary Art Fund brings artwork to a fair to be seen publicly and then purchased by the Tate [Bloomberg]
The story of Tony Shafrazi, art terrorist and later gallerist
[Artnet]


A view of Sol LeWitt’s unveiled mural at 59th street via Gothamist

Sol LeWitt’s mural, comprised of 250 porcelain tiles, is installed at Columbus Circle subway station in Manhattan[Lindsay Pollock]
Run by oligarch Viktor Pinchuk, the PinchukArtCenter in Kiev announces a new art Prize and the shortlisted 20 nominees [ArtReview]
Gagosian’s plan for a gallery in Paris’ prestigious 8th arrondissement promises to gain instant success by providing access to Picasso’s work [Bloomberg]
In related, Gagosian is to open a bookstore on Madison avenue in Manhattan selling books, catalogues, magazines and Jeff Koons puppy vase that come in an edition of 3,000 [Art fag City]
UBS, a global financial services firm, is to close its gallery in Manhattan in an attempt to cut back on costs [Artinfo]

A photograph of Emmanuel Perrotin via The Selby

The Selby visits Emmanuel Perrotin at his gallery in Paris [The Selby]
Research shows that visitors to museums housing modern art are likely to respond emotionally, while those viewing ancient artworks are more prompt to describing their experiences in more cognitive terms [Miller McCune via Artinfo]
“The Art of the Steal”, a documentary film by Don Argott, explores the Barnes Foundation, a Post-Impressionist and early Modern art collection [The New York Times]
John Currin interviewed by Glenn O’Brien speaks about art, the art market and shares personal stories [Interview Magazine]
The rating service Moody’s estimates the current financial troubles and hence auction market distress to persist and drops Sotheby’s corporate credit rating by one level [Bloomberg]
Kara Walker’s participation in Whitney’s Biennial is manifested in an email correspondence with the organizer of the show documenting the artist’s refusal to participate in the Biennial [Artnet]


Centquatre art space in Paris via The Daily Undertaker

A site of the Municipal Funeral Services in Paris is now turned into an arts center providing the capital’s northern reaches an art initiative it has been lacking [Financial Times]
A survey of artistic practice based on technology and its move towards the usage of the Internet as means of expression [The New York Times]
Thomas Campbell, director of Met, shares his plans for the museum in an interview with The Art Newspaper
[The Art Newspaper]
American artist Greg Wyatt’s 22-thousand-pound bronze sculpture “Two Rivers” is being transported to Piazza della Signoria in Florence, “the soul of the world of sculpture,” where it is to become the first American displayed at that location [Bloomberg]
An interview with the billionaire philanthropist Eli Broad, who spoke about democratization of art and educational reforms [The Wall Street Journal]

Two masterpieces, by Claude Monet and Johannes Vermeer, get star treatment in New York: Vermeer at the Met and Monet at MoMA

Monday, September 14th, 2009


One third of Monet’s famous triptych, ‘Water Lilies,’ via NY Times

This fall, New York’s two most venerable art museums will each each spotlight famous paintings by two old masters. The Museum of Modern Art is exhibiting all three paintings of Claude Monet’s ‘Water Lilies’ triptych together for the first time in eight years.  Also in the exhibition is a single large painting, also entitled ‘Water Lilies,’ as well as three smaller studies.

At the Metropolitan Museum of Art, the Rijksmuseum in Amsterdam has lent Johannes Vermeer’s most famous painting, ‘The Milkmaid,’ in celebration of the 400th anniversary of Henry Hudson’s voyage up the river that would bear his name. This is the first time in 70 years that the painting has been exhibited in the United States, and it joins the Met’s five paintings by Vermeer as well as works by a small number of other Dutch artists.

‘Monet’s Water Lilies’ runs September 10, 2009-April 12, 2010 at the Museum of Modern Art, and ‘Vermeer’s Masterpiece “The Milkmaid”‘ runs September 10-November 29, 2009 at the Metropolitan Museum of Art, both in New York.

