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London: ‘Bauhaus: Art As Life’ at The Barbican Art Gallery through August 12, 2012

Friday, June 8th, 2012

Go See – Washington D.C.: Andy Warhol 'Shadows' at the Hirshhorn Museum and Sculpture Garden through January 15, 2012

Saturday, January 7th, 2012

Sunday, July 17th, 2011

Don’t Miss – New York: “50 Americans” by Robert Mapplethorpe at Sean Kelly Gallery through June 18th, 2011

Friday, June 17th, 2011

Go see – New York: Robert Ryman at Pace Wildenstein through March 27, 2010

Monday, March 15th, 2010

Newslinks for Friday, March 27, 2009

Friday, March 27th, 2009

Newslinks for Friday August 22nd, 2008

Friday, August 22nd, 2008

Dan Flavin

Thursday, January 3rd, 2008

Newslinks for 10.16.07

Tuesday, October 16th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Michelangelo Sketch Sells for $24 Million in Paris

May 19th, 2022

A recently unearthed Michelangelo sketch, considered to be the artist’s first nude, has sold  at Christie’s Paris for a record 23 million euros ($24 million). “Michelangelo has decided to make the figure into something that corresponded more to his aesthetic by making him much more robust and monumental, while at the same time keeping the fragility of the figure, who is exposed and shivering” as he awaits baptism,” says Christie’s Old Masters expert Stijn Alsteens.
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Basquiat Work Sells for $85 Million at Phillips $224.9 Million Night

May 19th, 2022

The Jean-Michel Basquiat work from the collection of Japanese billionaire Yusaku Maezawa had a strong return to auction last night at Phillips, where it achieved $85 Million, part of a total sale of  $224.9 million, the highest in the company’s history. 
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Independent Art Fair to Launch New Fair Around 20th Century Work

May 17th, 2022

The Independent Art Fair will launch a new fair in September this year that will focus on 20th Century Works. “Over the years, there has been a shift, with next-generation dealers showing a more diverse group of artists and territories, geographically, socially, politically,” says Independent director Elizabeth Dee. “They are looking forward and looking back, saying, ‘We need to have a canon that looks like our program.’”
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