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Crain’s Notes MoMA as NYC’s Loudest Museum

Tuesday, July 14th, 2015

MoMA and Schaulager Collection to Host Bruce Nauman Retrospective in 2018

Sunday, July 12th, 2015

MoMA Lands Major Collection of August Sander Photographs

Friday, June 5th, 2015

MoMA Sees Protests Over Proposed Health Care Cuts

Wednesday, June 3rd, 2015

MoMA Announces Donald Judd Retrospective for 2017

Sunday, May 24th, 2015

MoMA Acquires Jasper Johns’s ‘Painted Bronze’

Thursday, March 19th, 2015

New York – Francesco Vezzoli: “Teatro Romano” at MoMA PS1 Through March 9th, 2015

Thursday, March 5th, 2015

MoMA Releases Trailer for Björk Exhibition

Monday, February 16th, 2015

MoMA To Keep Matisse ‘Swimming Pool’ on Permanent View

Monday, February 16th, 2015

MoMA to Stay Open All Weekend for Last Run of Matisse Cut-Outs Show

Saturday, February 7th, 2015

Andrés Jaque Wins 2015 MoMA Young Architects Program Commission

Saturday, February 7th, 2015

New York – Sturtevant: “Double Trouble” at MoMA Through February 22nd, 2015

Thursday, February 5th, 2015

New York — “The Forever Now: Contemporary Painting in an Atemporal World” at MOMA Through April 5th, 2015

Thursday, January 22nd, 2015

New York – Henri Matisse: “The Cut-Outs” at MoMA Through February 10th, 2015

Wednesday, January 21st, 2015

Vanity Fair Profiles Competition Between Met and MoMA

Tuesday, January 20th, 2015

MoMA to Deaccession Claude Monet Work at Sotheby’s London

Wednesday, January 14th, 2015

New York – Jean Dubuffet: “Soul of the Underground” at MOMA Through April 5th, 2015

Tuesday, January 6th, 2015

MoMA to Reunite Jacob Lawrence’s ‘Migration Series’

Friday, December 19th, 2014

MoMA to Open Yoko Ono Exhibition Next Year

Saturday, December 13th, 2014

New York – Robert Gober: “The Heart is Not a Metaphor” at MoMA Through January 18th, 2014

Saturday, October 11th, 2014

New York – Christopher Williams: “The Production Line Of Happiness” At MoMA Through November 2nd, 2014

Monday, September 22nd, 2014

MoMA Announces John Cage Tribute Album

Friday, September 19th, 2014

New York-“Hy-Fi” by The Living for the Young Architects Program at MoMA PS1 Through September 6th, 2014

Saturday, August 23rd, 2014

MoMA and Andy Warhol Museum Partner to Preserve Warhol’s Films

Thursday, August 14th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Paddle8 Sees Significant Lay-offs, Departures After Auctionata Merger

May 25th, 2016

Paddle 8, via Art NewsFollowing its merger with Auctionata, Paddle8 has seen a series of high-profile departures and lay-offs, Art News reports.  Editorial Director Sarah Hanson in particular was one of the lay-offs, which sources indicate means that the company will do away with or drastically scale back its editorial arm.  “A merger is an inevitable inflection point, and in the past month Paddle8 has seen the departure of some of our colleagues in the lead up to and following our merger with Auctionata,” co-founder Osman Khan said.  “Some left to pursue other passions and opportunities, and others as a result of corporate restructuring. In all cases, we are grateful for their contributions to Paddle8.”
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Alex Katz Interviewed in The Telegraph

May 25th, 2016

Alex Katz, via TelegraphAlex Katz is profiled in the Telegraph this week, as the artist completes a new series of paintings for a show at London’s Serpentine Galleries, and reflects on his inspirations, among them Cézanne’s landscapes.  “I was looking at his stuff and saying: ‘See, the guy couldn’t paint, it’s terrible, this is overworked’ – stuff like that,” he says. “Then, when I got on a train, all I could see were Cézanne landscapes. His vision is so strong that it dominates your mind. And that, for me, is the highest thing an artist can do.”
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BBC Reports on Massive Restoration for Acid Damaged Old Master Painting

May 25th, 2016

Repairing the work, via BBCThe BBC reports on the 10-year restoration process for Sebastiano del Piombo’s The Adoration of the Shepherds, an ambitious undertaking that sought to repair the damage caused by the removal of the work from its original surface using acid.  Conservators have been repairing acid damage and removing added layers of paint to the work before attempting to return the work to its original form. “We were delving down to discover if we could uncover the original and, knowing there was damage, whether we could reconstruct those so we could hang the painting as a painting, rather than as an archaeological fragment,” says Rupert Featherstone of The Hamilton Kerr Institute, which worked to repair the piece at the Fitzwilliam Museum.
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