Cecily Brown is profiled in New York Magazine this week, as the artist opens an exhibition of new work at Maccarone Gallery in the West Village, smaller works that mark a shift in her career after ending her relationship with Gagosian Gallery.  “People would see them and say, ‘Are they studies for the big ones?’” Brown says.  “I joked that the big ones had become studies for the small ones. The big ones seemed very fast and loose, and the small ones were very neurotic. There was a while I called them ‘The Neurotic Paintings.’ They were so intense, very painterly, the paint got thicker. You have to believe the viewer has a more intimate relationship because you have to get up close.” (more…)

David Hockney is the subject of an interview in The Guardian this week, revisiting his life among movie stars and artists during the 1960’s, contrasted with his intense work ethic.  “I thought I was a hedonist at the time, but when I look back I was always working,” he says.  “I am always working. I work every day. I never give parties; I never gave them.” (more…)

Adding an additional facet to his collaboration with Barney’s, Alex Katz has created a 60-foot mural of Yvonne Force Villareal, Doreen Remen and Casey Fremont of the Art Production Fund, his wife, Ada, and longtime muse Elizabeth McAvoy for exhibition in the store’s front windows.  “I’ve been involved in fashion for quite some time and it seems natural to me,” Katz says.  “Art is supposed to be eternal and fashion is always moving, but I’ve learned that art moves just like fashion.” (more…)

The Renzo Piano Workshop has unveiled a handbag design collaboration with fashion designer Max Mara, taking the facade of the Whitney Museum as its inspiration.  Proceeds from the bag’s sale will go to benefit the Renzo Piano Foundation.  “We tried to maintain a simple, pure design,” says the architect, “working only on the details by applying a creative use of technology and placing the accent on respect for the materials.” (more…)

A number of artists are voicing their concern over the Frick’s proposed expansion plan, which would eliminate a garden by the British designer Russell Page.  “As professionals working in the art world,” says an open letter signed by Chuck Close, Rachel Feinstein, Lisa Yuskavage, and Frank Stella, among others, “we strongly believe that the Frick’s effectiveness as a display space lies in its intimacy.  Replacing the hall and garden with an institutional 106-foot tower will indeed destroy the famed Frick experience for artists and art lovers around the world.” (more…)

Chris Burden, via NY Times

Chris Burden, the Californian performance art pioneer and sculptor, who consistently pushed the envelope of physical endurance and human capacities, passed away at home this weekend from a malignant melanoma.  He was 69. (more…)

The New York Times takes a look at the work of Chuck Close this week, as the artist prepares to open a major retrospective at the Parrish Art Museum, examining his use of exacting photographic techniques and his approach to painting.  “I approach all subjects the same,” Close says. “Of course I can’t collaborate with a flower the same way I can with a human, but there is an inherent sensuality in a flower that relates to the nudes, and the close-up details of the flowers are equally revelatory.” (more…)

The Iranian government has adopted a new policy using billboards in Tehran to exhibit classic works of art rather than the usual consumer products and political slogans.  “It’s pretty exciting. It’s wonderful to see billboard ads of laundry machines or big corporate banks being replaced by a Rembrandt or a Cézanne or a Picasso, what better than that?” says journalist Sadra Mohaqeq. “For 10 days, people have time off from the usual billboard ads just promoting consumerism. It is going to affect people’s visual taste in a positive manner.” (more…)

Bloomberg is reporting that Wang Zhongjun, the Chinese movie executive of Huayi Brothers Media Corp. is the buyer of Picasso’s Femme au Chignon dans un Fauteuili, which sold for $29.9 million at Sotheby’s this week.  The purchase is somewhat ironic, given that the sellers were members of Hollywood’s film production dynasty, the Goldwyn family.  “I first fell in love with the painting and then I fell in love with its story,” Wang said after the sale. “I can see not only Pablo Picasso’s genius, but also Samuel Goldwyn Sr.’s creative vision.” (more…)

Adrian Piper, Everything #21 (2010-2013)

The awards for the 56th Venice Biennale have been announced, with the Armenian National Pavilion taking home the Golden Lion for best exhibition, Adrian Piper winning the Golden Lion for best artist in the main exhibition, and El Anatsui winning the Lifetime Achievement award.  A full list of awards is included below: (more…)

New York Magazine has an article charting the friendship between Andy Warhol and Jean-Michel Basquiat, through the lens of a soon to open play depicting their famous collaborations.  “Andy fulfilled a father figure role for Jean. Jean was very bright and very childlike at the same time. He was a big kid in a way,”  says playwright Calvin Levels. (more…)

The WSJ has an interview with Jeff Koons at the artist’s studio this week, which sees Koons revealing that his balloon animal sculptures were in part a way to communicate with his son, who left for Italy with the artist’s former wife, Ilona Staller, after their divorce.  “It was a way to be communicating with my son,” Koons says.  “I was thinking of him.” (more…)

