Mike kelley, The Thirteen Seasons (Heavy on the Winter) #13: Art (1994), via Art Observed

This week, Skarstedt Gallery opened a show of Mike Kelley’s shaped paintings at its Chelsea exhibition space, the first time that the artist’s work in this series of egg-shaped, abstracted canvases has been compiled at one time.  Taking the artist’s interests in psychoanalytic techniques, trauma, and their intersections with the structures of mainstream American culture, the exhibition offers a close look at Kelley’s interests, juxtaposed through a series of pictorial relationships, or contrasted from work to work in a single room. (more…)

Omer Fast, 5,000 Feet is the Best (film still) (2011)

Offering a cinematic experience comprised of particularly constructed viewing rooms, Omer Fast’s inaugural exhibition at James Cohan saw the premier of the artist’s three most recent films for a New York audience. On view through this past weekend, the exhibition, which challenged the typical context of the theater, complicates notions of script and reality as well as of documentary and fiction.   (more…)

Marseilles is set to host the Manifesta art exhibition in 2020, the Art Newspaper reports, following this year’s edition in Zurich later this summer, and the 2018 edition in Palermo.  It will be the first Manifesta held in France.   (more…)

The Guardian speaks with Wolfgang Tillmans this week, as the artist continues his advocacy for the UK to stay in the European Union.  “It feels like maybe we are sleepwalking into a big, wrong decision. I don’t want to wake up on 24 June and feel I have not done enough to prevent that happening. It’s so important. I want to put all my energy behind it.” (more…)

William Kentridge, Mantegna 2016, via Art Observed

1:54 Contemporary African Art Fair opened its second edition at Pioneer Works in the Brooklyn neighborhood of Red Hook this weekend, presenting over 60 artists from 27 countries to cement its reputation as the premier platform for the representation of the multiplicity and diversity of contemporary African art.  Referencing the  fifty-four countries that constitute the African continent, 1:54 is a vital addition to the selection of fairs across the city during Frieze Week, presenting myriad perspectives on the contemporary African art context through a ambitious, yet focused lens. (more…)

Brice Marden, Star (for Patti Smith) (1972-74), via Phillips Auction

Following in the footsteps of an early evening auction at Christie’s just an hour prior, Phillips has logged a staid but consistent auction into the books for its sole evening sale of the spring auction week.  The auction house’s 20th Century Sale achieved moderate success with a final tally of $46,576,000, with only 3 of the 38 lots going unsold.

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Maurizio Cattelan, Him (2001), via Christie’s

This week’s marathon series of art auctions is underway in New York City, as Christie’s launched a rare, specially-curated Sunday sale, ending its 39 lot Bound to Fail auction with a final tally of $78,123,250, with only a single lot going unsold.  The fair, which followed hot on the heels of the last hours of Frieze, saw modest bidding and consistently dependable sales, although several works sold for final prices below estimate. (more…)

   
Revolution in the Making (Installation View), all photographs courtesy Thisbe Gensler, via Art Observed

This past month has seen the much-anticipated opening of Hauser Wirth & Schimmel’s new gallery space in Los Angeles’ Arts District. The scale of the former flourmill—totaling over 100,000 square feet of exhibition spaces, book store, Printed Matter Lab, courtyard and garden, forthcoming restaurant, as well as offices—rivals the real estate of many museums, as do its curatorial aspirations.  Swiss couple Iwan and Manuela Wirth have partnered with former MOCA curator Paul Schimmel, a definitive fixture of Los Angeles art history and pioneering figure in its contemporary art scene. In his opening remarks during the press opening, Schimmel described his vision of the gallery as a community-driven, public-oriented space that would proffer a seamless urban experience for the creative downtown demographic, not only focused on changing the traditional relationship of the gallery to its public, but also between art and life.  In partnering with Hauser & Wirth, lauded for its museum-caliber exhibitions and dedication to scholarship and publications, Schimmel announced this new institution’s role in serving and revitalizing the arts of Los Angeles. (more…)

Sarah Peters and Marsha Cottrell, via Art Observed

NADA has returned to its now familiar haunt at the Basketball City sports complex at Pier 36, continuing its more relaxed counterpoint to the proceedings at Frieze just a short ferry ride up the East River. The fair, which is now in its fifth year, has continued to pioneer its own take on early May’s bustling selection of shows and exhibitions, and continued its strong performance this year with a roster of 105 Galleries and a diverse selection of works on display. (more…)

Fausto Melotti, Scultura n. 11 (Sculpture No. 11) (1934), all photos via Quincy Childs for Art Observed

A central figure in the history of twentieth-century art, Fausto Melotti’s body of work is revered throughout Europe, with critical successes, major exhibitions, and awards all conferred on his ambitious and stylistically diverse oeuvre.  Yet the artist’s catalog has long eluded American viewers, a point that Hauser and Wirth is seeking to change as it takes over representation of his work worldwide.  First presented at the gallery’s ADAA Art Show booth, Melotti’s work is on view at the gallery’s 69th Street exhibition space, exploring a practice that spanned sculpture, painting, ceramic, low reliefs, and works on paper, evoking the artist’s craftsmanship and inclinations towards “weightlessness,” and exploring his desire for geometric balances beyond mere figuration.