Monet’s Water Lilies [MoMA]
Vermeer’s Masterpiece ‘The Milkmaid’ [Metropolitan Museum]
Serenade in Blue [NY Times]
Moanin’ With Monet [Artnet]
Nieuw Girl [Art Market Monitor]
Vermeer’s ‘The Milkmaid’ on View at a New Exhibition at Metropolitan Museum of Art [Art Knowledge News]


Vermeer’s ‘The Milkmaid,’ via Art Knowledge News

Newslinks for Saturday, June 13, 2009

Saturday, June 13th, 2009


Damien Hirst’s ‘For the Love of God’ via Artinfo

Ukrainian collector Viktor Pinchuk, who is currently hosting Damien Hirst’s retrospective in Kiev, is revealed as the fourth stakeholder in the artist’s platinum, diamond-encrusted skull, which has yet to sell despite a £35 million offer from Alberto Mugrabi [The Art Newspaper]
in related, Fiats decorated by Hirst have had little problem selling at a London charity auction
[Art Review]
Two proposed tax-free ports in Paris and Singapore aim to revolutionize international art handling
[NY Times]


Roxy Paine with one of his ‘Dendroid’ sculptures via Artinfo

National Gallery of Art commissions a Roxy Paine ‘Dendroid’ sculpture [National Gallery of Art via Artnet]
Art Basel’s Marc Spiegler says that now is an essential time for collectors to buy work from galleries to support artists and local art scenes [ArtInfo]
In conjunction with Saatchi, the Times lists top 200 artists of the 20th century with Picasso and early Modernists at the front [TimesUK]
Three arts professionals describe how they collect for their own homes
[Financial Times]


Sam Francis, Grey, the subject of an auction dispute at Christie’s

Shipping magnate Gregory Callimanopulos appealing court decision in auction dispute with Christie’s and Broad Art Foundation over Sam Francis’ ‘Grey’ [ArtForum]
Art during the Nazi regime: Van Meegeren and Göring, forgery and thievery [New York Times]
Unusual Renoir painting recovered in Venice 25 years after it was stolen [Artinfo]


Edward Hopper, Rooms by the Sea, recently acquired by Yale University. via ArtDaily

Yale University counter-sued over Van Gogh painting ‘The Night Café,’ seized during the Communist takeover of Russia [Bloomberg.com].
In related, Yale University Art Gallery acquires Edward Hopper preparatory drawings ‘Rooms by the Sea’ and ‘Western Motel and the Study’ [ArtDaily]
Young collectors pooling resources and sharing art
[Financial Times]


Pablo Picasso’s Homme à l’épée for sale in London. via The Telegraph.

€7 – 10 millionv notebook of Picasso sketches discovered stolen from the Picasso museum in Paris [ArtDaily]
and in related, two ‘Musketeer’ paintings by the artist to be auctioned at Christie’s and Sotheby’s, respectively [The TelegraphUK]
As early as 2010, the Louvre may be at risk financially, despite a wave of acquisitions totaling an estimated  €38 million [NYTimes]


Andreas Gursky’s ‘James Bond Island III’ via FOTO8

An interview of Andreas Gursky in which he speaks of scaling down his monumental prints, the influence Bernd and Hilla Becher, and working with North Korea [FOTO8]
Vito Acconci closes his studio, citing cash flow troubles [The Architect’s Newspaper via ArtInfo]


Massimiliano Gioni navigates Venice during the Biennale opening via NY Times

Following curator and critic Massimiliano Gioni and his various party obligations at the Venice Biennale [NY Times]
Points on whether or not the recession is indeed good for art
[GuardianUK]
Gagosian has hired Richard Meier to double the space in his Los Angeles Gallery
[The Art Newspaper]


62 Imlay Street in Red Hook, Brooklyn, recently leased by Christie’s for storage

Christie’s leases a building for storage in Red Hook, in what is likely one of the largest real estate deals in Brooklyn this year [Brownstoner]
A guide to investing in contemporary art in current market conditions [NY Times]
Sotheby’s London Russian Art Evening Sale totals £7.9m with 17 of 28 lots sold [Art Market Monitor]

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Video of Banksy’s exhibition in Bristol via BBC

Banksy secretly sets up exhibition in Bristol museum [BBC]
Beginning June 16, 2009 the Metropolitan Museum of Art will display ‘The Torment of Saint Anthony,’ now widely believed to be Michelangelo’s first painting, before it goes to its new home at Kimball Museum in Texas
[ArtDaily]


Picasso’s Château de Vauvenargues via Artinfo

Picasso’s Château will open to the public this summer [Artinfo]
Billionaire collector Eli broad contends that the downturn in the art market has bottomed [Bloomberg]
Christie’s similarly calls a leveling off of the art market’s downshift
[Reuters]

Go See – New York: Francis Bacon – A Centenary Retrospective at The Metropolitan Museum of Art, Through August 16, 2009

Wednesday, May 27th, 2009

Francis Bacon, "Head I," 1947-1948 (The Metropolitan Museum of Art)

Francis Bacon: A Centenary Retrospective, the first comprehensive exhibition to feature the artist’s works in New York in 20 years opened to the public  May 20 at The Metropolitan Museum of Art, to run through August 16, 2009. The retrospective, marking the 100th anniversary of Bacon’s birth, has brought together a highly impressive international curatorial team, including Gary Tinterow of the Met, Matthew Gale of Tate Modern and Chris Stephens of Tate Britain. The exhibition showcases some 65 paintings, amongst them a handful of never-before-seen gems from private collections, along with important archival materials, photographs and 65 personal items from Bacon’s London studio and estate, which served as the artist’s inspiration for some of the works in the show.

