October 26th, 2022
![Andra Ursuţa, Erotic Cobwebs,(2021-2022), via David Zwirner](http://artobserved.com/wp-content/uploads/2022/10/Andra-Ursuţa-Erotic-Cobwebs2021-2022-via-David-Zwirner-440x431.jpg)
Andra Ursuţa, Erotic Cobwebs (2021-2022), via David Zwirner
This month in London, David Zwirner plays home to Joy Revision, an exhibition of work by artist Andra Ursuţa, marking the Romanian-born, New York–based artist’s second solo presentation with the gallery. The exhibition will debut new photograms and lead-crystal sculptures that stem from a premodern conception of art as an essential tool to deal with mortality, loss, and grief. Read More »
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October 25th, 2022
![Rodney Graham, Untitled (2022), via 303 Gallery](http://artobserved.com/wp-content/uploads/2022/02/Rodney-Graham-Untitled-2022-via-303-Gallery-3-440x627.jpg)
Rodney Graham, Untitled (2022), via 303 Gallery
Rodney Graham, the Canadian artist whose restless and relentless body of work moved across photography, video, painting, and even music, has passed away at the age of 73 after a battle with cancer. Read More »
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October 24th, 2022
![Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ](http://artobserved.com/wp-content/uploads/2022/10/Helen-Marten-Third-Moment-Profile-The-Almost-Horse-Installation-View-via-Sadie-Coles-HQ--440x335.jpg)
Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ
On view during the run of exhibitions and shows surrounding the bustle of Frieze London, Sadie Coles HQ’s fall exhibition welcomes the work of artist Helen Marten this month, playing on notions of monumentality, scale and production through a range of motifs and concepts. Centered on a single conceit: the attempt the depict a horse, the show unfolds through a range of materials and modes that underscore the artist’s conceptually rigorous, yet playful approach to art-marking. In each instance, a sense of the inaccessible stands in the way of success, failing to materialize a horse through language or image.
![Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ](http://artobserved.com/wp-content/uploads/2022/10/Helen-Marten-Third-Moment-Profile-The-Almost-Horse-Installation-View-via-Sadie-Coles-HQ-3-440x327.jpg)
Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ
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October 21st, 2022
![Christina Forrer, Sepulcher (2021), via Luhring Augustine](http://artobserved.com/wp-content/uploads/2022/10/Christina-Forrer-Sepulcher-2021-via-Luhring-Augustine-440x293.jpeg)
Christina Forrer, Sepulcher (2021), via Luhring Augustine
On view this month in New York, artist Christina Forrer marks her second exhibition at Luhring Augustine, on view at the gallery’s Tribeca location, with a series of new weavings and drawings, continuing her expressive and enigmatic approach to the medium with a range of works that mix together powerful symbolisms with an animated and vibrant sense of energy. Read More »
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October 20th, 2022
![Erika Verzutti, Churros and Rain (Installation View), via Andrew Kreps](http://artobserved.com/wp-content/uploads/2022/10/Erika-Verzutti-Churros-and-Rain-Installation-View-via-Andrew-Kreps-1-440x293.jpg)
Erika Verzutti, Churros and Rain (Installation View), via Andrew Kreps
Tactile in its approach, Erika Verzutti’s practice rests between sculpture and painting, drawing on a wide range of references from nature to popular culture. Shapes derived from fruits or vegetables recur alongside familiar objects, self-referential gestures, and images culled from social media to form a new vernacular. Firmly rooted in studio practice, Verzutti’s work revels in its process and explores how disparate ideas and perceptions take on a physical form. For her most recent exhibition at Andrew Kreps in New York, the artist continues that mode over a range of materials and approaches. Read More »
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October 20th, 2022
![Claudio Parmiggiani, Untitled (2022), via Bortolami](http://artobserved.com/wp-content/uploads/2022/10/Claudio-Parmiggiani-Untitled-2022-via-Bortolami--440x586.jpg)
Claudio Parmiggiani, Untitled (2022), via Bortolami
On view this month at Bortolami Gallery in New York, artist Claudio Parmiggiani has installed a body of new work that continues his enigmatic and materially-oriented approach through a range of new canvases. Utilizing simple operations of fire and ash posed against a stark white canvas, Parmiggiani’s work in the show makes the most of the most simple of operations to create lyrically rich subject matter.
![Claudio Parmiggiani, Untitled (2022), via Bortolami](http://artobserved.com/wp-content/uploads/2022/10/Claudio-Parmiggiani-Untitled-2022-via-Bortolami-1-440x586.jpg)
Claudio Parmiggiani, Untitled (2022), via Bortolami
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October 19th, 2022
![Jack Pierson at Regen](http://artobserved.com/wp-content/uploads/2022/10/Jack-Pierson-at-Regen1-440x548.jpg)
Jack Pierson at Regen, all images via Art Observed
With the fall months pressing on, the annual fair stretch between London and Paris is an annual event, with galleries shuttling between the two European capitals for the usual run of art fairs. But this year, with FIAC sitting out on a 2022 edition, Art Basel has filled a gap in the annual fair offerings, opening the first run of a new fair, Paris+ at the Grand Palais Éphémère from Thursday, October 20 to Sunday, October 23, 2022. Bringing together 156 leading French and international galleries for this first program, the fair continues its reputation for exceptional artworks across all media – from painting and sculpture to photography and digital works. Read More »
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October 17th, 2022
![Mary Heilmann, Glassy Wall (2020), via 303 Gallery](http://artobserved.com/wp-content/uploads/2022/10/Mary-Heilmann-Glassy-Wall-2020-via-303-Gallery-440x272.jpg)
Mary Heilmann, Glassy Wall (2020), via 303 Gallery
A California native, Mary Heilmann has been gazing out at the ocean since the age of three, and this fascination with the landscape and climate of her home state continues in her work to this day. Across Heilmann’s surfaces, waves swiftly build in one canvas before crashing over into the next. This notion sits at the center of Heilmann’s current show, Daydream, on view at 303 Gallery in New York. Read More »
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October 14th, 2022
![Urs Fischer, Denominator (2020-2022), via Art Observed](http://artobserved.com/wp-content/uploads/2022/10/Urs-Fischer-Denominator-2020-2022-via-Art-Observed-440x440.jpg)
Urs Fischer, Denominator (2020-2022), via Art Observed
Continuing his enigmatic and playful engagement with the languages of artistic production, pop culture and materiality, artist Urs Fischer returns to Gagosian in New York this month for a strikingly surreal and technologically-driven body of new works, unified under the title Denominator. Exploring concepts of data compilation and agglomeration, as well as the meanings that systems of organization and exhibition create, the show uses digital imagery as a structure of recontextualizing and complicating the act of creation and the understanding of an image. Read More »
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October 13th, 2022
![New York Art Book Fair (Installation), via Art Oserved](http://artobserved.com/wp-content/uploads/2022/10/New-York-Art-Book-Fair-Installation-via-Art-Oserved-440x548.jpeg)
New York Art Book Fair (Installation), via Art Oserved
The leaves are changing in New York City, the fall equinox is on its way, and the time has once again come for the New York Art Book Fair to open yet again, kicking off its latest edition of a unique and energetic exhibition of young artists, publishers, writers and thinkers, each representing a small part of the national and international art publishing community. Always free and open to the public, the event draws more than 35,000 individuals including book lovers, collectors, artists, and art world professionals each year. Read More »
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