The Battersea Arts Center has received a £1 million grant from the United Kingdom following a massive fire at the South London institution that destroyed its Grand Hall.  “The arts center is having to divert all its available resources into dealing with the aftermath and so I am pleased to be able to confirm that the government will provide £1 million towards the ongoing redevelopment work to help get this south London venue back on track,” says Culture secretary Sajid Javid. (more…)

New York state Attorney General Eric Schneiderman has launched an investigation into the financial decision-making at Cooper Union in New York, where protests and lawsuits erupted following the school’s decision to charge tuition after nearly two hundred years of offering free college education to admitted students.  (more…)

John Baldessari is featured on Vogue this week, discussing the formal and thematic concerns he reads in Philip Guston’s Stationary Figure, part of The Met’s new series featuring contemporary artists discussing their favorite works from the museum collection.  “He’s almost a dumb artist, and I’m using dumb in a good way,” Baldessari says.  “It’s seemingly clumsy but very sophisticated brushwork.  I guess it comes out of Van Gogh’s painting of a pair of old boots: you don’t need to paint a cathedral, you just need to be an interesting painter.” (more…)

The design for the Serpentine’s annual summer pavilion has been announced for 2015, a colorful, cocoon-like structure by the architectural collaborative Selgas Cano that celebrates the program’s 15th anniversary.  Selgas Cano “sought a way to allow the public to experience architecture through simple elements, [a] journey through the space, characterized by color, light and irregular shapes with surprising volumes.” (more…)

The New York Times notes the city of Malaga’s recent push to become a new hotspot for art in Spain, as the city opens its arms to out of country spaces run by the Centre Pompidou and the State Russian Museum in Saint Petersburg.  “One of the cancers of Spain is that culture is seen as a public good that can’t somehow generate real revenues and be turned into a profit center,” said Salomón Castiel, the director of La Térmica, an arts center in the city. (more…)

Joyce Pensato, Mouse Mask (2015), all images courtesy Petzel Gallery

To advertise her fourth solo show at Petzel Gallery, Joyce Pensato released a short video, a brashly black and white, slapstick affair, set to classic ragtime piano tunes.  In it, superhero Batman is knocked upside the head and shipped off to the exhibition, while Pensato, playing the gun moll in round-framed dark sunglasses, imitates her dumbly-smiling cartoon portraits. The video perfectly encapsulates Castaway, a new series of black and white cartoon portraits, erasure-paintings and drawings, both large-scale and small-scale, in addition to digital c-prints of the artist’s studio space. (more…)

Thomas Demand, Backyard (2014), via Matthew Marks

The artifice that drives Thomas Demand’s practice is simple, but the results are impressively commanding.  Utilizing carefully cut and assembled cardboard pieces to create familiar images, scenes and spaces, the artist’s work carries an evocatively nostalgic aura, while emphasizing his own craft in the construction of the scene itself. (more…)

An El Greco from the collection of industrialist Julius Priester, and seized by the Gestapo during WWII, has been returned to its rightful owners.  Portrait of a Gentleman has traveled widely since its confiscation in 1944, turning up in galleries in Stockholm, New York and London before a European Commission for Looted Art claim led to its return.  “The story of the seizure and trade of this painting shows how much the art trade has been involved in the disposal of Nazi-looted art and how difficult it is for those who have been dispossessed to find and recover their property,” says Anne Webber, co-chair of the Commission. (more…)

A painting recently authenticated as the work of Peter Paul Rubens is set to go on view at the Rubenshuis Museum in Antwerp.  The work, Portrait of a Young Girl, was purchased $626,500 in 2013, and was confirmed as authentic shortly after.   (more…)

The continued instability of Ukraine has led to cancellation of the second Kiev Biennale, the New York Times reports.  The 2014 edition had been postponed due to conflict, and the ongoing military confrontation in the eastern portion of the country has ultimately led to the event’s cancellation.  “Due to the fact that the armed conflict in the East of Ukraine does not stop,” a release from the organization says, the event has become “absolutely impossible.”  (more…)

Joseph Beuys, Felt Suit (1970), via Art Observed

Beyond his most iconic performance works and sculptural environments, Joseph Beuys’s multiples constitute an entire aspect of the artist’s practice rarely seen as a complete series of works.  While some of his more iconic small-scale works, including Capri Battery or Sled, as well as his prints and drawings have become iconic entries in the artist’s elusive, and often enigmatic creative history, the works have rarely been presented as a complete series. (more…)

An article in The Atlantic this past week acknowledges the 25th anniversary of the notorious Isabella Stewart Gardner Museum theft in Boston, and examines the public fascination with art heists, examining this phenomenon against the difficulty in unloading stolen works of such cultural prestige.  “The true art isn’t the stealing, it’s the selling,” says Robert Wittman, founder of the FBI’s Art Crimes division. (more…)

Roy Lichtenstein’s The Ring (Engagement) will be one of the top prizes at Sotheby’s Contemporary Evening Sale this May in New York, the Wall Street Journal reports, with initial estimates placing the work’s sale price at about $50 million.  That figure nearly matches Lichtenstein’s $56.1 million record set in 2013.  “I think it’s so sexy how he takes this quiet moment of a proposal and turns it into an exciting crash,” says Chicago plastics magnate Stefan Edlis, the work’s current owner. “Clearly, the woman accepted.” (more…)

Blinky Palermo, Wooster Street (1975), all images via David Zwirner

In collaboration with the Palermo Archive, David Zwirner presents an exhibition of rarely displayed works by Blinky Palermo at its 537 West 20th Street gallery. The works on display in this exhibition were made by the artist from 1973 to 1976, and range from objects to paintings and large-scale drawings. Following two years after David Zwirner’s exhibition of Palermo’s works on paper from 1976–1977, this show further explores the artist’s short but influential career, which is largely associated with abstraction, Minimalism, and Conceptual Art, but also extends beyond these realms.  These pieces are being presented together for the first time since their installation in Heiner Friedrich, New York in 1974.

