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Go See – Moscow: ANTONY GORMLEY ‘DOMAIN FIELD’ at the Garage Centre for Contemporary Culture, through September 2, 2009

Monday, August 10th, 2009

Go See: Mariko Mori at Baltic Centre for Contemporary Art, England through September 14

Wednesday, July 30th, 2008

Go See – Berlin: Nan Goldin ‘Berlin Work: Photography 1984–2009’ at Berlinische Galerie through March 28th, 2011

Thursday, March 10th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Lithuanian Pavilion

Sunday, June 5th, 2011

Go See – New York (With Video): Yoshitomo Nara "Nobody's Fool" at the Asia Society through January 2, 2011

Saturday, October 2nd, 2010

Newslinks: Monday, August 11, 2008

Monday, August 11th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Stuart E. Eizenstat Profiled in NYT

January 24th, 2022

A piece in the New York Times profiles Stuart E. Eizenstat, the diplomat and lawyer who has long advised on the process of restituting Nazi-looted art, and who will now take on his first court case seeking the return of an allegedly looted Camille Pissarro. “No self-respecting government, art dealer, private collector, museum or auction house should trade in or possess art stolen by the Nazis,” he says.

Read more at NYT

Yves Tanguy Work Thought Destroyed Rediscovered

January 24th, 2022

A Yves Tanguy work long thought destroyed during a raid by a fascist mob has been rediscovered and restored. She said: “We were able to do different types of imaging and analysis and demonstrate that it was the original work that had been put back together again,” says Professor Jennifer Mass, an American conservation scientist.

Read more at The Guardian

Samara Golden Interviewed in NYT

January 24th, 2022

Artist Samara Golden gets the profile treatment in the New York Times this week as she opens a show of new work at Night Gallery in LA. “The piece speaks to the art history of Southern California because of its viscerality,” says Night Gallery founder Davida Nemeroff.

Read more at NYT

REFERENCE LIBRARY