Zach Martin at Fisher Parrish, via Art Observed

For the last few years, NADA has been instrumental in pushing new strategies and concepts for the exhibition and presentation of work in a fair context, exploring alternatives and options to the large-scale fair model in a market environment that has proved increasingly challenging for smaller art spaces.  Enter NADA House, an opportunity for NADA members to stage a group show in an intimate and unusual setting on Governors Island.  The organization’s second off-site exhibition on Governors Island, the show features 45 artists from NADA Member galleries and non-profits in a new, expanded format across 34 rooms in three historic, turn-of-the-century Colonial Revival houses. With only one or two artists on display in each room, NADA House reflects the camaraderie intrinsic to NADA’s mission, and exemplifies the organization’s adaptive approach to finding new models to present work from its community. Read More »

Richard Hughes, via Art Observed

With the bustling, distributed selection of fairs and exhibition programs spread around New York City over the course of the week, it’s hard to imagine another iteration of the art fair model making a mark on Frieze Week in New York. Yet that’s just what the Object & Thing Fair aims to do, taking over the raw industrial halls of 99 Scott on the borders of Bushwick, East Williamsburg and Ridgewood aims to do. The fair, founded by former Frieze Artistic Director Abby Bangser, is an intriguing reimagining of the art fair, a sort of junior TEFAF that unites art objects, design pieces, furniture and other work under an open-format exhibition plan. Rather than providing the galleries participating with booths, the objects offered are arranged about the space, the result being an imminently browsable, engaging experience. What’s more, the fair is based around a commission model, experimenting with ways to make fairs more affordable and flexible.

Peter Shire via Art Observed

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Jaume Plensa at Richard Gray, via Art Observed

Marking its newest iteration on Randall’s Island, Frieze New York opened its doors on its VIP Preview today, welcoming a string of collectors, gallerists and artists winding their way over bridges or up the East River by Ferry this morning. The fair opened its doors on the early hours of its first preview day Wednesday, offering an opportunity for collectors and dealers to take a first stroll through the fair without the bustling crowds of the later fair days.  Celebrating its eighth year on Randall’s Island, the fair’s early previews saw a first look at a fair that has come into its own as an anchor of New York’s already packed art scene, and which has become a much-anticipated first hint of the summer months in the city. Read More »

Inka Essenhigh, Untitled (2019), via Kavi Gupta

With the increasingly packed schedule of the spring art season in New York, attention and anticipation once again turns to the opening of this year’s edition of Frieze New York, set to open its doors in just a few days at its annual haunt at Randall’s Island. This year, as the fair reaches its eighth edition, some adjustments and tweaks to the schedule will look to expand the fair’s offerings and appeal in an increasingly crowded circuit. Read More »

Raqib Shaw, Lament on Narscissus to Icarus (2017-2018), via Art Observed

For pure opulence, it’s hard to match the canvases of artist Raqib Shaw. Pulling together disparate traditions in Indian and Western portraiture and epic painting, the artist’s work mines each historical mode in pursuit of a lush, swirling iconography that simultaneously entrances the viewer and overwhelms them with visual excess, a negotiation of forms that encourages a lingering consideration of each work. Read More »

                                      Alec Soth, Simone. Los Angeles, 2017 (2017), Via Art Observed

Currently on view at Sean Kelly’s spacious Chelsea exhibition space, photographer Alec Soth is presenting a body of new works. Comprised of recent large-scale color portraits and images of interiors, the exhibition, “I Know How Furiously Your Heart Is Beating,” focuses on Soth’s depiction of the individual, posing questions about what these images reveal about both the sitter and photographer. Read More »

Alicja Kwade, MatterMotion (2019), via 303 Gallery

Working with concepts of nature, science, philosophy and perception, artist Alicja Kwade’s work draws on complex fusions of phenomena, space and architecture, using these formats to question and explore the natural world alongside humanity’s participation in it. Drawing on reflective elements, spatial inversions and peculiar material juxtapositions, the artist has become renowned for her ability to challenge our most basic logical assumptions. Read More »

Vincent Fecteau, Chorus #1 (1994), via Matthew Marks

Currently on view at Matthew Marks’s spacious West 22nd Street location, a trio of artists, Lutz Bacher, Nayland Blake and Vincent Fecteau (who also takes on curator duties here) have collaborated on a striking and unique investigation of time and history. Meant to serve in part as a re-creation of Fecteau’s first solo exhibition, the show twists a series of diverse narratives and conceptual ties among the artists into a unique interpretation of the past. Read More »

Sheer Presence: Monumental Paintings By Robert Motherwell (Installation View), via Kasmin Gallery

There are many moments during Sheer Presence: Monumental Paintings by Robert Motherwell, a show of large-scale works by the American master, where one feels inundated with color and line. The artist’s works, either towering over the viewer or stretch across the walls of Kasmin Gallery’s flagship space, are unified under a fitting show title: their magnificent presence often captivates the viewer and pulls them deeper into the space of the canvas, even in the show’s most minimalist approaches to surface. Read More »

LAABF, via Printed Matter

This past weekend, Los Angeles residents and visitors from far afield flocked to the City of Angels for the annual opening of Printed Matter’s LA Art Book Fair (LAABF) the West Coast companion fair to the NY Art Book Fair.  Marking a unique and wide-ranging look at the current status of art publishing and printed material.  Free and open to the public, the fair has built a reputation as a leading international gathering for the distribution of artists’ books, celebrating the full breadth of the art publishing community.

Jeffrey Cheung, via Art Observed

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