Blinky Palermo, Objekt mit Wasserwage (Object with Spirit Level, 1969–1973) (more…)

Sotheby’s has announced a partnership with Drake, welcoming the rapper to partner with the auction house during an exhibition and private sale of works by black artists in the coming months.  The artist will select music to play during the exhibition, part of Sotheby’s increased focus on private sales. (more…)

Following up on the claims for serious market contention made by new chief Edward Dolman, Phillips has landed a major private collection for sale in the coming months, valued at nearly $35 million.  The works, which include a Brice Marden estimated at $8 million to $12 million, and a Ed Ruscha valued at $2 to $3 million, will be sold at the auction house’s Contemporary Evening sale in May, with some others being reserved for a special photography sale.  “They were interested in art of their time,” says advisor Allan Schwartzman, who helped build the collection. “There is a lot of abstract work and work where the imaging is involved with the natural world.” (more…)

A recent 13D filing from Mark McGwire’s Marcato Capital in the past week states that the hedge fund now holds stocks in three Sotheby’s funds amounting to about 9.5%, equivalent to Daniel Loeb’s Third Point, and requests that the company release previously withheld information around the company’s recent dealings.  “The redacted material goes to the very heart of the parties’ dispute in this litigation – the conduct and competence of Sotheby’s board of directors in adopting a poison pill,” Marcato states in its filing. (more…)

Daniel Keller, Stack 1 (2014), via Max Hetzler

Presenting a selection of artists working at the bleeding edge of social and economic critique, Max Hetzler’s exhibition Open Source: Art at the Eclipse of Capitalism easily clocks in as one of the season’s most unexpectedly energetic exhibitions.  Curated by Lisa Schiff, Leslie Fritz and Eugenio Re Rebaudengo, and spread between the gallery’s Paris and Berlin locations, the show places post-capitalist theory and economic transition as its central conceit, examining the material and social costs of contemporary life within systems of capital exchange.  Pulling from the works of writer Jeremy Rifkin, the exhibition explores a historical juncture at which the traditional modes of national economic and political systems are slowly giving way, and a new, digitally-accelerated model of consumption and distribution is swiftly establishing itself.

Open Source: Art at the Eclipse of Capitalism (Installation View – Paris), via Max Hetzler (more…)

Tomi Ungerer, All in One (Installation View)

The Drawing Center is currently honoring pioneer illustrator Tomi Ungerer, with an ambitious look at his expansive career of diverse themes and motifs.  Born in Alsace shortly before World War II tore through Europe, Ungerer moved to New York in 1956, where he published his first series of works.  Although his divergent artistic interests led him to compile a comprehensive oeuvre from advertisement campaigns for publications including the New York Times to graphically striking illustrations criticizing the politics of his time, Ungerer came to prominence in the U.S. as a children’s books author. His objection to this type of categorization eventually led him to move to Nova Scotia with his wife, later followed by another relocation to Ireland, where he currently resides. (more…)

Pierre Le Guennec, the electrician accused of stealing over 200 Picasso pieces from the artist years ago, has been handed a suspended two year sentence for his possession of the works, and has been ordered to return the works by a Parisian court.   (more…)

303 Gallery has announced plans for its own publishing imprint, appointing former Fulton Ryder director Fabiola Alondra as the head of the wing. which will feature “limited edition artist’s books, ephemera, and all manner of printed materials in collaboration with gallery artists,” according to the gallery. (more…)

The art collection of late film executive Samuel Goldwyn will go to auction at Sotheby’s in the next few months, spread across nine sales in New York (including May’s Impressionist and Modern Evening Sale) and estimated at a total value of $25 million to $30 million.  “To me, these film pioneers and these artists had the same spirit and energy,” says Sotheby’s Simon Shaw. “The art had to be bold, I suppose, to hold its own in that house.” (more…)

A number of works which were damaged during a massive fire in Berlin’s Friedrichshain bunker, including pieces by Caravaggio, Rubens and Donatello, are on view at the Bode Museum in Berlin, showcasing the immense restorations done on some works while exploring the ethical and historical implications of their damage.  “We will be showing a number of horrendous-looking pieces—works that are so badly damaged that they haven’t been displayed in generations,” says Julien Chapuis, the museum’s deputy director and show curator. “We want to be brutally honest about the condition of these works so that we can start a dialogue as to how they can be presented in the future.” (more…)

LACMA has published an editorial on its blog this week, calling for renewed efforts in preserving the Nevada region of desert called Basin and Range, where artist Michael Heizer is working to complete his monumental City project.  “As the possibility for protecting Basin and Range comes close to a reality, LACMA and other museums around the country are hoping to bring attention to the positive cultural impact protecting this land would have,” the article states. (more…)