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Watermill, New York – “FADA House of Madness”: The 23rd Annual Watermill Center Summer Benefit, July 30th, 2016

Tuesday, August 2nd, 2016

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

AO On-Site: Art Week Miami Opening Night, December 1st, 2015

Wednesday, December 2nd, 2015

New York – “Greater New York” at MoMA PS1 Through March 7th, 2016

Wednesday, December 2nd, 2015

AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

New York – “Another Look at Detroit” at Marlborough Chelsea and Marianne Boesky Through August 8th, 2014

Friday, August 8th, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Stockholm – Brad Kahlhamer: “The Four Hairs” at Andréhn-Schiptjenko Through March 29th, 2014

Thursday, March 27th, 2014

AO On-Site: NADA at the Deauville Hotel, December 5th-8th, 2013

Friday, December 6th, 2013

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

Go See – New York: The Figure and Dr. Freud at Haunch of Venison, featuring JONATHAN MEESE, GEORGE CONDO, CECILY BROWN, ROBERT MAPPLETHORPE, ALICE NEEL, FRANCIS BACON, DIANE ARBUS, WILLEM DE KOONING, PICASSO AND MORE. Through August 22, 2009

Tuesday, August 11th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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