Kara Walker, Negress (Installation View), Courtesy Camden Arts Center

Currently on display in all three gallery spaces of Camden Arts Centre in London is a new exhibition  of works by American artist Kara Walker, which directly confront racial and gender tensions through familiar characters found in American culture, pop culture, and history.

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Marc Chagall, Time is a River without Banks (1930-39), via The Jewish Museum

A new exhibition entitled “Chagall: Love, War, and Exile” is currently on view at The Jewish Museum in New York, reviewing the part of Marc Chagall’s career during the rise of European fascism in the 1930s through 1948 while he was living in Paris and New York. The exhibition includes 31 paintings and 22 works on paper.

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A collection of 1,500 works, valued at over $1.3 Million, has been seized by the German Customs Agency in Munich after a raid on the son of an elderly Nazi associate.  The works, which include pieces by Max Beckman, Picasso and Matisse, were looted from Jewish owners in the years before and during World War II, with the intent of building an enormous museum for them in Austria.  “We went into the apartment expecting to find a few thousand undeclared euros, maybe a black bank account,” says one Customs spokesman. “But we were stunned with what we found. From floor to ceiling, from bedroom to bathroom, were piles and piles of old food in tins and old noodles. Behind it all these pictures worth tens, hundreds of millions of euros.” (more…)

Christopher Wool, Untitled (2013), via Daniel Creahan for Art Observed

The work of artist Christopher Wool is nothing if not immediate.  Huge, stencil-cut prints, slurred spray-paint scribbling reminiscent of graffiti, and enormous splashes of paint litter the artist’s canvases and rice paper compositions, all charged with a gritty, urban freneticism that informed Wool’s early years in New York’s supercharged downtown punk scene during the 1970’s.  It’s this energy that ultimately becomes the focus of the Guggenheim’s current retrospective of the artist’s work, just recently opened at the uptown museum.

Christopher Wool, Minor Mishap (2001), © Christopher Wool, Courtesy The Guggenheim Museum (more…)

96 Cheyne Walk, the former East End London home of painter James Whistler, has been placed up for sale, with an asking price of £30 million.  The artist lived there for just over 10 years, from 1867 to 1878m during which time he created his most iconic work, Arrangement in Grey and Black No. 1, affectionately referred to as Whistler’s Mother.  Other residents of the Chelsea street have included Dante Gabriel Rossetti, George Eliot, Henry James, former British prime minister David Lloyd-George, Laurence Olivier and the musician Mick Jagger. (more…)

Writer Alain de Botton has contributed an essay to the Wall Street Journal, challenging the age-old questions of why art should matter to the average person.  Illustrating the art work as a moment of reflection and repose, de Botton reviews works by Hiroshi Sugimoto, Pieter de Hooch, Diego Velazquez and more, examining the benefits and impressions a single work of art can make in the viewer’s perception of the world. (more…)

Mike Bouchet, Nothing is Everything 3 Times (Positive) (2013), via the Marlborough Chelsea

Mike Bouchet explores the adage, “You are what you eat,” if what is ingested contains zero-calories, in his new exhibition Flood at the newly renovated Marlborough Chelsea Gallery. The exhibition casts a mirror on to how our society digests all that it can from the media, regardless of nutritional content or health benefits.  Through Bouchet’s critical stance, everything ingested is about as substantial as Bouchet’s own blend of diet soda.

Bodybuilders in a pool of Diet Cola, by Mike Bouchet at Hotel Americano, via Ben Richards for Art Observed

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Ahead of an upcoming show at Tate Britain, featuring a group of five British painters under fifty, Chris Ofili and Simon Ling sat down with the Financial Times to discuss their personal styles, the act of painting, and their inspirations from the streets of London.  “Well, this is about the city’s lack of aspiration.”  Says Ling during the interview, considering a fragmented canvas. “The lack of planning and failure, where the city is almost like a tectonic construction, a weird jumble.” (more…)

The upcoming show on the work of Vincent Van Gogh, held next year at London’s National Gallery, will reunite two of the surviving versions of the artist’s iconic Sunflowers.  Painted in 1888, one of the canvases is on loan from the Van Gogh Museum in Amsterdam, while the other was purchased by the National Gallery in 1924.  “It will deepen every visitor’s appreciation of the artist,” said  Nicholas Penny, director of the National Gallery. (more…)

Balthus, Thérése (1938), Courtesy of the Metropolitan Museum of Art

Currently on view through January 12, 2014 at the Metropolitan Museum of Art is the controversially titled show, Balthus: Cats and Girls – Paintings and Provocations.  Amassing 35 paintings and 40 never before displayed ink drawings, this thematic exhibition, curated by Sabine Rewald, flirts with the notorious ambiguity surrounding Balthus’ treatment of young girls, offering neither an overt accusation of erotic context, nor securing his innocence. (more…)

Robert Indiana, The American Gas Works (1962), Courtesy of The Whitney Museum of American Art

Robert Indiana‘s lasting fame in the canon of American post-war modernism will forever belong to his iconic LOVE sculpture—that immediately recognizable logo of stacked letters animated by it’s slanting O, which graces merchandise as ubiquitous as the US postage stamp. This beautifully simple graphic, originally conceived as a design for a Christmas Card for MoMA, has in fact so eclipsed Indiana’s expansive career that his name has become synonymous with its text. And yet this fall’s large retrospective at the Whitney, Robert Indiana: Beyond LOVE, plumbs the depths of his oeuvre to present an artist far more complex than those four well-worn letters. Curated by Barbara Haskell, the exhibit presents paintings and sculptures by the pop artist that highlight Indiana’s sociopolitical conscience as boldly as their hard-edged execution, and traces his developing formal vocabulary of language and abstraction, from biting political commentary, to personal biography, to literary allusion, Indian’s broad selection of works on view dispel any notion of the artist as one-hit-wonder.  This exhibit demonstrates the thematic expanse Indiana pursues “beyond Love”, including American identity, the American Dream, and the politics of race and sexuality. Rife with literary references to American authors and indebted to artistic predecessors such as Charles Demuth, the textual program is often as radical as his post-painterly abstraction.