Francis Bacon: A Centenary Retrospective [The Metropolitan Museum of Art]
Francis Bacon’s Provocative Works Featured in Major Retrospective Opening May 20 at Metropolitan Museum [Met Press Release]
Francis Bacon at Tate Britain – Sept. 4th 2008-Jan. 4 2009
[Tate]
Tragic Hero: A Majestic Francis Bacon Show [Time]
Francis Bacon’s Provocative Works Featured in Exhibition at Metropolitan Museum of Art
[ArtDaily]
If Paintings Had Voices, Francis Bacon’s Would Shriek [NYTimes]
Sacred Monster
[NYMagazine – Jerry Saltz]
Francis Bacon’s Horror Show
[Economist – More Intelligent Life]
Francis Bacon (Hardcover) 2009, Matthew Gale, Chris Stephens [Amazon]

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Newslinks for Sunday, March 15, 2009

Sunday, March 15th, 2009


A work by Andrei Molodkin via artsblog.it

Andrei Molodkin, to represent Russia in the Venice Biennial, creates sculptures using human corpses rendered into crude oil [The Independent]
At the beginning of Asian week in New York, a case for the relative value of traditional Japanese art [Forbes]
The Metropolitan Museum of Art cuts more jobs
[New York Times]


Neues Museum in Berlin via London Festival of Architecture

The Neues Museum in Berlin opens dramatic space designed by London architect David Chipperfield [New York Times]
Richard Prince denies reports that he is to donate his rare book and publications collection to the Morgan Library in New York [ArtInfo]

Rembrandt, The Storm on the Sea of Galilee one of the works stolen in the Gardner heist, via the Boston Globe

A new plea (with video) for leads leading to the return of  the $500 million worth of art stolen in Boston’s 1990 Gardner Museum  heist, which was the largest in history [Boston Globe via ArtsJournal]
Mary Boone is suing a collector and trustee of the Columbus Museum of Art to complete the sale of a Will Cotton work
[Artnet News]


Anthony d’Offay via the GuardianUK

Anthony d’Offay interviewed, whose Artists Rooms tour begins in Edinburgh and was made possible from the selling of his vast collection for £26.5 million, an estimated 5th of its value [TheScotsman]
The balance of power between London vs Paris as art capitals altered perhaps by the recession
[TimesUK]

Go See: Giorgio Morandi, 1890-1964 Retrospective at the Metropolitan Museum of Art through December 14

Wednesday, October 1st, 2008


Still Life (Natura morta) (1943), Giorgio Morandi via [Metropolitan Museum of Art]

‘Giorgio Morandi, 1890-1964’ at the Metropolitan Museum of Art is the first  exhibit of its size and scope in the United States, displaying approximately one hundred still life paintings and a dozen landscapes. Composed with narrow-ranging hues of cream, brown, and gray, Morandi projects a study of rhythm, balance and intricacy of shape with his identifiable style. The show includes works which span Morandi’s 50-year tenure as a painter and track the lineage of the painter’s influence upon Cézanne, Cubism, Futurism, and the pittura metafisica of Giorgio de Chirico and Carlo Carrà.  In addition, the intimacy of the underground gallery of the Robert Lehman wing provides well-suited location for the subtleties of such an artist.

All That Life Contains, Contained [NYTimes]
Morandi’s Subtle Spectable
[NYSun]
Tables for One
[New Yorker]
Giorgio Morandi, 1890-1964
[Met Museum]
Museo Morandi Website

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The Metropolitan Museum of Art names former tapestry curator, Thomas P. Campbell, as new director

Wednesday, September 10th, 2008


Thomas P. Campbell (Left) and Philippe de Montebello (Right) via IHT

After an arduous eight-month search, the Metropolitan Museum of Art has announced that Thomas P. Campbell will be succeeding Philippe de Montebello as its new Director.  Come January 1st, 2009 Mr. Campbell will take over the reins from de Montebello, who has been serving as director of the Met for the past 31 years. Campbell has been with the Metropolitan Museum of Art since 1995 serving in the Department of European Sculpture and Decorative Arts, with a specialty in European tapestries.  Some were surprised that the relatively young Campbell was chosen over Ian Wardropper, his 57-year-old superior. The committee also reportedly considered Max Hollein, from the Städel Museum and the Schirn Kunsthalle in Frankfurt as Philippe de Montebello’s successor.

