Artist Chris Burden, whose upcoming retrospective at the New Museum this fall will fill all five floors of the institution, will also bring a series of works to the space’s exterior.  Burden will install a pair of 36-foot skyscraper structures (Two Skyscrapers) on the roof of the museum, as well as Ghost Ship, an automated, double bowed boat that will circle the building’s facade.  The exhibition will be the first major retrospective for Burden in New York, and opens on October 2nd. (more…)

Rachel Harrison, Coffee Cart (2013), Courtesy of the Artist and Greene Naftali, New York

Currently on view at Matthew Marks Gallery in the Chelsea district of New York is an exhibition organized by American painter Terry Winters. Titled “Roving Signs,” the group of works made by a variety of artists reflects Winters’ interest in traditional American folktales and the cultural heritage of the United States, as well as the various semiotic interpretations and variations that the use of these symbolic images and stories holds in contemporary art.

The Center for Land Use Interpretation, Autotechnogeoglyphics: Vehicular Test Tracks in America (2006), Courtesy CLUI Archive, Los Angeles

(more…)

Seeking to strengthen its international ties, the Metropolitan Museum of Art has announced the “Global Museum Leaders Colloquium,” a two-week program next April that will bring over a dozen museum heads from institutions in Asia, Africa and Latin America to the table, discussing the shared challenges and issues museums are facing worldwide.. “It’s all about promoting international collaboration,” said Met Director Thomas P. Campbell. (more…)

Dan Colen, To Be Titled (2011), via New York Times

Snarky and straightforward, the press release for Zach Feuer and UNTITLED’s joint g roup show Jew York speaks with a hint of exasperation, a feeling of exhaustion over the bumper crop of cultural explorations and increasingly globalized scope of the contemporary art world: “There’s nobody left to survey, and nowhere left to do it.  So we figured our only option was to do a show of Jews, and do it in New York.” (more…)

American sculptor Walter De Maria, via LA Times

Walter De Maria, the New York sculptor known for his monumental sculptures that helped pioneer the conceptual, minimalist and land art movements of the mid to late twentieth century, has passed away in Los Angeles at the age of 77.

Walter De Maria, The Broken Kilometer (1977), via New York Magazine (more…)

Painter Eric Fischl sat down with the LA Times this past weekend to discuss his career, the communication of art, his recent memoir, Bad Boy, and his self-described “search for normal.”  “I think the process of aging and using art as a life process for learning, understanding, evolving, etc. … it seemed like I had reached a point where I could take a lot of what I accomplished and I could let go of a lot of things, so maybe it would be recent.”  He says. (more…)

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

Hauser and Wirth, continuing its ongoing focus on California artist Paul McCarthy, is currently presenting a new video and sculptural installation by the artist, titled Rebel Dabble Babble.  Taking the real life relationships between Nick Ray, James Dean (played by James Franco) and Natalie Wood during the making of Rebel Without a Cause as the inspiration for the work, McCarthy and his son Damon have created an immersive, savagely warped exploration into the film, its creation, and the decaying image of Americana that it sought to depict, while challenging the interplay between a cultural artifact and its production.

Paul and Damon McCarthy, Rebel Dabble Babble (Installation View), via Hauser and Wirth

(more…)

Ronnie Cutrone, Photo by Timothy Greenfield-Sanders, (1998), via Huffington Post

Artist Ronnie Cutrone passed away this past Sunday, at the age of 65. Perhaps best known for his time as pop artist Andy Warhol’s assistant from 1972 to 1982, Cutrone had been a regular at Warhol’s Factory since 1965, when he was still in high school. At the age of 15, Cutrone became a go-go dancer with the Velvet Underground as part of the band’s Exploding Plastic Inevitable show, and befriended many of the artists associated with the West Village arts scene of the 70s and 80s, including Lou Reed and Jim Morrison.

