Zoe Leonard, Survey (Installation View), via Art Observed

It’s difficult to place the work of artist Zoe Leonard in any one box. Not only is she a roving polymath in her creative practices, her pieces frequently move between and through various disciplines and practices simultaneously. She’s known as a photographer and sculptor, yet in other modes her work relies on text and long-form writing, other times twisting these disciplines through the practice of photography. Yet these disciplines rarely remain isolated. Her sculptures present as moments frozen in time, built up elements and objects (including, ironically, large stacks of books), often described as cerebral and subdued, yet always carrying a distinct sense of power and duty that challenges the viewer to move beyond a moment of calm repose or frozen, distilled energy. (more…)

MOCA Director Philippe Vergne sits down with Architectural Digest’s West Coast editor, Mayer Rus, reflecting on his vision for the museum, and his first time in Los Angeles.  “The driving! Chris Burden kept saying, ‘You can’t drive through the riot areas,’ but I’d get lost and be afraid that I was somewhere I was not supposed to be. Plus, I was going to meet these guys who were absolute legends to me. It was pure adrenaline the whole time.” (more…)

Francesco Vezzoli, All About Anni – Anni vs. Marlene (The Saga Begins) (2006), via MoCA

Much like predecessors Rainer Fassbinder, George Kuchar and Tom Wesselmann, Franceso Vezzoli grew up around the golden ages cinema and television, and his work often toys at fusing their higher art forms with a violent appreciation for popular culture in very different ways.  It’s these interests that dominate his show Cinema Vezzoli,currently on view at MOCA in Los Angeles, part of the three museum retrospective of Vezzoli’s work, titled The Trilogy. (more…)

The LA Times has published an in-depth profile of newly announced MOCA Director Philippe Vergne, examining his “collegial” arts background, and his vision for a new, “Artist Enabling” Museum.  Particularly of note is Vergne’s plans to refraine from curating shows himself.  “My role as a director is to enable curators to be what they are at the highest level. By doing that, you enable the artist,” he says. (more…)

Philippe Vergne, the current director of the Dia Art Foundation has been selected to replace Jeffrey Deitch as the head of the Los Angeles Museum of Contemporary Art.  Vergne has previously worked on the 2006 Whitney Biennial, and also served briefly as the head of the François Pinault Foundation.  “The most important challenge for the new director,” former director Richard Koshalek says, “is to raise the standard of expectations of the museum within this community and beyond, and that means new, original ideas for the future.” (more…)

The Museum of Contemporary Art, following an embattled 2013 that saw the departure of Jeffrey Deitch and a potential purchase of the museum by LACMA, has reportedly reached its $100 Million Endowment fundraising goal.  “This means we can take off the table any questions about MOCA’s future,” said board chair Maria Bell. “The remaining questions are exciting ones concerning our upcoming exhibitions.” (more…)

The first episode of Ambiance Man, a project by artist Alix Lambert for MocaTV, has gone up on the Museum’s YouTube page, starring Fred Armisen as the titular superhero, with Jack Black and Jibz Cameron taking on the role of his nemeses “Unidentified Odor” and “Buzz Kill.” (more…)

With the Eli Broad Museum set to open across the street from MOCA sometime next fall, the high-profile collector and patron has announced his intentions to withdraw his annual contribution of $3 million to MOCA, effectively stepping back from his longtime role as the museum’s leading supporter.  Even so, Broad has expressed excitement about the potentials for his museum and its effects on MOCA, noting that it will increase the draw of art lovers to the area.  “They’re excited about it. They know that we’re going to be a great attraction, we’re going to spend time and energy and marketing getting attendance, and they’re going to be the beneficiary of all that,” he said. (more…)

Painter Ed Ruscha has been elected to a three-year term serving on the board of trustees for the San Francisco Museum of Modern Art, almost exactly one year after he left his same post at Los Angeles’s Museum of Contemporary Art.  The move comes as SFMoMA begins a landmark $610-million expansion that will leave its main building closed until 2016.  Ruscha also voiced his support for departing MOCA director Jeffrey Deitch.  “I thought he would add some unconventional touch to the picture. Maybe it didn’t work out for him. But he started to get the engine rolling.” (more…)

Los Angeles’s Museum of Contemporary Art, the first planned location for a traveling retrospective of the work of Jeff Koons, has announced that it will no longer be hosting the show.  The news comes in the wake of Director Jeffrey Deitch’s resignation from his position.  The exhibition will now open in New York at The Whitney Museum in June of next year. “It was decided by MOCA and the Whitney that it would be better for an exhibition as complex and ambitious at this one to be developed over a longer period of time,” said Whitney spokesman Stephen Soba. “And that the show should open in June in New York.”  (more…)

The impending departure of Jeffrey Deitch from MOCA has cast light on the numerous challenges that the museum faces as it begins its search for a new director.  Debates over curatorial capacity and fundraising were frequent points of contention during Deitch’s tenure, and will likely pose new hurdles when the museum begins to talk to potential candidates.  “Whoever they get to replace Jeffrey Deitch will need to have an absolute guarantee of complete curatorial freedom to do the shows they want, when they want,” says former Museum of Contemporary Art board member Dean Valentine, who currently serves on the advisory board at the Hammer Museum. (more…)

MOCA Director Jeffrey Deitch has officially announced his resignation, leaving the museum three years into his five year contract.  The museum has already formed a search party to locate his replacement, but Deitch will remain on board until a new director is found, helping to smoothen the transition, as well as to aid in the completion of MOCA’s ambitious $100 million endowment fundraising campaign, expected to conclude this fall.  “As colleagues, friends and great admirers of Jeffrey Deitch’s talent, we respect his decision and thank him for his tremendous dedication,” said MOCA Board co-chair David Johnson. “His efforts have helped to solidify MOCA’s financial stability while changing the way Angelenos, and those around the world, engage with contemporary art.” (more…)

