Liza Lou, Pyrocumulus (2018), All images via Lehmann Maupin.

Now through October 27^th, Lehmann Maupin will host Liza Lou: Classification and Nomenclature of Clouds as its inaugural exhibition of the gallery’s new West 24^th Street location. The show continues at the gallery’s West 22^nd Street location, in which a room is dedicated to works from Lou’s Terra series. This is the artist’s first exhibition in New York City in over a decade, and includes works of painting, sculpture, drawing, and video. (more…)

Damien Hirst, I am Become Death, Shatterer of Worlds, 2006 (est. 2.5-3.5 million GBP, realized 2.2 million GBP), via Christies.com

Thursday’s Post-War and Contemporary Art Evening auction brought in a total of 19,585,400 GBP, within the presale estimate of 15.9-22.7 million GBP. The auction had a sell through rate of 86% by lot and 92% by value, with 7 of the 51 lots bought in. While 40% of the lots exceeded their high presale estimates, the featured lot did not reach its low presale estimate. Damien Hirst‘s I am Become Death, Shatterer of Worlds carried a presale estimate of 2.5-3.5 million GBP and sold for 2.2 million GBP.  All sale totals stated in this article include buyer’s premiums and come directly from Christie’s official website or courtesy of The Baer Faxt.

more results and images after the jump…

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Masters of the Universe, Tim Noble & Sue Webster (1998-2000). All photographs by Oskar Proctor for ArtObserved.

“Skin Fruit,” the much-anticipated, Jeff Koons­-curated exhibition featuring million-dollar works by the biggest names in contemporary art continues at the New Museum through June 6, 2010. The New Museum’s questionable decision to exhibit works from the collection of one of its trustees, Greek billionaire Dakis Joannou, resulted in an art world controversy that threatened to upstage the show itself from the very beginning. When a large mix of celebrities and art-world-insiders flooded the Museum for the opening reception – attendees included Cyndi Lauper, U2’s the Edge, and collectors Don and Mera Rubell – the irony of placing the ritzy collection in a museum that was once championed for its promotion of the underdog was only exaggerated. And the critics responded accordingly. Christian Viveros-Fauné lambasted that the show is totally wrong for our times “in just about every possible way.” According to the exhibition press release, the featured works by Franz West, Charles Ray, Matthew Barney, Richard Prince, Robert Gober, Mike Kelley, Paul McCarthy, Tim Noble and Sue Webster, Kiki Smith, Kara Walker, Maurizio Cattelan, Tauba Auerbach, Chris Ofili, Dan Colen and Terence Koh, amongst others, aim to “evoke the tensions between exterior and interior, between what we see and what we consume” – a curatorial spin critics say was invented in an effort to disguise a “rudderless display of art as trophy hunting” as an art exhibition. While this may be true, Skin Fruit essentially offers the common man an opportunity to view important works from one of the finest and most original collections of contemporary art in the world that have rarely, or never been seen in New York.

Revolution Counter-Revolution, Charles Ray (1990/2010)

Photo-essay and full round-up of links after the jump….
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