The Walton Family has offered a challenge grant of up to $900,000 to the Smithsonian to fund the digitization of the museum archives.  “The task of digitizing the archives’ vast collections for broad accessibility requires a dedicated team of experts and time,” director Kate Haw said. “This challenge grant from the distinguished Walton Family Foundation allows us to expand both our technical and staff capacities to ramp up our pace beyond what we could have imagined.” (more…)

The Smithsonian has announced its reception of an important David Smith sculpture, Agricola IV from 1952, a work from one of the artist’s most renowned series.  “‘Agricola IV’ is a transformative acquisition, one that anchors the story of sculpture in America and shows how Smith changed the arc of visual expression in three -dimensions in the 20th century,” Elizabeth Broun, director of the Smithsonian American Art Museum, said. (more…)

Jeremy Deller, English Magic (2012),  All images courtesy of Hirschhorn Museum and Sculpture Garden.

Jeremy Deller’s English Magic has come to the United States this summer.   The artist’s video and installation work, created specifically for the British Pavilion at the 2013 Venice Biennale, addresses British society and politics through a complexly intertwined mythology and cultural iconography.  It’s the latest participant in the Hirschhorn’s Directions series, an on-going program which has been running since 1979, and which has seen the likes of Tacita Dean, Juan Munoz and Pipilotti Rist bringing works to the Hirshhorn, aiming to engage with emerging and established artists showcasing both new and old works. (more…)

The Smithsonian Institution has tallied a total cost of $2.8 million caused by the government shut down this past month, including all gift shop and cafeteria revenues the museum normally takes in.  The museum was also forced to conclude a number of loans prematurely, including the rarely exhibited codexes of Leonardo Da Vinci.   (more…)

The Hirshhorn Museum’s proposed “Seasonal Inflatable Sculpture Project,” informally referred to as “the Bubble,” has been officially decided against, after years of debate and wrangling over its installation on the museum’s property on the National Mall.  The news comes shortly after Hirshhorn director Richard Koshalek announced his decision to resign after a split vote on the Bubble several weeks ago.  “If the board were more together and if we were seeing more results of that, then we might have made a different decision,” Smithsonian Undersecretary Richard Kurin said. “Because it’s divided, it makes it hard to move forward.” (more…)

The Smithsonian Institution has announced a series of summer closures in order to make up for the current national budget sequester.  Beginning yesterday, the Institute closed several rooms at the Hirshhorn, the Smithsonian Castle, and the Museum of African Art as it cut back on security and maintenance during the summer.  The measures are scheduled to conclude on September 30th. (more…)

Beginning May 1st, The Smithsonian Institution will initiate rolling cuts to the hours of certain museum institutions, and will close other galleries to compensate for the sequestration budget cuts.  The cuts, which consisted of a 5% reduction of the total budget, has been handled by scaling back travel and training programs, but museum leaders warn that major sacrifices may be necessary if the reductions remain in place through 2014. (more…)

In the face of a $40 Million cut as a result of Congress’s budget stalemate, the Smithsonian Museums are prepared to maintain their normal hours, vowing to find their way around the cuts in more creative ways.  The museums will absorb the cuts through delays in maintenance and construction, as well as other internal adjustments.  “We think we have a plan that allows us to squeak through to the end of this fiscal year. But we can’t sustain this,” Said Dennis Kelly, Director of the National Zoo. “At the end of the fiscal year, if we’re still in this mode, the entire Smithsonian is going to have to rethink all of our priorities.” (more…)

Liliana Porter (right) and Ana Tiscornia, photo by ArtObserved

The following an interview with Liliana Porter, November 14th, 2012, by Anna Mikaela Ekstrand for Art Observed:

As Liliana Porter received me in her West Village pied-a-terre for our interview, she asks, “hablas español?” The apartment is light, airy and sparsely decorated with objects such as a Claes Oldenburg pretzel on a shelf and a Richard Artschwager exclamation mark on a wall. As we walk to the window, Porter points out highlights of the view; the Chrysler building to the left and perhaps of more interest the rooftops and a garden beneath, belonging to Donna Karan “where she throws crazy parties”. Looking down it feels like we are on the balcony of a theater.

Liliana Porter, Man with Axe, 2011 courtesy Hosfelt Gallery New York and Pinta

(more…)

–>
Alexis Rockman, Manifest Destiny (2003-2004), via the Smithsonian American Art Museum.

Alexis Rockman: A Fable for Tomorrow, is currently open at the Smithsonian American Art Museum until May 8th. It is Rockman’s first major career retrospective, and showcases 47 paintings and works on paper.  The New York City artist has for more than two decades defied the parameters of traditional artistic collaboration through his work with scientists and researchers such as Peter Douglass Ward and molecular biologist Rob DeSalle, and the title of the show is a reference to environmentalist Rachel Carson’s book Silent Spring.

–>
Alexis Rockman, Hollywood at Night (2006), via the Smithsonian American Art Museum.

More text and images after the jump… (more…)

Alexis Rockman, Bridge 2006, Via Artnet

On view at Salomon Contemporary is Thunderdome, an exhibition of the work of Alexis Rockman running concurrently with the major retrospective of his work at the Smithsonian American Art Museum, A Fable for Tomorrow. While a direct comparison isn’t made outright by the Salomon, Thunderdome references George Miller’s 1985 Mad Max Beyond Thunderdome, a post apocalyptic action film starring Tina Turner and Mel Gibson. The Thunderdome in the film is “a sanctioned arena, where aggressive human behavior, a basic part of evolutionary history, can be played out without devastating consequences to the planet.” This is a useful reference with which to begin to explain Rockman’s work, which in fantastic detail imagines the world after centuries of human abuse, without the protection Miller’s Thunderdome would offer. The exhibition can also be seen as the gallery becoming Rockman’s Thunderdome, a space where the artist foretells of the dangers of human environmental cruelty, depicting the wreckage using scientific forecasting and hyperrealist painting technique.