Met Museum’s New Chief Knows About Tapestries; Challenges Loom [Bloomberg]
Thomas P. Campbell Named Next Director of The Metropolitan Museum of Art [Artdaily]
Met Selects Curator to Run Museum [Wall Street Journal]
Met names Thomas P. Campbell as its new director [IHT]
Met Names New Director [Artinfo]
Curator at Met Named Director of the Museum [NYTimes]
Tapestry expert named head of NY Met museum [AFP]
Met Picks New Director, Thomas P. Campbell, from Within [Gothamist]

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Newslinks for Sunday September 7th, 2008

Sunday, September 7th, 2008


the sculptor Anish Kappor via the Boston Globe

Sculptor Anish Kapoor set designs for an upcoming Akram Khan play featuring Juliette Binoche [National Theatre, London]
Are Olafur Eliasson’s waterfalls damaging the local natural environment? [ArtInfo]
Relating a past run-in with Francis Bacon and reflecting on his work before his retrospective at the Tate [The Independent]
Author Michael Gross’s ‘Rogues’ Gallery’ exposes the inner circles of the Metropolitan Museum of Art [ArtInfo] Aug 29
Gustav Klimt at the Tate Liverpool brings record attendance [BBC News] while the British National Gallery’s strategy of exhibiting newer artists leads to a sharp drop in paying visitors [Times Online] Aug. 31

The Met Acquires Rare (previously completely overlooked) Lucas Van Leyden Drawing

Monday, August 4th, 2008

Drawing of Archangel Gabriel announcing the birth of Christ, Lucas van Leyden (c.1520) via NYTimes

The Metropolitan Museum of Art has recently acquired a rare drawing from Netherlandish artist Lucas van Leyden. It is one of only 28 existing drawings from the artist, and is the sole Lucas van Leyden drawing to reside in the United States. The sixteenth century drawing depicts the Archangel Gabriel announcing the birth of Christ, and will be apart of the fall exhibit honoring Met director Philippe de Montebello’s tenure at the museum. The drawing was discovered by a lucky collector, who found it unreferenced and tucked into the back of an auction catalogue.

Angels Appear, and Museums Rejoice [NYTimes]
Met Acquires Rare Lucas Van Leyden Drawing [Artinfo]
Metropolitan Museum Acquires Lucas van Leyden Drawing [Artdaily]
Overlooked at Christie’s [NYSun]
Press Release: Metropolitan Museum Acquires Lucas van Leyden Drawing [Designtaxi]
The Metropolitan Museum of Art [The Met]

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Newslinks: Monday July 7, 2008

Monday, July 7th, 2008

Starry Night over the Rhone, Van Gogh via NYTimes

‘Van Gogh and the Colors of the Night’ coming to The MOMA [NYTimes]
Details of contract for the Louvre Abu Dhabi revealed [TheArtNewspaper]
In industry executive news: MoMA’s Chief Curator of Paintings and Sculpture says ‘Good-Bye’ [NYSun]
In other executive moves, DIA Art Foundation has a New Director, Philippe Vergne [NYMag]
More executive news: Neil MacGregor, of the British Museum, declines directorship of the Met [TIME]
In page six today: Andy Warhol criticized in memoir by former friend and Ahn Duong, former flame to Julian Schnabel and Simon de Pury, ends her marriage [NYPost]

Go See: J.M.W. Turner at the Metropolitan Museum of Art through September 1st

Friday, July 4th, 2008

Whalers by Turner via Bloomberg.

From July 1st, through September 21, The Metropolitan Museum of Art is hosting the first retrospective exhibition of J.M.W. Turner. The exhibition will contain 140 diverse paintings. Most works come from Tate Britain which is the most comprehensive collection of the artist’s work in the world. Turner’s paintings represent seascapes, historical subjects, and modern scenes usually with a characteristic use of light.

