The Boijmans Van Beuningen Museum in Rotterdam was forced to evacuate works from its collection last night as flooding and water seepage threatened to wreak major damage to museum holdings. Deputy director of the museum Ina Klaassen described the threat to the works as “very serious.” (more…)
An article in the Art Newspaper this morning charts the uncertain fate of arts funding and international exchange in the UK following the vote to leave the EU this week. “At one level there is obviously now great financial uncertainty—the effect on European funding streams for the arts, for example—but quite as important is the potential effect on the spirit that drives a myriad of international partnerships in the arts,” said Stephen Deuchar, director of the Art Fund. (more…)
MoMA has announced a major upcoming retrospective for Louise Lawler, running in the spring of 2017, and titled Why Pictures Now. The show will cull together over 40 years of the artists work, and will include the artist’s sound work installed in the museum’s sculpture garden. (more…)
Clara Drummond has been selected as the winner of this year’s BP Portrait Award, receiving the award’s $44,000 purse and a commission by London’s National Portrait Gallery. “‘She is always immersed in the ideas around whatever she is making at the time—history, nature, mythology, and art all feed into her work” Drummond said of her sitter in the winning picture, fellow artist Kirsty Buchanan, “so when I am drawing or painting her it feels more like a collaboration than a portrait sitting.’” (more…)
The L.A. Times looks at the boon Instagram has provided to artists and dealers looking to promote work online, but also notes the issues of censorship that have plagued the platform. “We are making up the rules as we all go along,” says Rebecca Morse, associate curator of photography at LACMA. “This is a topic that social scientists are grappling with — how [a social media platform] is laid out affects the information that people insert into it.” (more…)
Terence Koh will be transmitting the names of the Orlando shooting victims into space tomorrow during a performance outside Andrew Edlin Gallery. The performance will be followed by the simultaneous screening of a selection of films including John Waters’ Pink Flamingos and David Wojnarowicz’s Beautiful People. (more…)
The New York Times looks at the work of Le Consortium, a Dijon-based non-profit that has been at the forefront of the last 40 years of contemporary art. The space gave both Cindy Sherman and Richard Prince their first solo shows during the early 1980’s, and has continued to support ground-breaking new art. “I believe in this idea that the artist should want to add something really new to art history — and I still admire courage,”co-director Eric Troncy says. “It logically kicks out so many contemporary artists, but I think it’s quite helpful when someone on a team says no.’” (more…)
HaeAhn Kwon, the sole USC student to remain in the school’s embattled MFA program, has announced that she will also be leaving the program, publishing an open letter to the school’s provost in protest. “I hope that this letter and the information it holds rings an alarm within USC as a whole,” she says. “I could not have anticipated the degree to which my entering this school would reaffirm the opinions of those who deem Roski to be on a downward spiral of predatory, wrongheaded, and woefully oblivious decision making.” (more…)
The Ruya Foundation, a Baghdad-based NGO, has announced its curatorial focus for next year’s Venice Biennale, exhibiting Iraqi artifacts alongside new, commissioned artworks. (more…)
Gerhard Richter is profiled in the WSJ this week, reflecting on his career, and his perspectives on engaging with the canvas during his work. “When you do something with your hand, it’s a different thing than simply conceiving it. You do it with your whole body,” he says. (more…)
NADA has announced nine new galleries on its roster, including four Los Angeles galleries, as the organization continues its expansion on the West Coast. Mier Gallery, ltd los angeles, Moran Bondaroff, and The Pit have all joined the group. (more…)
Sotheby’s is jumping into the Modern and Contemporary African Art Markets as they continue to heat up, offering the first round of major sales for the category in 2017. Former Bonhams exec Hannah O’Leary will head up the department. “The African art scene is thriving, and as our sales develop in 2017, we anticipate that we will establish a significant profile in this field, while also looking to enhance our presence on the African continent,” says Maarten Ten Holder, Managing Director of Sotheby’s Europe. (more…)
Artists Cao Fei and John Baldessari have been selected to create the next editions of the BMW art car. “The theme of this century is that we enter ‘a landscape of no man’s land’, e.g. autonomous cars and aircrafts and virtual reality,” Cao Fei says. “I expect to transcend the current context of ‘cars’ and to embrace new possible ways of expressions. to me, that not only includes the artist, but also the public.” (more…)
The New York Times profiles the use of the large-format Polaroid camera, a massive piece of equipment used heavily by Chuck Close, Robert Rauschenberg, and other, which is quickly on its way to obsolescence. “Here’s yet another medium that will be lost to history, and it just shouldn’t be allowed to happen,” Close says. “If it does, I don’t know what I’m going to do, to tell you the truth. It’s so integrated into everything I do. I can always imagine what making a painting from one of those pictures will look like.” (more…)
The New York Times recaps Art Basel this week, noting the conservative buying perspective at the fair, and the conditions affecting the market for new works. “If you’re going to spend $5 million you want to spend it on something that will get you $5 million back,” says advisor Michael Short. (more…)
Bloomberg published an article this week on the myriad issues affecting buying confidence in the art market, noting the impending Brexit in particular for its potential to disrupt easy movement of work from the UK to Europe. “There is a definite sense of caution until we know what happens with Brexit,” says dealer Pilar Ordovas. “Unless you really have to, why would you sell right now?” (more…)
The Guardian reports on the seemingly minor impact of the Knoedler Gallery fraud on buying enthusiasm in recent months. “A case like this tends to wake people up,” prosecutor Jason Hernandez, the lead prosecutor in the criminal investigation says. “It touched such a well-known gallery in addition to how much money was involved.” (more…)
MoMA PS1 has extended its year of free admission through October 15, 2017, sponsored by the Anna-Maria and Stephen Kellen Foundation and Marina Kellen French. The museum has also added Maria Arena Bell, Adrian Cheng, George Farias, Svetlana Kuzmicheva-Uspenskaya, Lisa Roumell, Robert Soros, and John L. Thomson to its board. (more…)
The Met has seen three major departures in the past week, as the institution tries to close a $10 million budget shortfall. Cynthia Round, the museum’s senior vice president for marketing and external relations, and Susan Sellers, head of design, have left their posts, as well as chief digital officer, Sree Sreenivasan. (more…)
The New York Post reports on attempts by the U.S. government to reclaim an Ad Reinhardt painting created for the WPA. The work had accidentally been disposed of, and ended up at auction in 1997 at Sotheby’s. The government has “demanded immediate possession of the painting and threatened to refer this matter to the US Attorney’s office for criminal prosecution,” and has filed papers in court asking the auction house to disclose the location of the work. (more…)
The New York Times tours the Zoma Contemporary Art Center in Addis Ababa, Ethiopia, profiling its role as a link between local initiatives and artists, and broader networks of African and European art institutions. “I stumbled onto shows that blew me away, different angles that I really responded to,” artist Abel Tilahun says. “Zoma is pushing the envelope, making art intellectual and saying, ‘We have to get away from the status quo that limits.”’ (more…)
The New York Times looks at several generations of art dealing families, from the Zwirners to Marc and Arne Glimcher, and the experience of working in what has become a family business. “At some point, if your parent is Arne Glimcher or Paula Cooper or Rudolf Zwirner, you have to confront two things. You have to come to peace with the idea that you’re going to do the same thing that your father did, and your father was pretty great at it,” Marc Glimcher of Pace. “You also have to come to grips with the fact that he started it from scratch and you are never going to do that. It’s an internal struggle that took me 20 years to untangle.” (more…)