Capitalizing on Atlantic City’s immense casino tax funds, New Jersey governor Chris Christie has launched a major public art campaign, installing large-scale works around the city.  A number of artists have already been recruited for the project, including Robert Barry, Kiki Smith, and John Roloff, with more to be announced soon.  “What makes my heart race is to bring artists into new situations where they have to interact with the people,” says curator Lance Fung. “There are around 30 million visitors here every year, and most of them are not art people.”  (more…)

Public art pioneer Suzanne Lacy has announced a major project coming to Brooklyn on October 19th.  Created in collaboration with Creative Time, the project will install “300 women and a few men” on the stoops of apartments in Prospect Heights, and on the steps of the Brooklyn Museum to engage pedestrians and visitors in dialogues on contemporary gender politics.  The project is informed by 5 months of research Lacy completed this year with an advisory board of 16 activists. (more…)

The 2012 Turner Prize nominee formerly known Spartacus Chetwynd has undergone another identity change, documenting the process in The Guardian this week. Originally named Alalia Cichosz before changing her name in 2006, the artist has yet again changed her name to Marvin Gaye Chetwynd, in honor of the deceased soul singer.  “For the last six months or so, I’ve been thinking about changing my name again – this time to Marvin Gaye Chetwynd. Again, it’s a good experiment. It could work like a shield, or a spell. In the end I just thought: ‘I’m going to try it, because nothing matters very much.'” She writes. (more…)

The Serpentine Sackler, via The Guardian

The newly completed redesign of the Serpentine Sackler Gallery is set to open this Sunday in London’s Kensington Gardens neighborhood, featuring a sloping new design extension by architect Zaha Hadid, which complements a freshly renovated gunpowder store initially constructed in 1805.

The Serpentine Sackler, via The Guardian (more…)

An enormous inflatable concert hall, designed in a collaboration between Anish Kapoor and architect Arata Isozaki, is set to open this week in the coastal Japanese town of Matsushima.  The project is intended to provide a temporary place for events in a region badly damaged by the 2011 Tsunami, and was initiated by Michael Haefliger of the musical event Lucerne Festival.  “I felt a strong desire to make a contribution to overcoming the consequences of the catastrophe, within the scope of what we have to offer.” He said. (more…)

Cy Twombly, Sunset (1957), Image Credit: Tom Powel Imaging / Courtesy Dominique Lévy, New York.

Twenty minutes of continuous, monotone sound, followed by twenty minutes of absolute silence; such is the premise for Yves Klein’s 1949 Monotone Symphony, a powerful piece considered to stand at the core of the artist’s pioneering conceptual ouevre and one that bore remarkable influence on fellow artists Cy Twombly and Lucio Fontana, each of which drove their own sense of dichotomous action on canvas and sculpture, defining the continued explorations of abstraction and concept in post-war art.

Yves Klein, Pluie Bleu (S 36) (1961), Image credit Tom Powel Imaging, © Yves Klein, Artists Rights Society (ARS), New York ADAGP, Paris 2013.

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A major legal battle over the estate of copper heiress Huguette Clark has reached a settlement, with the Corcoran Gallery of Art receiving a large share of Clark’s fortune, including $10 million in cash, half the proceeds from the sale of Monet’s Water Lillies, and a seat on the board of a new national arts foundation.  “We’re going to be very guarded with these funds,” said Corcoran President Peggy Loar. “This will help our operating situation, but very carefully.” (more…)

The Fall/Winter issue of Document Journal will feature a special edition designed by Paul McCarthy. Dawing a naked figure over the photographed body of Kate Moss, as shot by Mario Testino, McCarthy turns a subdued image into a lurid, Freudian exercise. (more…)

A number of artists who left the MOCA Board  in 2012 have joined the search team for selecting a new director for Los Angeles’s contemporary art museum.  John Baldessari, Barbara Kruger, Catherine Opie and Ed Ruscha have all signed on as part of the 14-person board, and will help in the search and selection process.  “Pertinent qualities [for a new director] would be fundraising, experience in how a museum operates, and most importantly, vast curatorial skill,” Baldessari said. “It would be a real opportunity to whoever is appointed, because there’s nowhere to go but up.” (more…)

Cecily Brown, Untitled (The Beautiful and the Damned) (2013), Courtesy Gagosian Gallery

A collection of new and recent paintings by London-born artist Cecily Brown, is currently on view at Gagosian Gallery, Beverly Hills through October 12. The show includes fifteen paintings primarily focusing on the the human form as an abstraction, and follows up on a previous body of work shown in at Gagosian’s New York gallery earlier this year.

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As exhibitions of Balthus prepare to open in New York, critic Jerry Saltz writes on the history of one of the artist’s more sordid works, The Guitar Lesson.  Only exhibited once in 1977, the work has moved through the back channels of the art world in the past 40 years, finally coming to rest in the collection of shipping magnate Stavros Niarchos.  “I don’t love Balthus’s work, but I grant that all parts of the best examples are charged with something wild, almost half-human, some sleeping need, rage, frustration, and restraint. What makes the banishment of The Guitar Lesson so bitter isn’t only that MoMA came this close to owning a second take on the blatant sexuality of Picasso’s Les Demoiselles d’Avignon.”  Saltz writes. (more…)

Phillips has announced plans for a first-ever digital art auction, held this October 10th in New York, featuring a number of online works including one website, a YouTube video and a number of digital files able to be exhibited on a number of different devices.  Featuring work by artists Brenna Murphy, Addie Wagenknecht and Clement Valla, the auction is curated by Lindsay Howard of Bushwick’s 319 Scholes gallery. (more…)