Turner at the MET [Metropolitan Museum of Art]
J.M.W. Turner at the Metropolitan Museum Slideshow [NYTimes]
Storm-Tossed Visionary of Light [NYTimes]
Bloated Turner Show Arrives at Met Museum in Blaze of Colors [Bloomberg]
Nature Painted With Force [NY Sun]

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Newslinks: Monday June 16th, 2008

Monday, June 16th, 2008

Anish Kapoor via Time

Time Magazine on Anish Kapoor [Time]
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Tracey Emin’s controversial selections for Royal Academy include zebra bestiality, closeups of masturbation during menstruation, and barbed wire hula-hooping [The Daily Mail]
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Separately, Hirst invited to join Royal Academy, and has yet to reply [[TimesUK]
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Banksy friend/street artist Nick Walker to tag undisclosed British landmarks with laser [Artinfo]
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Private art insurance premiums jump 30% year on year [Wall Street Journal]
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Salander furniture/antique sale garners $1.6 million [Bloomberg]
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The Met is closer to a new Director [New York Sun]
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The Vatican begins a contemporary art initiative[the Independent]

Remarks at a Democratic National Committee luncheon in Rancho Santa Fe, California: September 26, 1998. (Pres. Bill Clinton)(Transcript)

Weekly Compilation of Presidential Documents October 5, 1998 Thank you very much. Well, if I had any sense I wouldn’t say anything. [Laughter] Thank you, Bill. Thank you, Star. Thank you, Len. And all of you, I can’t tell you how much I appreciate you being here. I’m delighted to see Lynn Schenk, and I’m delighted to see Christine Kehoe. And we are determined to see her prevail. If you want to do something for what you just stood up for, send her to Congress. Send her to Congress.

I’d also like to thank all of you who have been my friends over the years, and some of you whom I have just met today, I am very grateful to see you here. I’d like to thank all the people who are responsible for our wonderful meal and the terrific musicians. Let’s give them a hand. Didn’t they do a great job? Thank you. [Applause] The Wayne Foster Group. Thank you so much. Bless you.

It’s nice to be here in this humble little house. [Laughter] This is the first place I’ve ever been where the fish are worth more than I make in a year. [Laughter] Listen, I want to say, this is really a magnificent home. It’s a real tribute to the work that Bill has done over the years and to the feeling that they have for all of us that they open their home to us. And I’m very grateful to be here.

I will be brief. I’ve had a remarkable couple of days. I was in Chicago yesterday, which most of you know is my wife’s hometown. And I got my Sammy Sosa Chicago Cubs baseball shirt, which was promptly taken away from me last night when I met up with Hillary and Chelsea in northern California.

Hillary has been up in Washington and Oregon and San Francisco campaigning, made an appearance last night for Barbara Boxer up there. And I’m here, and I’ll be in Los Angeles tonight and tomorrow. I’m going on to El Paso and San Antonio, Texas, and then I’m going back to Washington on Sunday night to try to bring to a closure this session of Congress with some productive action. But I cannot tell you how much it means to me not only as your President but as a person, what you have said here and what I have seen all across this country. And I’m grateful, and my family is grateful, and I thank you.

But there is something far bigger than all of us at stake here, and that is our country, our system, and where we’re going. And I tell everybody who comes up to me worrying about this, that the real enemy of our party and our principles and our programs and the direction of the country is not adversity. Adversity is our friend. It inspires us to action. It gives energy. It gives us steel and determination. Our real enemy is complacency, or cynicism. in our site rancho santa fe

You know, things are going pretty well for our country now, and I’m very grateful that I had a chance to be President, to implement the policies that I ran on that I talked about 6 years ago, I think, this month, when I was here with Bill and Star at their previous home. I’m grateful that we’ve got the lowest unemployment rate in 28 years and the lowest crime rate in 25 years and the smallest percentage of people on welfare in 29 years. And in just a few days, less than a week now, we’ll have the first balanced budget and surplus in 29 years. I’m grateful for that.

But the question is, what are we going to do with it? I’m grateful that we’ve opened the doors of college to virtually anybody now who will work for it with tax credits and the deductibility of student loans and more scholarships and work-study positions and that we added 5 million kids to the ranks of those with health insurance, passed the Brady bill and the Family Medical Leave Act. I’m grateful for all that.

But what are we going to do with it? What are we going to do with it? That’s really what’s at issue here. Our friends in the Republican Party believe they’re going to win in the midterms, first of all, because they wanted me – [At this point, birds began chirping in the background.] I don’t mind the birds; it’s just background music. [Laughter] Believe me, I’ve had worse background music lately. [Laughter] The Republicans believe they’re going to do well in these elections, first of all, because in every single election since the Civil War, with the President in his second term, the President’s party has always lost seats at midterm. The second thing they’re banking on is money. Even though you’ve been very generous and you’ve come here, they always have more money than we do, especially now that they’re in the majority. But we have something that money can’t buy and that history can’t overcome: We are on the right side of the issues for America’s future.