More story and images after the jump…

(more…)

–>
Above: Karen Kilimnik, Me Corner of Haight & Ashbury, 1966, 1998.
–>
Below: Joseph Cornell, Untitled, c. 1953.
–>
Image courtesy of the Artists, 303 Gallery New York and Sprueth Magers Gallery Berlin London.

Currently on view at Sprueth Magers London is “Something Beautiful,” a collaborative show by American artists Joseph Cornell and Karen Kilimnik. Curated by Todd Levin, the exhibition features paintings, collages, and mixed-media installations that reflect the influence of the Romantic-era ballet on both artists.

Joseph Cornell (1903-1972) was an American artist known for pioneering the art of assemblage. Created from found objects, Cornell’s boxes often read like three-dimensional Surrealist paintings. He admired the work of Max Ernst and Rene Magritte, but claimed to have found their work to be too dark.  His work was also inspired heavily by his beliefs in Christian Science, which he adopted in his early twenties. He never received formal training as an artist, but was influenced by American Transcendentalist poetry and French Symbolist painters, such as Mallarme and Nerval. Another motif of his work, 19th century European ballet dancers, comes to life in this exhibition.

Similarly, Karen Kilimnik’s work redeploys discreet objects in a quest for the romantic sublime. Theater and stagecraft have figured strongly in her installations, and her use of particular materials suggests the influence of Cornell. Often making direct references to Degas and other Impressionist painters, Kilimnik’s subjects occupy a nineteenth-century world: one of mystery, drama, and romance.

Anthony Byrt, in his review for Art Forum, refers to Levin’s conceptual approach here as a “bold curatorial statement,” suggesting that the premise upon which the two artists are connected is a precarious one. However, “Ballet aside,” says Byrt, “tangible links do emerge, such as theatricality, quiet spectacle, and ideas of feminine beauty, which both artists explore.”

–>
Karen Kilimnik, Paris Opera Rats, 1993. Image credited as above.

More text and images after the jump…

(more…)

–>
Tacita Dean’s Christmas tree, ‘Weihnachtsbaum‘ at Tate Britain via Zimbio

The Tate has been embracing the Christmas spirit this week with a series of headlining seasonal happenings.  The Tate Christmas Tree 2009, “Weihnachtsbaum” designed by Tacita Dean, shocked critics by actually appearing “Christmassy”[Bloomberg]  This weekend, Tate Modern’s vast Turbine Hall was taken over by Rob Pruitt‘s festive ‘Flea Market’ – originally held at Gavin Brown’s Passerby gallery in New York in the late 1990s, this event was programmed to coincide with the Tate Modern exhibition Pop Life: Art in a Material World, in which Pruitt also appears [POP Magazine]

Italian police have seized works of art belonging to Carlisto Tanzi – founder of the Italian firm Parmalat who collapsed in a massive fraud scandal in 2003. The 19 paintings and drawings, included works by Picasso, Monet and Van Gogh, and is estimated to be worth more than 100million euros [BBC News]

–>
Antony Gormley’s Event Horizon that will appear in New York’s Madison Square Park in March 2010 via ArtInfo

Antony Gormley has announced plans to install 31 nude sculptures cast from his own body in and around Madison Square Park in Manhattan’s Flatiron District beginning March 26 [NY Times]

to stay apprised of the latest relevant news of the art world read more…..
–>
(more…)

David Zwirner via Art Info

An interview with power gallerist David Zwirner [WSJ] and more here [WSJ]
Jerry Saltz on the controversial Adel Abdessemed video of animals killing animals on display at David Zwirner [NYMag]
The Turner Prize Shortlist is announced [ArtDaily]
ArtPrize out of Grand Rapids, Michigan will award nearly $1/2 million to its winners [ArtPrize]
Art Basel announces eight works for its public art projects [ArtDaily]
A walk through Peter Brant’s new contemporary exhibition space in Greenwich, complete with a Jeff Koons sighting [NewYorker]

An annotated view of Roxy Paine’s ‘Maelstrom’ at the Met’s Roof Garden [NYMagazine]

A self portrait of Vincent Van Gogh

Book asserts that Paul Gauguin and his sword were the cause of Van Gogh’s lost ear[NYTimes] and more here’ [TelegraphUK]

A self-portrait of Paul Gauguin

And a refute of the assertion here [Bloomberg] and another non-believer here [GuardianUK]

Art Collector Nicolas Berggruen

Nicolas Berggruen to open private museum in Berlin [ArtNewspaper]
The Getty Museum will cut 205 people from its work force [NYTimes]
Sotheby’s cuts its dividends and plans to cut more jobs [Bloomberg]
Art + Auction publisher Louise T. Blouin MacBain cuts executive salaries [NYPost]

A work by Nam June Paik via  albrightknox.org

The Smithsonian receives the complete Nam June Paik archives [ArtInfo]

‘Burn, Baby, Burn’ by Roberto Matta

The Los Angeles County Museum of Art has acquired a 10′ x 30′ work by Roberto Matta [CultureMonster]

JR in Brazil

JR shows up in Brazil with more installations [WoosterCollective]
California Judge dismisses suit against MOCA regarding Takashi Murakami prints [LATimes]
NYTimes has an article on the resurgence of private sales amidst high profile failures at auctions [NYTimes]
New York Magazine on opportunities to be had in the art world [NYMag]
And an anonymous forecast on artists by their contemporaries [NYMag]
Impressionist works and their value [Economist]