Artist James Turrell will open three shows in the next month, bringing his light works to viewers nation wide.  The artist has major retrospectives scheduled to open at the Guggenheim, LACMA, and the Museum of Fine Arts, Houston.  The ambitious series exhibitions has called for challenging constructions at the museums, recreating spaces from Turrell’s exacting specifications.  “We have trained our dry-wallers that they are working with art, not drywall,” says Bradley Johnson, chief architect for the construction project at LACMA.  (more…)

Takashi Murakami, Fate (2013), via Blum and Poe

In conjunction with the world premiere of his first full-length film, Jellyfish Eyes, on April 8th in Los Angeles, Japanese artist Takashi Murakami is presenting a selection of new paintings and sculpture at Blum and Poe Gallery.  Showcasing new techniques and styles that the artist has developed since his major exhibition of new work, Ego, which was on view in Doha, Qatar.

Takashi Murakami, Arhat (Installation View), 2013 Blum & Poe, Los Angeles ©2013 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Image courtesy of the artist and Blum & Poe, Los Angeles (more…)

Sterling Ruby, THE POT IS HOT (2013), via Hauser and Wirth

Los Angeles-based Sterling Ruby is currently exhibiting a selection of new works in London, on view at Hauser and Wirth’s Savile Row location.  Investigating a creative process that incorporates studio detritus and recycled elements of previous work into his assemblages and collages, Ruby welcomes a new perspective on the fixed artwork. (more…)

Next month, the Los Angeles County Museum of Art will announce an ambitious, $650 Million plan for a new museum space.  As the plans stand, the new construction would call for the destruction of core parts of LACMA’s campus, including the original 1956 building by William Pereira.  The proposal is the latest in a series of proposed major construction on the museum over the years, but the first under director Michael Govan, who has already led the museum through a number of smaller expansion projects. (more…)

California-based artist Alex Israel recently sat down with AnOther Magazine to talk about his new show in Berlin, his new series of self-portraits (one of which is on view as part of After-Hours 2:: Murals on the Bowery), and the close ties between his work and the film culture of his home city, Los Angeles.  “For me, going to the studio is a phrase that can only refer to going to a movie studio. That is why I made my work at Warner Bros. I am also a fan. I like movies and TV.” (more…)

Artist Ryan Trecartin’s installation and video work B: Settings has been purchased by the Museum of Contemporary Art in Los Angeles, marking the artist’s first entry into a museum collection in the Southern California city.  “At the risk of oversimplification, his art could be said to combine the retinal extravagance of much 1980s art with the political awareness of the ’90s and the inclusiveness and technological savvy of the post millennium.”  Says Holland Cotter of the NY Times. (more…)

Storming back from its brush with financial insolvency earlier this year, the Museum of Contemporary Art in Los Angeles has announced that it has raised over $50 Million in the past month, bringing its total endowment past $75 Million.  The new contributions come from a number of prominent names, including new board member Bruce Karatz, Jeffrey Soros, and Eli Broad.  “The level of support we have received is fantastic. There is a new energy and excitement about MOCA’s future and its leadership role in the art world,” says Eugenio Lopez, co-chair of  the endowment campaign. (more…)

Los Angeles’s Museum of Contemporary Art has appointed three new members to its board of trustees: former KB Homes CEO Bruce Karatz, investor Stanley Gold and collector Orna Amir Wolens.  The announcement comes after MOCA made the decision to remain an independent institution and forego a merger with the Los Angeles County Museum of Art.  “MOCA is a dynamic part of the cultural identity of Los Angeles,” Said Bruce Karatz. “I am delighted to be part of the board that will help ensure MOCA continues its tradition of impressive, groundbreaking exhibitions.” (more…)

Artist Takashi Murakami’s first feature-length film, Jellyfish Eyes, is set for its International premiere America this coming Monday at the Los Angeles County Museum of Art.  Taking place in a small Japanese town, the film follows a young boy who befriends a series of bizarre monsters after moving to a new town.  The screening of the film will also include a a Q-and-A with the director. (more…)

Catherine Opie, Julie & Pigpen (2012), via Regen Projects

The photographic work of artist Catherine Opie has long been interested with context, how the architecture of the frame, staging, and positioning of the subjects opens the door to new readings, implications and relationships within the work itself.  Blending historical references with cultural signifiers and assiduous attention to the color and detail, Opie’s work initiates striking dialogues on identity and meaning in American culture.