The history we want to make tomorrow and the next day and the next 10 or 20 years is the right history for America. And all we have to do is to get enough of our people to understand that, to get enough energy, out there, to get enough people to show up on election day, and all the history in the world won’t make a difference, and all the money in the world they have won’t turn the tide. Because people now know that when it came to the budget vote in 1993, which reduced the deficit by 93 percent before we had the bipartisan Balanced Budget Act, we didn’t have a single Republican vote. They know we barely had any votes for the crime bill when we banned assault weapons and put 100,000 police on the street, or for the Brady bill. They know that we had almost all – and Democratic votes, barely any Republican votes, for the family and medical leave law.

And if you look at the last year, when this country has had lots of challenges, and we had the resources to meet them, what has happened in this Congress in the last year? They’ve killed the tobacco legislation, to which Bill alluded. They’ve killed campaign finance reform. They have taken no action on my education program. The other night, in a breathtaking move, the Republican leader of the United States Senate actually had to shut the Senate down and make people go away for 4 hours because it was the only way to keep them from voting on the Patients’ Bill of Rights. And he knew if we ever got a vote, one of two things was going to happen. It was either going to pass, or they were going to be punished for killing it – for the insurance companies that wanted to kill it. So what did they do? They shut the place down. Unprecedented!

Now, what this is really about, this election, is not what’s going on in Washington, DC; it’s what’s going to go on in the lives of the people in San Diego and El Paso and Racine, Wisconsin, and the Northeast Kingdom in Vermont and all the places in the country where the people live who send people to Washington, DC. That’s what really matters.

And there is a very clear choice about what to do with this moment, and I think – if you just think about the things we need to do right now to prepare for America’s future – I’ll just mention five very quickly. Number one, we’re going to have a balanced budget and a surplus on October 1st for the first time in 29 years. They voted in the House and may vote in the Senate for a tax cut to start spending the surplus right away.

Now, I remind you, we quadrupled the debt of the country between 1981 and 1993, when I took office. These surpluses in the years ahead – they say, “Oh well, we know we’re going to have them, so we can spend some now, and it’s 4 or 5 weeks before the election, and won’t that be popular to just dish out a tax cut right here before the election.” And it’s the Democratic Party that’s standing up for fiscal responsibility and saying, no, and I’m saying no. And I’ll tell you why.

First of all, we have waited for 29 years. We have worked for 6 years to get out of this terrible hole. I would just like to see the red ink turn to black and watch the ink dry for a minute or two before we run another deficit. Wouldn’t you like to see that? Wouldn’t you just like to see the ink dry? [Applause] You know, they didn’t want to wait a day just to enjoy this incredible achievement. Now, why is that important? Because we’ve got a lot of trouble in the world today in the word economy. I was up in Silicon Valley last night where they understand how dynamic things are. They live in a perpetual state of change there. But so do we all, and we dare not forget it. We forget it at our peril.

We have to set a standard if we want to keep growing this economy that America, of all the countries in the world, is the most solid, the most sensible, the strongest country in the world.

The second reason we shouldn’t spend that surplus right now is that, before you know it, the baby boomers will begin to retire, starting in about 10 years. I’m the oldest of the baby boomers. People between the ages of 34 and 52, when we all retire, there will only be about two Americans working for every American drawing Social Security. Unless something totally unforeseen happens to the birth rate or the immigration rate, it will be about two to one.

The Social Security system today alone keeps half of the seniors in this country out of poverty; that is, without it, 50 percent of the seniors in this country would be in poverty, even with their other sources of income. Now, if we begin today and make modest changes, we can preserve the universal character of Social Security in the sense that it’s a bottom line safety net for people that don’t fall into poverty. But we can increase the returns, make some other changes, and avoid putting an unconscionable burden on our children and grandchildren.

I’m telling you, everybody I know my age is worried about this. I was home a few months ago and I had a barbecue about 6 o’clock in the evening with about 20 people I grew up with – most of them are just middle class Americans, don’t make much money. Every one of them said they were plagued with the thought that their retirement would be a burden to their children and their grandchildren. They’re not wealthy people. They know they’re not going to have enough. But they are plagued with the thought that they will have to take money away from their children and grandchildren.

Now, we have worked for 29 years for this. It’s the right thing to do, anyway, right now because of all the instability in the world, for us to stay strong and have this strong economy and have this little surplus. But secondly, it’s the right thing to do before we – I’m not against tax cuts. We have some tax cuts in our budget, but they’re all paid for. But before we get into that surplus for tax cuts, before we spend a penny of it for new programs, we ought to save the Social Security system for the 21st century, so that we do not either run a lot of seniors into poverty, or undermine the welfare of their children and grandchildren. It is terribly important.