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Artist George Condo is featured on CNN this week, as he prepares to open an exhibition of new work at Sprüth Magers in LA, his first show in Los Angeles in 20 years. “I think the legacy of my painting will be the fact that they maintain a life beyond the artist,” he says. “That they are alive, that there’s really somebody real inside of these kind of abstract figures, that you can feel the soul of somebody.” (more…)

Washington, D.C.’s Hirshhorn Museum is preparing the first survey of Yayoi Kusama’s Infinity Rooms, set to open next year.  The show will also include a series of the artist’s paintings and installations.  “The real value… is connecting the work she did in the 1960s to her work today through the Infinity Rooms,” says Hirshhorn director Melissa Chiu. (more…)

Julian Schnabel is moving to Pace Gallery, the New York Times reports, concluding a loose association with Gagosian Gallery (which issued a statement that it never officially represented the artist). “I wanted to have a more human relationship with the person who was representing my work,” Schnabel said. “A dialogue between a dealer and an artist is important.” (more…)

Ai Weiwei will return to the U.S. this summer for the first time since regaining his passport, the Art Newspaper reports. His trip is planned to to coincide with the Andy Warhol-Ai Weiwei exhibition at the Warhol Museum in Pittsburgh. (more…)

The WSJ’s Kelly Crow has written an expansive profile on Sotheby’s recent reshuffling, noting the departure of at least 14 ranking specialists, and the auction house’s attempts to reshape its business under Amy Cappellazzo, the chairwoman of of the auction house’s new fine-art division. “The issue is we need to look like an art business, not an old-fashioned auction house,” Cappellazzo says. (more…)

The New Yorker takes a look at new work by Christian Marclay, in which the artist has filmed and edited together images of cigarettes and other detritus to show jumps in time and space.  “The burning cigarette is the twentieth-century symbol of time,” Marclay says in an earlier interview. “As a memento mori, we used to show a candle, but a cigarette is so much more modern. Yet it’s the same thing—you see time burning.” (more…)

The New York Times profiles Larry Gagosian’s soon to open exhibition space in San Francisco, and timing for the gallery’s move.  “The emerging collector base in Silicon Valley and the reopening of SFMOMA made it a perfect time to open in San Francisco,” Gagosian says. (more…)

Francis Bacon, Two Studies for a Self-Portrait (1970), via Sotheby’s

Just as Frieze closes its doors on a week of contemporary sales, the New York auction houses are opening theirs for a second week of major U.S. market activity.  Spreading the offerings across a marathon series of sales in the coming days, the New York spring/summer auctions will mark the last test of buyer interest before the summer recess. (more…)

Alex Da Corte outside Frieze, via Art Observed

Frieze New York opened its doors to a misty Wednesday morning on Randall’s Island yesterday, yet the damp weather did little to dull the early rush of VIP’s attendees to the annual art fair, as strong attendance was evident throughout the lanes.   (more…)

Aby Rosen must pay $7 million in settlement to cover taxes he failed to pay on over $80 million worth of art he purchased in recent years.  “Law-abiding New Yorkers should not be stuck footing the bill for those who fail to pay their fair share,” state Attorney General Eric Schneiderman said of the case. (more…)

The Whitney’s chief curator, Scott Rothkopf is profiled in the New York Times this week, and noted for his embrace of emerging artists and focus on dynamic programming.  “He has really reinvigorated the contemporary program,” says director Adam D. Weinberg. “What he’s doing is recognizing young talent and people who work hard and moving them up. It’s important for a museum devoted to contemporary art not to just have curators who are over 60.” (more…)

A fire at artist Rosemarie Trockel’s Cologne home has destroyed around $34 million in art from her personal collection, Artforum reports.  Police suspect an electrical fire, but have not yet ruled on the cause of the blaze.

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Amsterdam’s Vincent Van Gogh Museum is spearheading a new program in which it will rent out professional and consulting services to collectors, corporations, and other groups.  “Museums are used to a different type of outreach that is more about sharing their knowledge and collection, but not in the commercial, contractual manner,” said France Desmarais of the International Council of Museums in Paris. “What’s unique is that they are using their expertise to commercialize, in a sense, but museums have been doing revenue-generating activities for a long time.” (more…)

Lisa Yuskavage, Stoned (2016), via David Zwirner

Celebrating its 5th Anniversary in New York City, Frieze New York will touch down once again on Randall’s Island this week, bringing a strong selection of 202 galleries to the event, alongside a full calendar of events, performances, and talks that has turned early May into a another centerpiece of New York’s already bustling calendar, joined by both satellite art fairs and a series of high-profile gallery openings. (more…)