In the run-up to this year’s Venice Biennale, curator Massimiliano Gioni spoke with the New York Times, discussing the event, his approach to curating, and his perspective on the event’s long history. “Klimt showed there in 1905,” he says. “That is mind-blowing to me. Since then there has been Morandi and Picasso, Rauschenberg, Johns and so on. Maybe I’m romanticizing, but the past is still very present.” (more…)
Former MOCA chief curator Paul Schimmel has joined gallery Hauser and Wirth to help develop a space in Los Angeles. Schimmel, who has never worked at a commercial gallery, will bring his experience to what is initially described as a museum-like exhibition strategy. “I think it’s going to be quite different in the respect that it will be done on a larger scale, have fewer exhibitions and a combination of selling and non-selling exhibitions,” he said. (more…)
The Getty Museum, in response to critiques over its painting collection, has acquired Édouard Manet’s “Portrait of Madame Brunet.” The purchase is the first major acquisition under new president and CEO James Cuno, and was made through New York gallery Luhring Augustine. “This is a significant addition to what I would call the greater museum of Los Angeles, which is how I present any picture to the board,” said curator Scott Schaefer. (more…)
A new article in the Guardian is questioning the lack of gender parity in the contemporary art world, noting the lack of any females on the list of top 100 auction sales, and a small percentage of female artists in public collections. “People are saying: ‘I find I can’t even have this conversation about equality in the art world’,” says curator Gemma Rolls-Bentley, “because so many people think it’s already been achieved. Because figures like Tracey Emin have defied the statistics, their rare success misleads people into thinking women get an equal shot.” (more…)
Tracey Emin recently sat down with The New York Times for a brief interview, discussing aging, her current show at Lehmann Maupin, and the valuation of her work as a woman. “My work rarely comes up in secondary market, so it means that my prices stay low. But I’ll tell you about my contemporaries — if I sold every single thing in my whole show, it is still not as much as one painting of my male contemporaries.” (more…)
Jeff Koons (Installation view), © Jeff Koons. Courtesy Gagosian Gallery. Photography by Robert McKeever
This past week, Jeff Koons opened a show of recent work at Gagosian Gallery in Chelsea, continuing the artist’s exploration of new forms in printed works, sculpture and assemblage. Facing off against David Zwirner’s show of new Koons pieces several blocks away, the show was seemed to make its show-stopping intentions explicit, showcasing a number of Koons’ stainless steel balloon animals, and a series of hyper-kinetic prints alongside recent inflatable sculptures and takes on classical art works. (more…)
The Tate Britain has purchased “Salisbury Cathedral from the Water Meadows,” a 1831 master work by painter John Constable, for the price of $23.1 million. Previously held by the National Gallery, the work will embark on a national tour, through Colchester, London, Salisbury and Cardiff. “It is unimaginable that this particular painting could have ended up anywhere except a British public collection.” Said Heritage Lottery Fund chair Jenny Abramsky, who helped fund the purchase. (more…)
Long Island Art Dealer Glafira Rosales has been charged with tax fraud and the sale of several millions of dollars in forged art. Rosales reportedly failed to disclose over $12.5 Million she had learned form the sale of the works, made through the already embattled Knoedler Gallery in New York. Authorities assert that in many cases, Rosales had acted as a mediator for sales of work, although in some cases she reportedly fabricated the selling client, and kept the sales profits for herself. “As alleged, Glafira Rosales gave new meaning to the phrase ‘artful dodger’ by avoiding taxes on millions of dollars in income from dealing in fake artworks for fake clients,” Manhattan United States Attorney Preet Bharara said in a statement. (more…)
Pablo Picasso, Absinthe Drinker (1901), via Courtauld Gallery
The Courtauld Gallery is currently presenting Becoming Picasso, once again bringing together paintings from Picasso’s 1901 debut exhibition in Paris. The works in this exhibition offer a striking view of Picasso’s early work, and his transformation from his early work in the vocabularies made famous at the time by artists such as Van Gogh, Degas and Toulouse-Lautrec. That early Paris exhibition successfully launched Picasso’s career, and several of the works included in the original exhibition are now considered to be some of his first masterpieces. (more…)
The Metropolitan Museum of Art will open its newly renovated European Galleries this Thursday, and the New Yorker’s Peter Schjeldahl has published a brief review of the new wing, praising its appointments and rehang. “I had an eerie sense, while surveying the results the other day, that here was a brand new major institution which, somehow, had plundered the holdings of the Met.” He writes. (more…)
The future Pérez Art Museum Miami has received a large contribution from an anonymous donor, the museum announced this week. The donation will see the museum getting $12 Million in cash, and $3 Million in art. “I can say almost nothing about it except that I’m thrilled,” said Museum Director Thom Collins. (more…)
Online mega-retailer Amazon has outlined plans to launch Amazon Fine Art Gallery this summer, a new branch of its site that will allow users to purchase art directly from partnering galleries. “We have received overwhelming support from the galleries that have already joined the platform and we would love the opportunity to offer your gallery’s selection in the Amazon Art store.” says an email from Amazon to potential new galleries. (more…)
