Pablo Picasso, Le violon (Titre attribué : Nature morte) (1914) © Succession Picasso 2015 / photo Centre Pompidou, MNAM-Cci, dist. Rmn-Grand Palais / droits réservés

Having pioneered the vivid forms and perspectival innovations of Cubism during the course of his career, pushing that initial formal innovation into the vastly divergent forms, there can be little doubt of Pablo Picasso’s monumental impact on the path of modern art.  This influence sits at the core of Picasso.Mania, a playful yet impressively curated exhibition currently on view at the Grand Palais in Paris.  Pairing works from both before and after the artist’s massively influential impact on the world of 20th Century Art, the exhibition presents a contemporary perspective to the name, the myth, the reputation of the artist. (more…)

In a commentary on the ongoing threat of nuclear radiation in Japan, Kenji Kubota, associate professor at the University of Tsukubacurat in Japan, has curated an exhibition inside the exclusionary zone at Fukushima Daiichi Power Plant, a space only accessible to visitors wearing hazmat suits.  The exhibition, featuring work by Ai Weiwei, Taryn Simon and others, will remain open until the public is able to see it. (more…)

Franz West, Lamp (2003), all photos by Osman Can Yerebakan for Art Observed

Marlborough Broome Street, the downtown, contemporary-focused outpost of Chelsea’s Marlborough Gallery, opened its doors for a summer group show titled Marlborough Lights this month. Curated by Leo Fitzpatrick, a newly appointed director at the gallery, the exhibition traces a loose interpretation of the lightbulb as a source of energy and an allegory for critical thinking, while exploring the potentialities for the lamp as a creative container for motives beyond mere furniture or utilitarian lighting.

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Albert Oehlen, Untitled (2005), via Art Observed

In terms of painterly invention, few can keep up with Albert Oehlen, the German artist whose relentless reinterpretation of the medium has made him one of the more intriguing, and often unpredictable, guardians of the form.  Moving effortlessly from visceral abstraction to coy installation work and back, few elements of visual culture have avoided his scope over the past 30 years.  This drive towards the investigation of the image, and its potentials in an increasingly mediated world, sits at the center of Oehlen’s New Museum retrospective this summer in New York, combining a carefully selected series of works that move from his early recognition during the 1980’s through to the present day. (more…)

David Hockney is interviewed in The Guardian this week, discussing his recent practice using digital technology and his lifestyle in Los Angeles.  “It’s a reasonably sophisticated city down the hill,” he says. “It’s very nice. It’s home, really. But I’m not that interested in what’s happening outside. I like my way of life. I just work.” (more…)

Germany’s Cultural Minister is pushing to pass a new law that will strictly limit the international sale of works deemed of particularly high cultural value, as well as potential fakes and illegally sold antiques, particularly works valued over €150,000 ($164,000) and/or older than 50 years.  The proposal has seen staunch opposition from a number of artists, including Gerhard Richter.  “No one has the right to tell me what I do with my images,” the artist said this week. (more…)

Lynda Benglis, Bounty, Amber Waves, and Fruited Plane (2014) via Storm King Art Center

As summer reaches its zenith in New York, countless outdoor exhibitions and special public projects have sprung up across the city and region, encouraging visitors to take a more intrepid stance towards the art world.  Continuing its annual series of special exhibitions, the Storm King Art Center in New Windsor, NY has invited New York artist Lynda Benglis to take full advantage of its sprawling Catskills property, bringing a number of her organically-inspired cast sculptures to investigate the picturesque environs upstate.  With 12 outdoor sculptures and an additional 15 on view inside the museum galleries, Benglis’s exhibition is a striking look at the artist’s aesthetic interests over the past 15 years, as she increasingly incorporated notions of public, urban space and natural phenomena into her dizzyingly complex sculptural assemblages. (more…)

Oscar-winning director Laura Poitras, who recently collaborated with Ai Weiwei, has filed suit against U.S. Security Agencies, demanding the release of records documenting the six years that she experienced long searches, questionings, and security screenings at U.S. and international airports. “I’m filing this lawsuit because the government uses the U.S. border to bypass the rule of law. This simply should not be tolerated in a democracy,” she says. “I am also filing this suit in support of the countless other less high-profile people who have also been subjected to years of Kafkaesque harassment at the borders. We have a right to know how this system works and why we are targeted.” (more…)

An article in Crain’s Business reports that the Museum of Modern Art is the loudest museum in New York City, following a series of impromptu tests at New York’s most prominent museums. The Frick clocks in as New York’s quietest museum. “The Whitney constantly has helicopters outside—you won’t necessarily hear them, but that noise will come through the glass,” says Alan Fierstein, founder of Acoustilog, a New York acoustical consulting firm. “You can’t hear specifics — ‘Oh, that’s a helicopter, that’s a 737, that’s a truck,’ because by the time it makes it to your ears, it’s mixed up and just sounds like an overall din.” (more…)

Artist Shepard Fairey has turned himself in in Detroit over the arrest warrant for his vandalism in the city.  He is accused of over $9,000 in damages to properties.  “Can’t talk about anything,” Fairey said in a short comment following his arrest in Los Angeles last week. (more…)