Catherine Opie (Installation View), via Regen Projects

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Following several weeks of turbulence for Los Angeles’s Museum of Contemporary Art, the institution announced that it has been promised donations that will raise its endowment past $60 million, the highest levels in its 34-year history.  The news comes after several weeks in which the museum was forced to consider a potential merger with LACMA to keep its doors open.  “The financial support we have already raised demonstrates the commitment of the board to ensuring that MOCA remains a world-class independent contemporary art museum, and we call on others to join in this campaign,” says MOCA Board President Jeffrey Soros. (more…)

The Wooster Collective is currently celebrating its tenth anniversary, and has welcomed a number of artists the site showcased in its early years to offer advice and lessons learned over the past decade.  The most recent contribution comes from the Los Angeles-based Skullphone, who offers: “If you are too pure you will never fly, drive, or physically go anywhere.” (more…)

Nick van Woert, Microscope (2013), (Nick van Woert in Ted Kaczynski’s clothes), courtesy of the artist and OHWOW

Since his first solo exhibition at Grimm Gallery, Amsterdam in 2010, Brooklyn-based artist Nick van Woert has quickly risen through the ranks of the contemporary arts scene, creating a prolific and experimental body of work informed by his unique interests in history, architecture, environment, and philosophy.  From ancient Rome to the Unabomber, van Woert casts an eye on the past as a means of understanding the present and inquiring into the future. His work blends an emphasis on sculptural craft and process with the use of found objects and readymades, resting between aesthetic value and conceptual statement. While preparing for the opening of No Man’s Land, his first exhibition at OHWOW in Los Angeles, (open through April 6, 2013), the artist sat down to answer some questions for Art Observed.

Nick van Woert, No Man’s Land (2013), Courtesy of the artist and OHWOW

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The Opening for Doug Aitken, 100 YRS, Courtesy of 303 Gallery

Working across a broad body of media and techniques, including photography, sculpture, video, installation, sound art and architectural interventions, Los Angeles-based artist Doug Aitken’s work frequently explores concepts of rhythm, repetition and duration, exploring interrelations between time, memory and space and the subsequent fluctuations of meaning and understanding caused by their interactions.  His work has been ehxibited in a variety of institutions and contexts, including his enormous Song1 installation on the outside of the Hirshhorn Museum in Washington, DC, as well as his upcoming video art installation at the Seattle Art Museum.

Doug Aitken, MORE (Shattered Pour) (2013), Courtesy of 303 Gallery

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In a new twist to the Museum of Contemporary Art’s current fiscal problems, MOCA is reportedly in talks for a partnership with the National Gallery, a development that casts doubts on that museum’s possible acquisition by the Los Angeles County Museum of Art.  The discussed plan between MOCA and the National Gallery would open the door to collaborations on exhibition and research, but would do little to alleviate MOCA’s financial woes.  “The goal at this point is stabilizing them and get them standing as an independent institution,” says National Gallery chair John Wilmerding. “We’d like to see them survive and thrive, and if we can help them, that’s all we’re doing.” (more…)

The Museum of Contemporary Art in Los Angeles, Via the Los Angeles Times

In a letter dated February 24th, Los Angeles County Museum of Art director Michael Govan and his co-chairs have made a formal offer to acquire the Museum of Contemporary Art (MOCA) in downtown Los Angeles.  The proposal outlines a plan for the transition of ownership of MOCA’s two museum properties to LACMA, which would maintain their operation under the MOCA banner. (more…)

