November 16th, 2017

Peter Doig, Red House (1995-1996), final price $21,127,500, via Phillips
Throwing its hat into the ring on a bustling week of sales in New York, Phillips concluded its offering in the 20th Century and Contemporary Auctions , bringing a final tally of $113.9 million for its 44-lot sale. The Phillips event was a quick affair, running mechanically through its offerings to achieve its result, with only a small handful of works going unsold. Read More »
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November 16th, 2017

Roy Lichtenstein, Female Head (1977) final price: $24,501,500, via Sotheby’s
The final hammer has fallen and the doors have closed on the final major art sales of 2017, as Sotheby’s concluded its Contemporary Evening Sale tonight at its York Ave location in New York. Capping a 74-lot offering with a steady, well-run sale, the auction house achieved a final tally of $310,229,350, bringing the week’s marathon auctions to a close
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November 15th, 2017

Leonardo da Vinci, Salvator Mundi (circa 1500) final price: $450,312,500, via Christie’s
Capping its second major sale of the week, and likely one of the more momentous sales of work in recent history, Christie’s capped an astronomical sale this evening in New York, complementing its Contemporary offerings with the much trumpeted Leonardo Da Vinci work Salvator Mundi to reach a record sale total of $785,942,250.
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November 15th, 2017

Claude Monet, Les Glaçons, Bennecourt (1893), via Sotheby’s
Following a landmark sale last evening at Christie’s, Sotheby’s took its turn this past evening in the Impressionist and Modern category, pursuing the exceptional results its rival notched over the course of the evening. Tonight was no different, as the auction house led a wild sprint through its 67-lot sale to reach a final tally of $269,718,600. Read More »
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November 14th, 2017

Fernand LeÌger, Contraste de formes (1913), final price: $70,062,500, via Christie’s
The first of the fall’s New York auctions kicked off this evening, as Christie’s capped the first of the week’s Impressionist and Modern Evening sales, surging out of the gate with a strong series of sales that set an impressive tempo for the week, and laid down an impressive challenge to the other auction houses. Notching a final sales total of $480,414,000, Christie’s sent a strong message of stability in a year marked by uneven, unpredictable auction sales. Read More »
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November 13th, 2017

Marcel Broodthaers, Un Jardin d’Hiver (1974), via Art Observed
Few artists’ work have left such subtle, yet enduring legacy on the landscape of modern installation, institutional critique and socially-engaged work as Belgian artist and poet Marcel Broodthaers’s work has. Branching out into uniquely self-aware, narrative spatial arrangements and installations the artist referred to as Décors, Broodthaers’s late work mined the language of the gallery and the museum to turn its perspective both outwards and inwards at the same time, often launching stark engagements with the political and social underpinnings of the art world that ultimately supported and carried his work. Read More »
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November 13th, 2017

Leonardo da Vinci, Salvator Mundi (circa 1500), via Christie’s
As the weather grows increasingly chilly, the art world turns its blue-chip market attention towards New York City once again, where a final series of major Impressionist/Modern and Post-War/Contemporary Evening Sales will open at the major auction houses, once again offering a test of the market’s current strength. With a last flourish on a year that has packed ample surprises into its market proceedings, this final sale will feature a series of landmark works, chief among them the offering of an extremely rare Leonardo Da Vinci canvas, a work that has already created a storm of chatter among art world insiders. Read More »
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November 10th, 2017

Barbara Kruger, FOREVER (Installation View). All images via Anna Corrigan for Art Observed.
Now through December 22, Sprüth Magers Berlin is presenting FOREVER, a new site-specific work by Barbara Kruger. For this exhibition, the artist has created an immersive room-wrap and several new vinyl works, which together take over all four walls and the floor of the gallery’s main exhibition room. The language around which this exhibition centers reflects Kruger’s bold and distinctive voice, one which has come to define her work over the course of her 40-year career. Read More »
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November 7th, 2017

Oldenburg/van Bruggen, Shelf Life (Installation View), via Art Observed
After 12 years, pop master Claes Oldenburg returns to Pace Gallery for a show of new works this month, united under the title Shelf Life. Incorporating a a range of sculptural techniques and objects into a swirling series of “still life” arrangements, the artist’s work re-contextualizes his own range and output as a sculptor into the broader landscape of his own life. Shown under the name “Oldenburg/van Bruggen” the exhibition feels like something of a tribute to the artist’s late wife Coosje van Bruggen, with whom he built a range of sculptures and projects appearing in smaller scales throughout the exhibition. Read More »
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November 1st, 2017

Melike Kara, naked words, (2017), All images by Anna Corrigan for Art Observed.
Through November 3rd, Berlin gallery Peres Projects is currently hosting Köpek, a solo exhibition by artist Melike Kara. For this exhibition, the artist addresses questions of identity, belonging, and alienation through photography, sculpture, and painting, ultimately articulating the multiplicities at the heart of belonging through a series of illustrations of anonymous human, animal, and material groups. Read More »
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