A recent article in The New York Times reports on the state of photography in the secondary and auction markets, noting that, despite the popularity of the medium, sales for photography account for less than 2% of the global market.  “Many of these new buyers are looking for unique, high-quality trophy art which has been driving prices of postwar and contemporary art to new heights,” says Anders Petterson, the managing director of ArtTactic. “There has definitely been a trickle-down effect of this on the photo market. However, as most photographic works are selling in the lower- to medium-end of the price spectrum and often in larger editions, there isn’t the same allure of this market to many of these buyers.” (more…)

Sterling Ruby will end his representation with Hauser & Wirth this year, the Art Newspaper reports, after three years with the gallery.  Marc Payot, VP of Hauser & Wirth, stated the gallery remains on “very friendly terms” with Ruby. (more…)

The Ninth Circuit Court of Appeals has ruled that the California Resale Royalties Act is unconstitutional, but has allowed the law to remain on the books if the objectionable portion of the law is removed, keeping the resale royalty provided the sales take place within California.  Some speculate as to wether this may prevent major auctions from happening in the State.   (more…)

The Tretyakov Gallery in Moscow was investigated yesterday after a man with fake provenance was detained attempting to leave the country with a set of works valued at almost $50,000.  Initial reports speculate that Russian security may have discovered a plot in which wealthy collectors abroad are paying to smuggle the works with forged documents.  “The investigators have already left, and while the investigation is ongoing we will not comment further,” a representative of the gallery told The Guardian. (more…)

The New Yorker has a profile on sculptor Charles Ray this week, the Californian sculptor known for his occasionally disturbing and lifelike works, including Huck and Jim a statue based on the inseparable pair of Mark Twin’s classic novel, which was initially intended for the plaza outside the new Whitney before it was declined over fears of controversy.  “I don’t want whatever becomes of it to be less than the original idea, and the original idea was for it to be there,” Ray tells the magazine. “I’m not naïve to the controversies this would generate—I told them that controversies would be a forest we had to navigate through.” (more…)

Tania Brugera is one of the 2015 Herb Alpert Award recipients this year, but is unable to attend the awards ceremony, due to the revocation of her passport by the Cuban government.  “The Alpert Award could not come at a better moment,” the artist wrote in a statement to the organization. “The Cuban government does not like my artworks because I’m proposing that our relationship with politics is one where the script is not written for us, but is something we create with responsibility and honesty out of the desire to engage in our political destiny.” (more…)

A protest last Friday over labor rights at its Abu Dhabi construction site led the Guggenheim Museum to close early last Friday.  Protestors threw pamphlets over the museum’s iconic spiraling walkway, and unfurled a banner saying “Meet Workers’ Demands Now” on the ground floor, forcing the museum to shut its doors. “We share their concerns about worker welfare in the Gulf Region, but these kinds of disruptive activities run counter to our objective of building the cooperation and good will necessary to further change on an extremely complex geopolitical issue,” the museum said in a statement. (more…)

Alex Katz is profiled in the Wall Street Journal this week, looking back on his lengthy career, and the level of success he has achieved in recent years.  “I just love putting it to people who didn’t like me,” Katz says. “There are people from 20, 30, 40 years ago that I love meeting on the street and saying hello. I don’t have to say anything, I just have to say hello, and my presence reminds them of their mistakes.” (more…)

The founders of Frieze, Amanda Sharp and Matthew Slotover, are interviewed in the Wall Street Journal this week as they prepare to open this year’s edition in New York, reflecting on the early days of the fair, and how they first started their coverage of the art world in London during the 1990’s.  “You couldn’t get away from the feeling that something was happening in London, and though we really didn’t know anything about art or magazines, we just knew we had to respond to it,” Sharp says. (more…)

Adrian Ghenie will now be represented by Thaddaeus Ropac, with the news coming shortly before the artist opens his solo exhibition at the Romanian Pavilion.  Ghenie will open his first exhibition at Ropac’s Paris Marais gallery this October. (more…)

Market Watch has an interesting article this week on the tax status of Nazi-looted paintings returned to their rightful owners, noting the tax-free status of reparations payments from the German government, particularly in the case of Maria Altman’s reception of the Gustav Klimt masterwork Portrait of Adele Bloch Bauer I, and attorney Randol Schoenberg’s move to get sales proceeds from the work equal status.   (more…)

Antony Gormley has unveiled a new sculptural installation in Florence, featuring more than 100 of the artist’s sculptures arranged in various patterns and lines around the historic Forte di Belvedere.  “They reflect the shadow side of any idea of human progress, confronting the viewer with an image redolent of the conflict of the past century,” Gormley says. (more…)