Steve McQueen gets a profile in The Guardian this week, as he prepares to open his first Tate Modern retrospective, and reflects on the arc of his career and work. “What I do as an artist is, I think, to do with my own life experience,” he says. “I came of age in a school which was a microcosm of the world around me. One day, you’re together as a group, the next, you are split up by people who think certain people are better than you. It was kind of interesting to observe that.”
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Comprising her 12th solo show with 303 Gallery, artist Karen Kilimnik returns to New York with a new body of works, snaking through a range of materials and techniques that touch on painting, photography, collage, sculpture and video, all displayed in the Petersburger exhibition style.
Artist Matthew Barney’s victory lap continues after the 2018 release of his latest film Redoubt, a wolf hunt in Idaho’s rugged Sawtooth Mountains that continues the artist’s ongoing preoccupation with landscape as both setting and subject. For his current show in New York, on view at Gladstone Gallery, the artist presents a set of new drawings, etchings, and sculpture that draw from the film, and expand on its allegorical and cosmological themes. Read More »
Presenting a range of works continuing his interest in cinema and the collective memory, the construction of images on the screen and in our heads, artist Douglas Gordon returns to Eva Presenhuber in New York City with a selection of works centered around his ongoing installation Happy Birthday To Me…, accompanied by a new 24-part burned print work titled Self Portrait of You + Me (Neighborly Love), a film installation titled Video Diptych, and more, compiling the artist’s respective works into both a portrait of his own practice, and that of the concepts described above. Read More »
Charlap Hyman & Herrero, Shell Lamp I, Moulded plastic, and Astrologia Zodiac Black Natural Abaca Round Rug, Hemp, 2018; Chiarastella Cattana, Dune, Jacquard woven textile, 2019; Yali, Vignole Table, Glass top, iron base, 2019. © Annie Schlecter.
Currently on view for the week at 109 Thompson Street is the pop-up exhibition ‘Conversation Piece: Design is Dead’, a shoebox of a gallery space that designer Adam Charlap Hyman has dramatically transformed into an underwater grotto. The eponymous title of the show is the frequent tagline of Enzo Mari, a maverick Italian designer highly critical of modern design with a host of catechisms to prove it. He attributes the solipsism of design—namely, its death—as ‘the overlaying of icons without any reference to history… In most cases the essence becomes a confusing mess, created without logic.’ Read More »
With the closing of sales last night in New York, the major auction houses have drawn the curtain on a busy year on the secondary market, capping a trio of strong outings for Post-War and Contemporary Art that have once again underscored the state of the art market currently. A number of guaranteed sales and high estimate prices seem to have eradicated much of the surprise at the higher end of the market, but its value-setting functions remain intact, as a number of records fell over the course of the past two evenings, and a group of artists made the jump from heritage prizes to certified blue-chip bets. Read More »
Marking their entries of the week’s packed calendar of Impressionist and Modern Evening Sales, the Impressionist and Modern Sales have concluded in New York, rounding out the first half of a bustling week of sales that also caps off the second half of the year’s major secondary market sales. Read More »
Capping off the events of the fall art market before one last blowout in Miami, New York City will play home to a last series of major art auctions, offering a last look for the year on just how the contemporary market is faring. Considering relatively unpredictable sales in London this past month, and and more uncertainty on the global horizon, it should make for an intriguing picture of how U.S. dealers are preparing for the months to come. Read More »
Currently on at Galerie Barbara Weiss in Berlin, artist Mai-Thu Perret has opened an exhibition of new works drawing on a range of conceptual vectors to explore modernity in conversation with a range of disparate timelines and frames of reference. Drawing its title from writer Clarice Lispector’s book of the same name, the work seems to explore a similar exploration of time as atomic, as suspended along a series of varied singularities that converge and break apart, each moment a collision of varied possibilities and probabilities. Read More »
Currently on at Chantal Crousel in Paris, artist Mona Hatoum continues her incisive, challenging work reflecting on world conflicts, migrations, and surveillance, using materials as varied as steel, brick, concrete, and human hair to create spaces of tension, paradox, and ambiguity. Using these materials as a way to explore and elaboration on political systems of oppression and destruction, the artist’s work is a poetic and often startling challenge to power. Read More »
With the opening of FIAC this past month, Gagosian Gallery filled its ground-floor space in Paris with new work by Urs Fischer, including an impressive new candle work by the artist depicting actor and activist Leonardo DiCaprio. Continuing the artist’s enigmatic engagement with the aura of fame and fortune, his new candle sculpture marks a return to his interest in collectors and art world influencers, turning their visages into slowly melting piles of wax. Read More »