Peter Halley, Unseen Paintings (Installation View), via Sophie Kitching for Art Observed

During the years 1992 to 2002, Peter Halley’s paintings were rarely seen in New York City — during that entire ten-year span there was only one exhibition of his paintings in the city. The artist, whose body of work helped to define a return to abstract, painterly language in the New York avant-garde during the 1980’s, was noticeably absent, a note that often leaves his work somewhat divorced from some of the other artists living and working during that era. Now, an exhibition at Sperone Westwater aims to reintroduce the artist’s work from that era to the city, culling together a body of eight works that emphasize his aesthetic interests during the period, and continuing his exploration of geometric and geographic forms. Read More »

Installation View. All images via Art Observed.

Nairy Baghramian’s third solo exhibition at Galerie Buchholz in Berlin is on view at the gallery through November 17, 2018. It is accompanied by a publication produced alongside Déformation Professionelle. This exhibition, shown over the last two years at SMAK, Ghent, and the Walker Art Center in Minneapolis, was originally conceived as a retrospective. However, the artist decided to modify this approach and instead construct a show around new pieces that refer back to earlier ones. At Galerie Buchholz, many of these self-reflexive pieces are on view in the gallery’s first floor exhibition space. Read More »

Edward Hopper, Chop Suey (1929), Final Price: $95,937,500, via Christie’s

Following an unsteady outing this past Sunday, Christie’s has turned on a dime with this evening’s special sale of works from the collection of Barney Ebsworth, capping off a 42-lot sale with a strong final result of $317,801,250, leaving only a few works unsold (5 of 42 lots) and a number of major world auction records left broken (at least 10 records in total before the sale reached its conclusion). Read More »

Rene Magritte, The Pleasure Principle (1937) Final Price: $26,830,500, via Sotheby’s

The first batch of sales for New York’s bustling auction week have come to a close, as Christie’s and Sotheby’s capped their Impressionist and Modern Evening Sales in New York.  Both sales seemed to rock back and forth between major milestones and less impressive results, as buyers seemed tentative to pursue large trophy works or pieces boasting higher estimates.   Read More »

Petra Cortright, Platinum Blonde Black Knight (Installation View), all images via Anna Corrigan for Art Observed.

On view through November 17, Société presents Petra Cortright’s Platinum Blonde Black Night. The Los Angeles-based artist is known for her early works of webcam self-portrait videos posted to her YouTube account. Recently, Cortright has incorporated works in painting, sculpture, and video into her practice. This is the artist’s third exhibition with the gallery. Read More »

Edward Hopper, Chop Suey (1929), via Christie’s

This next week, New York City will see a string of Modern and Contemporary Auctions take place at the major auction houses, following up a tense season of political uncertainty in the U.S. with a series of sales that may offer a referendum on the nation’s current economic climate.  With a number of special sales joining the traditional major evening sales, the week should offer an intriguing picture of just how healthy the market is, or perhaps how daring its collectors are feeling. Read More »

Tania Bruguera at Tate Modern (Installation View), via Art Observed

Cuban artist and activist Tania Bruguera has been tapped for the most recent commission project at Tate Modern, which opened this past October during Frieze Week. The piece, which unifies disparate social threads under the museum roof, is a striking moment for the artist under the shadow of the nation’s Brexit negotiations. Read More »

General Idea, Untitled (AIDS with Cockroaches) (1989), all images via Maureen Paley

Now through November 11th, 2018, Maureen Paley in London is presenting AA Bronson + General Idea, an exhibition marking fifty years since AA Bronson, Felix Partz and Jorge Zontal met in 1968 and formed the collective General Idea. The Canadian collective is known for producing over 100 solo exhibitions, as well as countless group shows and temporary public art projects. For the years of 1969-1994 they lived and worked together, creating a “living artwork of their being together” and working through various surfaces or ‘host’ media for their ideas and engagement with punk, queer theory, ad AIDS activism. Read More »

Amy Sillman, Landline (Installation View), via Camden Arts Cenre

Perhaps one of the most distinctive voices in contemporary American painting, artist Amy Sillman has relentlessly and repeatedly pushed her own style towards the furthest reaches of her capacity, always in an attempt to interrogate and re-evaluate the language and practice of painting against the backdrop of modern history and the attendant shifts from analog to digital technologies and labor processes.  Based in New York, the artist has opened her first major solo institutional show in the UK this fall, an ambitious and expansive walk through her work at the Camden Arts Centre in North London.   Read More »