Ronnie Cutrone, Quick Change Artist (2004), via Galerie Gmurzynska, Art Basel Miami 2011

(null)

A number of works from the collection of the late Jan Krugier will go on sale this fall at Christie’s in Manhattan.  The sale, estimated to bring in about $160 million, includes a 1911 landscape by Kandinsky, estimated to bring somewhere between $20 million and $25 million.  “This painting represents a world he loved, one that falls between the figurative into the abstract,” said Conor Jordan, deputy chairman of Christie’s Impressionist and Modern Art Department. (more…)

Thomas Hirschhorn, Gramsci Monument (2013), via Daniel Creahan for Art Observed

“Everyone is an intellectual.”  These words by Italian anarchist/Marxist Antonio Gramsci adorn the walls of Gramsci Monument, the fourth and final entry into Swiss artist Thomas Hirschhorn’s monumental installation series to his favorite thinkers and writers, currently open in the Forest Houses housing project in the South Bronx.  Opening the platform to cultural dialogues, political research and community art efforts, Gramsci Monument continues Hirschhorn’s efforts at destabilizing the spatial encounters of a work of art, broadening its scope to a space where all participants are welcome to create their own meaning. (more…)

Renzo Piano, Model for New Whitney Museum (Installation View), via Alex Cosio for Art Observed

The Gagosian Gallery in Chelsea, in collaboration with Fondazione Renzo Piano, is currently exhibiting a retrospective of work produced by the Renzo Piano Building Workshop, the architecture firm conceived and headed by Pritzker Prize laureate Renzo Piano. Piano, who was born into a family of contractors in Genoa, has emphasized the importance of hands-on experimentation as well as technological innovation throughout his career.  Particularly of note are Piano’s models and sketches regarding the design and construction of the Whitney Museum’s future home, tucked between the High Line and Hudson River in the Meatpacking District. (more…)

Dealer Gavin Brown is the subject of a recent profile in W Magazine,  documenting his pioneering work in the New York art scene, and his ongoing war against the status quo for gallery spaces in an increasingly uncertain time for mid-level galleries.  “It always petrifies me, these moments of shift. And if you focus on this small world of artists and galleries and museums, I think we’re kind of spinning our wheels wondering what’s next because we know something is coming.  All the old models seem to be running out of gas. It’s a fascinating time,” Brown says. “Everything is up in the air.” (more…)

Floor Cone (1962), in front of Dwan Gallery, Los Angeles, (1963) Image courtesy of Oldenburg van Bruggen Studio.

Claes Oldenburg (b. 1929, Stockholm) is widely regarded as one of the founding pioneers of Pop Art, a superstar in the history of art, and a visionary who opened new doors on the world of conceptual practice, sculpture and performance.  Embracing this foundational role, the artist’s current retrospective at the Museum of Modern Art maps the early beginnings of Oldenburg’s career, alongside the formative years of Pop Art.  (more…)

The M+ museum in Hong Kong’s developing West Kowloon district has announced that it will appoint Doryun Chong as its head curator.  Mr. Chong is currently serving as the associate curator of painting at MoMA, where he organized shows of work by Ernesto Neto, Bruce Nauman, and Henrik Olesen.  He will also oversee the completion of the M+ project, working under Dr. Lars Nittve. (more…)

London’s Mayfair district, traditionally known for its boutique shops and high-end British art galleries, is seeing a number of American dealers moving in, The New York Times reports.  Gagosian, Pace, David Zwirner and more have opened spaces in the area, seeking to provide an even greater global offering for potential artists and customers in a vibrant market.  “We’re all chasing the same artists,” says Marc Glimcher, president of Pace. “But the intensity of interest in art in London is long-lasting. You can get 10 reviews in 10 different newspapers. And besides the new collectors and galleries, there is a very vibrant museum community.” (more…)

Taiyo Kimura, Performance Study With Plastic Bag (1997), via MoMAPS1

In the hustle and bustle of the art fairs and auctions of the two weeks prior, the opening of MoMA’s EXPO 1: New York went almost unnoticed, despite its three-venue makeup that includes modules at the museum’s midtown location, the PS1 annex in Queens, and at the newly built VW dome in the Far Rockaway, all which explore new conceptions of ecology and politics in the post-millenial landscape.