Despite fierce protests from researchers, curators and museum heads, the Louvre is pushing forward with its decision to move 250,000 artworks and artifacts to a new storage facility north of the city, in Liévin, a move that many say will cripple research attempts in the capital.  “A museum without its reserves is like a plane without engines: it looks all beautiful and glittering, but it won’t move,” says an open letter from 42 of the museum’s 45 curators. (more…)

The Cuban government has returned artist Tania Bruguera’s passport, having held it for the past six months.  Despite its return, the artist has expressed her desire to remain in the country.  “My argument has never been about leaving Cuba; my argument is about working so there is freedom of expression and public protest in Cuba,” she says.  “People should feel free to say what they think without fear of losing their jobs or university standing, of being marginalized or imprisoned.” (more…)

Artist Marc Quinn is interviewed in the Telegraph this week, as he prepares to show new work at White Cube this month.  “I’ve always loved beaches,” he says, noting the connections between the ocean’s form and landscape and his own work.  “I love that we come from the sea. I think that’s where my interest in liquid and solid comes from. The beach is where liquid and solid meet, so it has this incredible sense of possibility.” (more…)

An Auguste Rodin sculpture stolen 24 years ago has been recovered after it was offered for sale to Christie’s, and returned to the owner. “In accordance with the insurance policy to which this work was subject, Young Woman with Serpent was offered back to the theft victim upon its successful recovery,”says Spokesman Jerome Hasler of Art Recovery Group, the company that assisted in the recovery of the piece.  “In this instance, however, the victim has decided that the work should be sold, and it will now be consigned later this year for a new owner to enjoy.” (more…)

The Museum of Modern Art and Basel’s Schaulager Collection are partnering to present a major retrospective focused on the work of Bruce Nauman, set to open in Switzerland in March of 2018.  The show will then cross the Atlantic to MoMA for a September opening. (more…)

Rachel Harrison, Magnum (2015), via Regen Projects

New York-based artist Rachel Harrison is presenting a multifaceted exhibition at Los Angeles’s Regen Projects this month, exploring notions of representation, perspective and time as they function in both the context of the gallery and in the artist’s own work.  Titled Three Young Framers, the exhibition’s tacit reference to the photography of August Sander points to this notion of the subject as a participant in the act of photography, echoed today in an era of widely proliferating photographic technology. (more…)

Andra Ursuta, Scarecrow (2015), all photos via Connie Huang via Art Observed

Andra Ursuta has never shied away from a challenging, multifaceted study of global culture, executing monumentally-scaled works that are often just as imposing in their materiality and contextual weight as they are in size alone.  For the artist’s most recent exhibition at Ramiken Crucible, she turns her attention once again to these juxtapositions of commercial and cultural might through the imposing forms of industrial, cultural, athletic and financial prowess. (more…)

The New Museum has announced Gary Carrion-Murayari, the Kraus Family Curator at the museum, and Alex Gartenfeld, Deputy Director and Chief Curator at the Institute of Contemporary Art, Miami, will head up curatorial duties for the institution’s 2018 Triennial.  “I cannot think of two curators who are more in tune with emerging art today than Gary Carrion-Murayari and Alex Gartenfeld,” says Massimiliano Gioni.  “They are young, but their achievements and careers are impressive. They will form quite a dynamic team.” (more…)

Mona Hatoum is profiled in The New York Times this week, as the artist prepares for her solo exhibition at the Centre Pompidou this month, and reviews the multi-faceted international upbringing that informs much of her work.  “The basis of it is a feeling of wanting to be free of all those restrictions, whether it’s social or political, that are always put on people,” she says, “so I can be whatever I want to be.” (more…)

The Snarkitecture Studio has unveiled a massive ball pit installed inside of Washington D.C.’s National Building Museum, part of a 10,000 square foot work titled The Beach.  The work will remain open to the public through September 7th. (more…)

London’s Whitechapel Gallery has announced plans for an ambitious exhibition of Arab art, pulling more than 100 works from the Barjeel Art Foundation, and noted as “the broadest single overview of Arab art to be shown in the UK to date,” the Art Newspaper reports.  “The Barjeel foundation’s guiding principle is to contribute to the intellectual development of the art scene in the Arab region by building a prominent, publicly accessible art collection in the UAE,” the foundation said in a statement. (more…)

Shepard Fairey’s warrant in Detroit resulted in the artist’s arrest at the Los Angeles International Airport this past Monday, where he was held overnight on charges of vandalism.  The artist has since been released, and has not made a statement on the event. (more…)

The Hong Kong Museum of Arts closes its doors next month for a three-year, $120 million renovation that will expand exhibition space, as well as raise the museum ceilings in exhibition spaces, a much-needed change that had caused problems for the institution.  “There were some exhibits from overseas which could not be shown at the museum because of the height problem,” says Chan Shing-wai, assistant director of leisure and cultural services. (more…)

The Met is currently working on plans for a 2017 exhibition focused on the work of Lucio Fontana, and initial reporting by the Art Newspaper indicates that the exhibition could be held at the Breuer building, formerly the home of the Whitney Museum.  “An exhibition at the Met will necessarily be all-encompassing,” an anonymous source close to the museum says. (more…)