As art sales go online, the NYT notes an increasing generation gap, with older buyers tapering off their purchases and younger buyers continuing to collect. “The resistance from older collectors is still there,” says Anders Petterson, founder of analytics firm ArtTactic. “When there is no physical art world, how do you substitute that experience?” he added. “Younger people are a lot quicker to adapt.”
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Currently on view at Andrew Kreps Gallery in New York, artist Andrea Bowers presents Think of Our Future, a show of new sculpture and wall-mounted works that continue her engagement with online movements, the cultural zeitgeist, and possible expressions of new social modes and possible futures. Bowers, whose work of late has mined the cultural upheaval and power of the #MeToo movement, here turns in particular to the protests around the Dakota Access Pipeline, and the confrontations between the company building the line and the Standing Rock Sioux tribe that has fought to prevent its construction on tribal lands.
Currently on view at Hauser & Wirth’s Los Angeles exhibition space, the Swiss artist Nicolas Party has inaugurated his representation with the gallery, opening up an impressively arranged exhibition of new works just in time for the bustle of Frieze Week in the Californian metropolis. Born in Lausanne, Party’s figurative technique has earned him critical admiration for his familiar yet unsettling landscapes, portraits, and still lifes, celebrating and challenging conventions of representational painting, taste, and form. Read More »
Continuing its own intriguing and honed perspective on booth its surroundings in Los Angeles and on the model of the art fair, SPRING/BREAK has once again touched down in the City of Angels, launching a supplementary event that offers an ample supply of artists and galleries presenting in a concept that stands as a stark contrast to the traditional fair model. Read More »
As Frieze opens up shop for the week on the West Coast, the bevy of satellite fairs and event openings are underway across the city. One particular highlight, and also a second-time event for Frieze Week, Felix LA, the joint effort of collector Dean Valentine and dealers Al and Mills Morán, has returned to the rooms and public spaces of the iconic Hollywood Roosevelt Hotel in Los Angeles for the week. One of the more compelling fair entries of the week, the work’s program, which sees gallerists taking over rooms in the hotel, allows a unique mixture of intimate exhibitions and adventurous concepts that felt well-suited to the well-heeled patrons of the contemporary art market, both looking for a good piece of work and a unique experience shopping for it. Read More »
As the early hours of the second Frieze Los Angeles Art Fair draw to a close this evening, and the sun sets over the Pacific, the fair seems to have once again hammered home its vital engagement with the city, and with its thriving art scene, launching another strong event spread across the grounds of the Paramount Studios. With strong sales reported and an energetic atmosphere across the fair, it would seem that the small-scale and focused approach of the fair had once again seen the fair brand making its case as an arbiter of thoughtful, curated approaches towards the market and its participants.
David Hockney, The Splash (1966), final price: £23,117,000, via Sotheby’s
With the bustle of LA’s numerous art fairs opening their doors across the Atlantic and all the way across the country, one could be understood for overlooking the string of auctions taking place in London this week. Yet a trio of sales went over all the same this week, testing the secondary contemporary market just as the primary market was having a test of its own in Los Angeles. The results were mixed, with a number of strong performances, but a sense of stagnation also seems to have set in over some artists, particularly with the future of British trade with Europe looking so unsteady.
Jean-Michel Basquiat, The Mosque (1982), final price:£3,951,729, via Christie’s Read More »
Opening for its second year in the Californian sprawl of Los Angeles, the Frieze Art Fair returns for a second year under the sunny skies of the Golden State. Taking its place once again at Paramount Studios, the fair has quickly planted its flag as a major part of the early weeks of the annual fair calendar, and has become the flagship fair in the run up to the Armory Show in New York next month. Read More »
Barbara Kruger will launch a major museum survey at the Art Institute of Chicago this November. “Thinking of
You. I Mean Me. I Mean You.” is set to run at the Art Institute of Chicago through February 14, 2021, then travel to MoMA PS1 and the Museum of Modern Art in New York, thento London’s Hayward Gallery and LACMA. Read More »
Zona Maco has opened the doors for its 17th year this week, celebrating the milestone event today with the first day of its VIP preview yesterday at the Centro Banamex. Offering a look at the stature of the fair in relation to the burgeoning artistic community in Mexico City in relation to the art and artists flying in from around the globe, the fair’s dynamic program included conferences with international guests, a section with specialized publications and editorials, and the widest program of parallel activities with exhibitions at the most outstanding galleries and museums in the country. Read More »
With the UK now into its first days of Brexit, attention turned to London this week for a string of Impressionist, Modern and Surrealist Sales that looked to take the first test of the market. Considering the results this week, a path forward seems uneasy but possible, as mixed results between the auction houses made for a series of compelling auctions and unpredictable results Read More »