François Pinault, the Christie’s owner and art collector was recently profiled in the Wall Street Journal, highlighting the executive’s passion for contemporary art, and the current show of work by Rudolf Stingel at Pinault’s recently purchased Venetian palace the Palazzo Grassi. “He is a sponge. He is willing to learn all the time,” says Elena Geuna, the former director of Sotheby’s Europe. (more…)
Moving towards a sleeker, stripped-down brand identity, the Whitney Museum of American Art has unveiled its new logo and site design, making reference to the Whitney Museum’s new Chelsea location and its jagged architectural facade. Designed by Experimental Jetset Studios, the museum is currently hosting a video documenting the process of creating the new identity on its website. (more…)
Called “Asia’s Andy Warhol” by Bloomberg TV, Takashi Murakami spoke with the publication this week, detailing his past collaborations with Louis Vuitton, and how these collaborations have hurt his current auction prices. The artist also discusses a surprising dream collaboration: sci-fi director JJ Abrams, as well as his self-professed “addiction” to Instagram. “It’s just a hobby.” He says. (more…)
Artist Ai Weiwei has just released “Dumbass,” a new music video from his new heavy metal project. Detailing his 81 days in detention in 2011, the song and video are an attempt to recreate his trying ordeal in the Chinese penal system. The first song from his album The Divine Comedy, “Dumbass” revisits his detention, which Ai says “was very hard, but I had to do it because that helped me to overcome the trauma.” (more…)
Looking forward to 2016, the Manifesta Arts Festival has announced the location of its 11th edition, taking place in the Swiss city of Zurich. “The Manifesta board appreciated the openness expressed in the Zurich Bid and the willingness to invite Manifesta to take a critical position. With full awareness that initiating a Manifesta Biennial involves unpredictable outcomes Zurich embraces the critical discourse including the opportunities and risks that it entails. That is why we are thrilled to be going to Zurich for Manifesta 11.” Says Manifesta Director Hedwig Fijen. (more…)
Hong Kong Convention Center, via Art in America
Tomorrow, Art Basel Hong Kong will open its doors to the public, inaugurating the expansion of the company’s impressive range of art fairs into the Far East. Situated at the Hong Kong Convention Center, the fair has brought collectors and galleries from the world over to the heart of this bustling metropolis, for a week of art sales, talks and special projects, all with a particular focus on the contemporary art world of the Asia-Pacific region.
Hong Kong’s Inflatable Rubber Duck, via CNN
Chuck Close, Self-Portrait/ maquette, 1975 © 2013 Chuck Close courtesy of Pace Gallery
Eykyn Maclean is currently presenting the first exhibition to focus solely on Chuck Close’s photo maquettes, examining their relation to the artist’s large-scale painted portraits. Not only do the works in the Photo Maquettes series offer the viewer a better understanding of the technical aspects of Close’s paintings, but also offer an interesting probe into the delineations between the practices of painting and photography. (more…)
With the opening of the Chelsea Flower Show in London, British artist Marc Quinn has unveiled his large-scale bronze orchid sculpture, commissioned by the Royal Horticultural Society. The flower work took Quinn six months to complete, and is painted with 18 layers of color. “Hopefully, the flowers and the sculpture blend. There is a sense of real nature and artificial nature, although having seen the transformation of this place from a muddy field it is not so clear what is real nature.” Quinn said. (more…)
In anticipation of his new shows at Matthew Marks, Mnuchin Gallery and the Museum of Modern Art, artist Ellsworth Kelly is profiled in the Wall Street Journal, covering his work, his life, and his creative process at 90 years old. “I think one of the things that is great about being 90, he only feels his body. His sense of wonder, wanting to create more are still there.” Says his partner, Jack Shear. (more…)
A new book focusing on the life of Joseph Beuys is seeking to debunk the artist’s revered position in the German art canon, profiling him as intimately connected with past Nazis and Nazi sympathizers, as well as a devotee of some of the racially charged teachings of Rudolf Steiner. Some of Beuys’ friends and co-workers have already responded: “”Beuys was a great artist” says filmmaker Oscar Roehler, “the greatest we had. But he was a big jester who made fools of people, and judging him politically would be to whittle him down.” (more…)
Online auction site Paddle8 has moved to acquire a 3% share in art sales database and auction site Artnet. The stake previously belonged to Redline Capital Management, which attempted a takeover of Artnet last year. “We see a lot of strength in Artnet, and feel that the two businesses are complementary,” says Paddle8 co-founder, Aditya Julka. “Paddle8 will benefit from Artnet’s price database and listings business, contributing to a winning formula in leading the online auction space. This is not a takeover but rather a move towards collaboration in the future.” (more…)
MOCA has announced that will begin airing a video series, titled “The Art of Punk,” looking at the roots of some of punk rock’s most iconic logos and artwork. Created by Bryan Ray Turcote and Bo Bushnell, the series features interviews with a number of musicians and artists, including Jello Biafra, Henry Rollins, Raymond Pettibone, and Winston Smith. The series will debut on June 11th, with an episode on Black Flag. (more…)