Jeffrey Deitch, via LA Weekly

MOCA Director Jeffrey Deitch may step down from his position at the Los Angeles institution, the LA Weekly reports.  Sources close to the museum have released information that Deitch will announce his departure on Wednesday, and that he is currently shopping for apartments in New York City. (more…)

Urs Fischer (Installation View), photo by Stefan Altenburger, © Urs Fischer, Courtesy of the artist and The Museum of Contemporary Art, Los Angeles

Occupying both the Grand Avenue and the Geffen Contemporary spaces at MOCA, Swiss-born, New York based artist Urs Fischer presents his first U.S. retrospective, culling from his diverse and unique body of work to fill both spaces with an overwhelming display of sculptural pieces and grandiose immersive environments.

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Former MOCA chief curator Paul Schimmel has joined gallery Hauser and Wirth to help develop a space in Los Angeles.  Schimmel, who has never worked at a commercial gallery, will bring his experience to what is initially described as a museum-like exhibition strategy.  “I think it’s going to be quite different in the respect that it will be done on a larger scale, have fewer exhibitions and a combination of selling and non-selling exhibitions,” he said. (more…)

MOCA has announced that will begin airing a video series, titled “The Art of Punk,” looking at the roots of some of punk rock’s most iconic logos and artwork.  Created by Bryan Ray Turcote and Bo Bushnell, the series features interviews with a number of musicians and artists, including Jello Biafra, Henry Rollins, Raymond Pettibone, and Winston Smith.  The series will debut on June 11th, with an episode on Black Flag. (more…)

Following the departure of Frank Gehry, and an installation project currently running behind schedule, MOCA Guest Curator Christopher Mount has speculated that the museum may have to cancel its planned exhibition for the Getty Museum’s Pacific Standard Time show on Modern Architecture.  Titled A New Sculpturalism, the exhibition ran into delays when architects (including Gehry) began expressing concern over how Mount was choosing to display and explain their work.  “I didn’t feel comfortable in it,” Gehry said. “It didn’t seem to be a scholarly, well-organized show.” (more…)

Artist Ryan Trecartin’s installation and video work B: Settings has been purchased by the Museum of Contemporary Art in Los Angeles, marking the artist’s first entry into a museum collection in the Southern California city.  “At the risk of oversimplification, his art could be said to combine the retinal extravagance of much 1980s art with the political awareness of the ’90s and the inclusiveness and technological savvy of the post millennium.”  Says Holland Cotter of the NY Times. (more…)

Storming back from its brush with financial insolvency earlier this year, the Museum of Contemporary Art in Los Angeles has announced that it has raised over $50 Million in the past month, bringing its total endowment past $75 Million.  The new contributions come from a number of prominent names, including new board member Bruce Karatz, Jeffrey Soros, and Eli Broad.  “The level of support we have received is fantastic. There is a new energy and excitement about MOCA’s future and its leadership role in the art world,” says Eugenio Lopez, co-chair of  the endowment campaign. (more…)

Los Angeles’s Museum of Contemporary Art has appointed three new members to its board of trustees: former KB Homes CEO Bruce Karatz, investor Stanley Gold and collector Orna Amir Wolens.  The announcement comes after MOCA made the decision to remain an independent institution and forego a merger with the Los Angeles County Museum of Art.  “MOCA is a dynamic part of the cultural identity of Los Angeles,” Said Bruce Karatz. “I am delighted to be part of the board that will help ensure MOCA continues its tradition of impressive, groundbreaking exhibitions.” (more…)

Following several weeks of turbulence for Los Angeles’s Museum of Contemporary Art, the institution announced that it has been promised donations that will raise its endowment past $60 million, the highest levels in its 34-year history.  The news comes after several weeks in which the museum was forced to consider a potential merger with LACMA to keep its doors open.  “The financial support we have already raised demonstrates the commitment of the board to ensuring that MOCA remains a world-class independent contemporary art museum, and we call on others to join in this campaign,” says MOCA Board President Jeffrey Soros. (more…)

In a new twist to the Museum of Contemporary Art’s current fiscal problems, MOCA is reportedly in talks for a partnership with the National Gallery, a development that casts doubts on that museum’s possible acquisition by the Los Angeles County Museum of Art.  The discussed plan between MOCA and the National Gallery would open the door to collaborations on exhibition and research, but would do little to alleviate MOCA’s financial woes.  “The goal at this point is stabilizing them and get them standing as an independent institution,” says National Gallery chair John Wilmerding. “We’d like to see them survive and thrive, and if we can help them, that’s all we’re doing.” (more…)

Artist Catherine Opie recently spoke with ArtInfo about the potential merger of LACMA and MOCA, and her views on the institutions’ futures. Opie left MOCA’s board of directors last year amid criticism of the museum’s administrative direction.  “I know there’s a LACMA offer on the table and personally I think that would amazing,” Opie said. “LACMA has an amazing ability to raise money, Michael Govan has done an incredible job with that campus.  If he feels like he can take that on and turn things around it would be incredible.”  (more…)

The Museum of Contemporary Art in Los Angeles, Via the Los Angeles Times

In a letter dated February 24th, Los Angeles County Museum of Art director Michael Govan and his co-chairs have made a formal offer to acquire the Museum of Contemporary Art (MOCA) in downtown Los Angeles.  The proposal outlines a plan for the transition of ownership of MOCA’s two museum properties to LACMA, which would maintain their operation under the MOCA banner. (more…)