That’s a big issue that affects people who live outside Washington, DC. The second big issue – it’s very important – again related to the economy, is I’m doing everything I can to limit the financial turmoil in Asia now, to begin to reverse it, and to keep it from spreading to Latin America which are our biggest markets, our fastest growing markets for American goods and services – everything I possibly can to sort of right this instability in the international financial system that you see most pronounced in Asia and Russia now but could affect our welfare. Alan Greenspan said the other day, more eloquently than I could, America could not forever be an island of prosperity. For us to grow over the long run, our friends and neighbors all across the world, on every continent, who are doing the right thing and working hard need to be doing better as well. That’s what this International Monetary Fund issue is all about.

For 8 months I have been pleading with Congress just to pay our fair share of the International Monetary Fund so we’ll have the money to stop the financial virus before it spreads across the globe and begins to bite us. That’s a big issue, and it hasn’t been done yet.

The third thing I want to say is we will never be permanently secure in this kind of economy until we can say not only that we have the best system of higher education in the world, but that every one of our children, without regard to race or income or neighborhood, has access to a world-class elementary and secondary education.

And for 8 months I have had before the Congress, fully paid for in the balanced budget, a bill that would lower class sizes to an average of 18 in the early grades and put another 100,000 teachers out there to teach them; that would build or repair another 5,000 schools because the schools are overcrowded; that would hook all the classrooms in the country up to the Internet by the year 2000; that would build 3,000 more charter schools – an issue that California has been on the forefront of – that would, in short, keep us on the forefront of education. It would also reward school districts that have poor performance and a lot of kids in trouble if they’ adopted high standards, accountability, no social promotion, but actually helped the kids, and didn’t denominate them as failures when they’re young and they are no such thing.

I was in Chicago the other day. Chicago used to be the poster child of a bad, failing, urban school district. I went to the Jenner Elementary School, where every single child lives in Cabrini-Green, one of the toughest public housing projects in all of America. In the last 3 years, their reading scores have doubled and their math scores have tripled. Chicago has a “no social promotion” policy, but if you fail, they don’t just say you’re a failure. They say you didn’t pass the test, and you have to go to summer school. The Chicago summer school now is the sixth biggest school district in America. [Laughter] Guess what’s happened to juvenile crime in Chicago. There are now 40,000 kids in that city that get 3 square meals a day in the school. So that’s also in our plan, funds for other troubled districts to follow that model.

We also have funds for 35,000 young people to pay for their college education, and then they can go out and work it off by teaching in underserved areas. This is a good program. That’s an issue in this election. It matters to you and to your future and to your children’s future and to your grandchildren’s future whether we can rescue, revive, and make excellent the public educational opportunities of every child in this country.

So those are three things: saving Social Security, stabilizing the global economy, putting education first.

I’ll just mention two others. Number one, one of the biggest fights I have all the time, convincing people on both sides, is that America has to find a way to protect the environment and grow the economy, and that if we have to choose one or the other, we’re in deep trouble. We have spent hundreds of thousands of dollars complying with subpoenas from a congressional committee that doesn’t want me to give tax incentives and spend research and development dollars to figure out how to grow the economy and reduce C[O.sub.2] emissions. And that’s out of step with the rest of the world.

I was in San Bernardino County not very long ago with the head of the National Association of Home Builders at a low-income housing project, where they had solar reflectors on the roof that are so thin now they look like ordinary shingles, and glass that keeps out 40 percent of the heat and cold and dramatically reduces the power cost. And it improves economic growth. It creates jobs and improves the environment – big issue. this web site rancho santa fe

But believe me, the budget I’m about to get, unless they change their tune, is going to be riddled with things designed to deny that and to weaken our environment.

And finally, to me the thing that embodies as much as anything else the great philosophical difference that’s at stake now in Washington is the debate over the Patients’ Bill of Rights. Now, let me set the stage. There are 160 million Americans in managed care plans. I have been a supporter of managed care. Why? Because when I became President, health care costs were going up at 3 times the rate of inflation. It was unsustainable. We were going to bankrupt the country. There wouldn’t be enough money left to spend on anything else.

But it’s like anything else – if the bottom line is just whether you save money rather than the bottom line of saving as much money as you can consistent with the health of the people that are being treated, you get in trouble.

