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Art Newspaper Profiles Souls Grown Deep Foundation

Friday, June 9th, 2017

Robert Ryman Donates Collection of His Works to Dia:Beacon

Thursday, April 13th, 2017

Dia Chair Nathalie de Gunzberg Profiled in NYT

Monday, February 20th, 2017

NEW YORK – MICHAEL ELMGREEN AND INGAR DRAGSET: ‘CHANGING SUBJECTS’ AT THE FLAG ART FOUNDATION THROUGH DECEMBER 17TH, 2016

Sunday, December 11th, 2016

AO On-Site – New York: Steven Shearer Opening Party at the Brant Foundation, On View Through March 2017

Friday, November 18th, 2016

Asad Raza Announces Exhibition Series at Boghossian Foundation

Monday, March 28th, 2016

Dia Director Jessica Morgan Profiled in Vogue

Tuesday, February 23rd, 2016

New York – Robert Ryman at Dia: Chelsea Through June 18th, 2016

Tuesday, February 23rd, 2016

Greenwich – Dash Snow: “Freeze Means Run” at The Brant Foundation Art Study Center Through March 2016

Saturday, November 21st, 2015

New York – Robert Rauschenberg: “Anagrams, Arcadian Retreats, and Anagrams (A Pun)” at Pace Gallery Through December 12th, 2015

Sunday, November 8th, 2015

Peter Brant Announces New Show at Brant Foundation

Monday, November 3rd, 2014

Dia’s New Director Jessica Morgan Interviewed in WSJ

Sunday, September 21st, 2014

Dan Colen Profiled in The Guardian

Monday, May 12th, 2014

ArtNews Profiles Rauschenberg Foundation’s Commitment to Ambitious Works

Wednesday, March 26th, 2014

Detroit Gets $330 Million Donation Pledge to Save DIA Collection

Wednesday, January 15th, 2014

Dia Founders Sue to Block Sotheby’s Sale of Pieces from Collection

Saturday, November 9th, 2013

Fake social media profiles part of Dallas pension fund’s PR duel with Nasher Sculpture Center

Tuesday, July 30th, 2013

Opposition to Dia Collection Sale Goes Public

Sunday, July 14th, 2013

New York – Bruce High Quality Foundation: “Ode to Joy (2001-2013)” at the Brooklyn Museum Through September 22nd, 2013

Thursday, July 11th, 2013

Greenwich, CT – Andy Warhol at the Brant Foundation Art Study Center, Through September, 2013

Wednesday, May 15th, 2013

Dia Art Announces Location of Last Thomas Hirschhorn Monument

Thursday, May 2nd, 2013

AO On Site – New York: Aperture Foundation’s Sixtieth Anniversary Gala Dinner & Photography Auction, October 23rd, 2012

Friday, October 26th, 2012

AO On Site – New York: “We the People” at Robert Rauschenberg Foundation, Through November 9th, 2012

Wednesday, October 24th, 2012

AO On Site – Greenwich, Connecticut: David Altmejd at The Brant Foundation through March 31, 2012

Sunday, March 25th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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