With the first career retrospective of artist Pierre Huyghe set to open at Centre Pompidou this week, the French artist sat down Art Newspaper to discuss his selection of works for the show, the act of exhibition, and the focus of his work.  “I look at how things change, are transformed, or metabolise. The word might not be perfectly appropriate and I might change it. But I am trying to find a word to say ‘something that is alive.'”  He says. (more…)

The shortlist for the next installation on London’s Fourth Plinth has been released, calling on the public for “lively debate.”  Featuring works by David Shrigley, Hans Haacke, and Ugo Rondinone, among others, small maquettes of the sculptures are currently on view at The Crypt, St Martin-in-the Fields.  “The placing of challenging artwork amidst the historic surroundings of Trafalgar Square creates a delicious juxtaposition that gets people talking and debating, underpinning London’s reputation as a great world city for culture.”  Boris Johnson, London’s Mayor, said. (more…)

A new development on the Lower East Side has been green lighted by city authorities, and will include a New York outpost for Pittsburgh’s Andy Warhol Museum.  Essex Crossing, a $1.1 billion development planned by L+M Development Partners, BFC Partners and Taconic Investment Partners, will include a community center, rooftop garden, as well as the 10,000 square foot space occupied by the museum. (more…)

The same statute that forced the removal of a Playboy installation in Marfa earlier this year is currently threatening the well-known Prada Marfa installation, The Guardian reports.  Texas officials have declared the Elmgreen and Dragset installation an illegal advertisement, and is currently exhibited without permits or licenses, but are searching for an amiable resolution to the issue.  “We want to find a solution to this,” said Texas Department of Transportation Spokesperson Veronica Beyer. “We know people want to see art in this great state, but it has to be legal.” (more…)

A recent article in The Economist analyzes Amazon’s entry into the art marketplace, pointing out the ongoing history of art sales online, and the still paltry percentage of the market’s total sales (less than 2% according to insurer Hiscox).  Noting a desire for face to face interaction in high price sales, the magazine points out that large scale sales often happen as a result of longtime client-dealer relations, instead of broad demand for a more accessible purchasing platform. (more…)

The chairman of the Pace Gallery, Arne Glimcher, has been appointed to the rank of Officer in the National Order of the Legion of Honor by decree of the President of the French Republic.  The highest honor bestowed on either French citizen or foreigner, Glimcher joins the ranks of fellow Americans Thomas Edison, Simon Newcomb, and John Singer Sargent, as thanks for his “exemplary commitment to the vitality of art worldwide.” (more…)

Sotheby’s auction house has appointed Patrick S. McClymont, a former partner and managing director at Goldman and Sachs, as its new Chief Financial Officer, beginning October 7th.  McClymont replaces current CFO William S. Sheridan at the post, who has served the company for 17 years.  “I have had the privilege of working with a highly skilled, highly professional finance, investor relations and information technology team at Sotheby’s that I invested in and helped build, and they deserve an enormous amount of credit for all that we accomplished. It has been a true pleasure to be part of Sotheby’s and now I look forward to spending more time with my family and focusing on charitable work,” Sheridan remarked. (more…)

The New York Times profiles the tactics and approaches of the Art Loss Register, an independent investigation agency that specializes in locating and returning stolen or lost works of art around the world.  Accused of occasionally crossing ethical and legal lines, the agency has nevertheless maintained a reputation for its top-notch database and effectiveness. “When you’re doing a sting operation, for example,” Says company owner Julian Radcliffe, “you don’t say, ‘By the way, I’m lying to you.’ ” (more…)

The Financial Times has published an interview with Zeng Fanzhi, the Chinese painter who currently sits as one of the most expensive contemporary Asian artists.  Documenting his unique style, the interview goes on to detail Fanzhi’s early struggles as an artist in China, and his early life in Wuhan, a city known for its prominent role in The Cultural Revolution.  “At the time everyone wore the same clothes but my mother liked beautiful things and she sometimes wore a bit of colour – some pink flowers on her clothes,” Zeng says. “For that she was persecuted for her ‘petit bourgeois sentimentalism’ – that experience affected my whole family deeply.” (more…)

John Riepenhoff, Physical Pizza Networking Theory (2013), with the artist, right, in conversation with Andrew Kuo, and director, Pascal Spengemann, in conversation behind them, via Ben Richards for Art Observed

Everybody loves pizza, but the Marlborough Broome Street Gallery loves it even more. With PIZZA TIME!, the new downtown project space from one of New York’s most recognized galleries gives a multimedia homage to the pizza pie.  Supervised by Marlborough Director Pierre Levai’s young son Max, the show signals another step forward for a gallery in the midst of reinventing itself, signing new talent like Rashaad Newsome and duo Jonah Freeman and Justin Lowe, and pursuing new ground for the storied institution.

Andrew Kuo, Slice 8/23/13 (2013), via Ben Richards for Art Observed

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The Morgan Library has announced an ambitious plan to digitize its full collection of drawings and make them available online.  The project is expected to reach completion by October of next year, and will yield over 10,000 individual images by the likes of Michelangelo, Leonardo da Vinci, and Dürer, for free access on the Morgan’s site.  The digitization “is critical to our institutional goal of promoting drawings scholarship and reaching out to an ever larger audience,”said William M. Griswold, the museum’s director. (more…)

Charline von Heyl, Carlotta (2013), via Petzel Gallery

On view at the Friedrich Petzel Gallery is an exhibition of new works by German abstract painter Charline von Heyl, marking her seventh solo exhibition at the gallery, and a continuation of her intricately layered practices on canvas.   (more…)