And now many, many managed care plans have health care decisions made by insurance company accountants, and you have to appeal to two levels up or more until you finally get to a doctor. Our bill, which has the support of 43 managed care companies who are doing this anyway and are being punished for it, says this – it says simply, if you get in an accident, you ought to be able to go to the nearest emergency room, not one that’s 5 or 10 miles because that’s the only one that happens to be covered by your plan. Number two, if your doctor says that he or she can no longer treat your condition and you need to see a specialist, you ought to be able to see one. Number three, if you work for a small business who changes providers, health care providers, at a given time during the year, you still shouldn’t have to change your doctor if you’re in the middle of a critical treatment.

Now, let me just graphically demonstrate what that means. This happens. These things happen. You remember when you had your first child. How would you feel if you were 7 months pregnant and your employer says, “I’m sorry, go get another obstetrician”? If anybody in your family has ever had chemotherapy – I’ve been through that – if your family member needs chemotherapy, you sit around thinking; you try to figure out ways to make jokes about it. My mother stood there thinking, “Well, maybe I won’t lose my hair, or when I do, maybe I will finally get a wig.” I never had to – you think – you try to be funny about it. And then you wonder whether you’re going to be too sick to eat, right? In the middle of a chemotherapy treatment, do you think somebody would say, “I’m sorry, go get another doctor”? That’s what this is about – basic things.

Our bill also protects the privacy of your medical records, which I think is very, very important and will become more important in the years ahead.

Now, the House of Representatives, the Republican majority passed a bill that guarantees none of these rights and leaves 100 million Americans out of what little it does cover. The Senate wouldn’t even vote on the bill because they didn’t want to be recorded, so they shut down business.

That’s what this election is about. Don’t be fooled about a smokescreen. This election is: Are we going to have a Patients’ Bill of Rights? Is our policy going to be to grow the economy and preserve the environment? Are we going to put education first? Are we going to stabilize the global economy, so we can continue to grow? Are we going to save Social Security first? That’s what it’s about.

And if we go out and say, we are Democrats, this is what we’re running for; we believe elections should be about the people that live outside Washington, not about who’s crawling on whom in Washington, DC – everything is going to be fine. So I ask you, go out there and make sure that’s what it’s about.

Thank you very much.

NOTE: The President spoke at 3:35 p.m. at a private residence. In his remarks, he referred to luncheon hosts William S. and Star Lerach; Leonard Barrack, national finance chair, Democratic National Committee; Lynn Schenk, candidate for State attorney general; and San Diego City Council member Christine Kehoe, candidate for California’s 49th Congressional District.

Newslinks: Sunday – May 25th, 2008

Sunday, May 25th, 2008


Kauffman Desert House in Palm Springs via greatbuildings

Christie’s auction of Neutra house didn’t actually close [NYTimes]
Recent auction results belie underlying market weakness [Economist]
Herzog & de Meuron to design Kolkata Museum of Modern Art [ArtForum]
Ukranians as a new force in art buying [Financial Times]
A financial take on the state of the art market [TheStreet.com]
Guggenheim and Met hunt for museum heads [New York Sun]

Koons Dallas ‘Flower’ may fetch $23.5 Million at Christie’s London June 30th

Saturday, May 24th, 2008


Balloon Flower (Magenta) via jeffkoons

A Jeff Koons sculpture, Balloon Flower (Magenta), which has been in the Dallas collection of Howard and Cindy Rachofsky for seven years, is set to be auctioned at Christie’s London June 30 and may fetch $23.5 million. The sculpture, originally purchased for $1 Million, has gained value as Koons has emerged as one of the world’s most influential contemporary pop artists. Balloon Flower is from the same “Celebration” series as the sculptures which are currently on view on the roof of the Metropolitan Museum of Art in New York.

Koons Prices Balloon, ‘Flower’ Will Be Sold [NYTimes]
Jeff Koons: Iconoclast [Sundance]
Koons Sculpture to Fetch Millions[Bloomberg]
Christie’s Announces Sale of Koons [Art Daily]
Rachofsky’s Sell Koons to Focus Collection [Dallas News]
Koons Balloon Soars to Auction [ArtInfo]

(more…)

Banksy Does New York

Tuesday, December 4th, 2007


Photos: Christian Coleman for ArtObserved
“Banksy Does New York,” the first New York gallery show for British-born street-artist Banksy, opened this Sunday, December 2nd, at Vanina Holasek Gallery on West 27th Street.

Just this October more than 50 Banksy works went to auction at Bonhams and Sotheyby’s, both in London. Nearly all the works sold for at least double their top estimate. (more…)