Steve McQueen, Static (2009), via MoMAPS1 (more…)

Urs Fischer (Installation View), photo by Stefan Altenburger, © Urs Fischer, Courtesy of the artist and The Museum of Contemporary Art, Los Angeles

Occupying both the Grand Avenue and the Geffen Contemporary spaces at MOCA, Swiss-born, New York based artist Urs Fischer presents his first U.S. retrospective, culling from his diverse and unique body of work to fill both spaces with an overwhelming display of sculptural pieces and grandiose immersive environments.

(more…)

A number of wall drawings and other works by Sol LeWitt are set to open this fall, including an installation of Wall Drawing #599: Circles 18 at the Jewish Community Center on the Upper West Side, and an exhibition of the artist’s wall drawings at Paula Cooper Gallery in Chelsea.  “It is an opportunity to make art accessible for all ages, from strollers to wheelchairs, toddlers to people in their 90s.”  Says JCC executive director Rabbi Joy Levitt. (more…)

President Barack Obama’s administration has announced the winners of the 2012 National Medal of Arts, including Ellsworth Kelly on the list of recipients.  Kelly, who turned 90 this year, is currently in the spotlight for a trio of New York shows this spring and summer, spanning the range of his career, and will accept the award tonight in Washington, DC.  Other recipients include landscape architect Laurie Olin. (more…)

The Bruce High Quality Foundation, Con te Partiro (2009), via Brooklyn Museum

Shrouded in anonymity, the Bruce High Quality Foundation has made a career for themselves out of playful irreverence.  Rising out of the post-9/11 New York art scene, the anonymous collective has launched a campaign of physical aggression against public installations (Public Art Tackle), initiated their own free education classes, staged socio-politically charged morality plays on gentrification, all under the guise of a production of the Broadway musical Cats, all alongside a number of pieces and installations that embrace the juxtaposition of art history, pop culture and contemporary society to “invest the experience of public space with wonder.”

The Bruce High Quality Foundation, Ode to Joy (2001–2013) (Installation View), via Brooklyn Museum (more…)

Rapper Jay-Z appeared at New York’s Pace Gallery today, performing his song Picasso Baby for 6 hours straight.  The marathon performance was part of the artist’s “Docu-music” video for the song, and featured a moment where the rapper danced with Marina Abramovic.  Other notable attendees included Marilyn Minter, Laurence Weiner, Klaus Biesenbach, Aaron Young, among many more. (more…)

Laurel Nakadate, Portland, Oregon #1 (2012), via Leslie Tonkonow

Strangers and Relations is a two-part project by American photographer and filmmaker Laurel Nakadate, in which the artist photographs strangers she connected with through the Internet, and arranged to meet in 31 different states within the US. and parts of Europe. The exhibition is being held at Leslie Tonkonow in New York City. (more…)

Robert Irwin, Black Rectangle – Scrim Veil – Natural Light (1977), via The Whitney

The immediate effect upon entering Robert Irwin’s full-room installation at The Whitney Museum is one of disorientation.  A single black runs along the outskirts of the room, interrupted by the enormous window at one end of the space.  Through the middle of the room runs an even larger black line, seemingly suspended in mid-air.  The eye swims around this phenomenon, unsure of the depth of the room, or the origin of the line until one notices the large veil bisecting the room, leaving about 6 feet of clearance for viewers to walk under.

Robert Irwin sets up his installation at the Whitney in 1977, via New York Times (more…)

Empire State (Installation View), via Palazzo Delle Esposizioni

“Empire State,” a classic nickname denoting New York’s central position in the art world, takes a new spin in Rome this summer, thanks to the curatorial talents of Alex Gartenfeld and Norman Rosenthal. (more…)