Jonathan Wateridge, Boy on a Wall (2012), via L&M Arts

Inter + Vista, an exhibition of new paintings by Jonathan Wateridge, marks the artist’s first exhibition in Los Angeles, presented by L&M Arts. The exhibition highlights Wateridge’s interest in the relationship of the traditional medium of oil paint on canvas and linen with placid scenes of contemporary society. (more…)

Following the success of the massive 2011-2012 arts initiative Pacific Standard Time, the J. Paul Getty Trust has announced a follow-up festival, to run in 2017.  Titled Los Angeles and Latin America (or L.A./L.A. for short), the show will explore the Latin American ties to the Los Angeles art scene, and the cross-pollination of ideas and cultures as a product of these roots.  “The fact that nearly half of the population of Los Angeles has roots in Latin America is so profound that it warrants a major exhibition and research project with accompanying publications,” said Getty Trust head James Cuno. “These are complicated roots, over many generations, and relationships between the U.S. and those antecedent countries have changed considerably over time, so we want to be respectful of those complexities.” (more…)

In his largest U.S. exhibition to date, Los Angeles-based artist Paul McCarthy will present a re-imagining of Snow White at the Park Avenue Armory this summer as part of the institution’s 2013 season.  The season also includes a staging of Marina Abramovic’s opera, and a performance of Stockhausen’s “Licht,” with a moonscape designed by Rirkrit Tiravanija.  According to Rebecca Robertson, the armory’s president and executive producer, the varied calendar of works is intended to “blur the line between high art and popular culture” and “ask tough questions about the world in which we live.” (more…)

Financier and art collector Richard Hollander has donated a large block of photographs by the prominent photographer Edward Steichen to a trio of U.S. museums, ensuring that the artist’s work will be available to the public across the United States.  The photographs were purchased at directly from Steichen’s estate, and will be given to the Whitney Museum, the Los Angeles County Museum of Art, and the Block Museum in Chicago.  “I’ve gotten the bug,” Hollander said. “Now I want to share my vision.” (more…)

Jim Shaw, Untitled (US Presidents), 2006, Courtesy of the artist and BALTIC Centre for Contemporary Art, Gateshead

The Baltic Centre in Gateshead is currently holding the first-ever retrospective of works by American Jim Shaw outside the United States. Including over one hundred works in a variety of media, from video and sculpture to paintings and installations, the show explores Shaw’s ongoing examination of American life, and his unique set of aesthetic signifiers at play throughout his career.

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The Tate Modern has announced that it will screen Roy Lichtenstein’s only film work, titled Three Landscapes, as part of the artist’s upcoming retrospective, opening next month.  Filmed at Universal Studios in Los Angeles, the film was part of an ambitious project for Lichtenstein in the early 1970’s, but was quickly abandoned after the completion of one film.  “When he finished the project, in a way he lost interest. What fascinated him was his painting. It was the first time and the last time he used film.”  Says co-curator Iria Candela. (more…)

Lost in LA (Installation View) All photos by Art Observed unless otherwise noted

Los Angeles’ Municipal Art Gallery recently exhibited Lost in LA, a group show featuring artists of both American and French origin working in a collaborative dialogue. The immensely popular television show “LOST,” which throughout the last decade acted as both a source of inspiration and speculation for these artists, serves as the backdrop to the themes presented in the exhibition. (more…)

LA Art Show (2013), Installation View

The LA Art show held its opening night premier party on Wednesday, January 23rd at the LA Convention Center. During the Patron Hours, James Franco was the guest of honor and was joined by an eclectic LA crowd, with an incredible mix ranging from the overtly contemporary to the traditionally elegant. Entering its 18th year, the fair has earned a reputation for its well planned juxtaposition of traditional and modern art, and this year’s edition was no different.  The milling crowd moved easily from the traditional to contemporary sections and back, taking their time to comb through the sheer scale of the festival and its one hundred prominent worldwide galleries.

LA Art Show (2013), Installation View

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