Robert Indiana, LOVE (1961), Courtesy of The Whitney Museum of American Art (more…)

Eva et Ad̬le РAll Photos by Caroline Claisse exclusively for Art Observed

The doors of the Paris-based FIAC fair closed today, concluding what was called a “smooth” edition of the fair by several observers, notching considerable sales, and an increase in the overall attendance of the fair, reaching a total count of 73,550 visitors over the course of the four day event. “This is a great success. Fiac has spent 40 years in style,” Jennifer Flay, fair artistic director, told Le Point. “Paris has regained strength in terms of the art market,” she said.

Hiroshi Sugimoto, Pace Gallery (more…)

The Economist profiles the recent release of Geordie Greig’s Breakfast with Lucian, a biography of the famously reclusive painter Lucian Freud.  Delving into the artist’s private, occasionally impulsive lifestyle, the book is proffered as an intriguing read, recalling stories of sordid love affairs, and Freud’s notorious gambling streak.   (more…)

Geraldo de Barros, Composição Concreta (1953), Courtesy of Hauser & Wirth

Currently on view at Hauser & Wirth‘s upper east side town house is Sensitive Geometries: Brazil 1950s – 1980s, a two-floor installation that presents a range of artists working in an abstract idiom through the radically liberalized postwar decades in Brazil, encompassing multiple generations and artistic movements. Wide scale cultural changes in the wake of World War II, including the reinstatement of democratic rule, a flourishing economy and increased international exchange, inspired an artistic revolution that would ultimately mark Brazil as the epicenter of contemporary art it is today.

João José Costa, Untitled (1959), Courtesy of Hauser & Wirth (more…)

All photos by Caroline Claisse for ArtObserved.

The last visitors have filtered out, the gallerists have begun packing up and preparing sold works for buyers, and another year of the Frieze London Art Fair  has concluded, following another action-packed week of new works, special commissions, sales, auctions and openings that once again placed London at the center of the contemporary art world’s cross hairs.

Work by Pierre Huyghe at Esther Schipper (more…)

Georg Baselitz, BDM Gruppe (2012), via Thaddeus Ropac

On view at Galerie Thaddaeus Ropac’s recently opened Paris Pantin location is an exhibition of new sculptures and paintings by German artist Georg Baselitz. The sculptures are sculpted from wood and cast in bronze, and the paintings are part of his new series in black. (more…)

Mike Kelley, Torture Table (1992), via Skarstedt Gallery

Exploring the darker aspects of American post-modernism and urbanization, New York’s Skarstedt Gallery is presenting a tightly curated show of work by Mike Kelley, Cady Noland, Richard Prince, and Christopher Wool, exploring the artists’ various approaches to the contemporary images of American culture and economics.   Titled Murdered Out, the group show is inspired by an urban slang term, referring to a car painted all black matte. Taking this turn, the show explores American culture “through a masked, or ‘blackened-out’ lens.” (more…)

Acquavella Galleries New York. All photos by Caroline Claisse for Art Observed.

Running alongside the hustle and bustle of Frieze’s Contemporary Art proceedings next door, the Frieze Masters section is showing an exceedingly strong set of galleries and works, albeit somewhat removed from the spotlight its adjacent fair receives each year.  Mixing classic works by artists like Francis Bacon and Picasso with works by still active artists like Robert Long and Richard Serra, the fair offered a more subdued, but equally impressive offering.     (more…)

Walter Dahn, Walter (1984/85), via Venus Over Manhattan

Walter Dahn’s 4th Time Around (My Back Pages), an exhibition curated by Richard Prince, is a presentation of paintings, “anti-silkscreens,” and rare bronze sculptures by artist Walter Dahn, presenting a taste of his artistic practice since 1981. The title of the exhibition is derived two Bob Dylan songs, both favorites of the two artists (who have been friends since the late 80’s early 90’s).

Walter Dahn, 4th Time Around (My Back Pages) (Installation View), via Venus Over Manhattan Gallery
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Artist Damien Hirst at Blain Southern Gallery. All photos by Caroline Claisse for Art Observed.

As Frieze London prepares to open its doors to the press and VIPs tomorrow morning in Regent’s Park, gallerists around the city are aiming to pull out all the stops in attracting collectors during the week’s events.  Such seemed to be the case with Blain|Southern‘s Candy, a blockbuster exhibition of works by Felix Gonzalez-Torres and Damien Hirst focusing on the artists’ shared material and aesthetic interests in the sugary snack as artistic medium, which opened last night.

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Neo Rauch, Die Müllerin, (2013), Courtesy Galerie Eigen+ART

On view at Galerie EIGEN+ART in Leipzig is an exhibition of large scale paintings by German surrealist artist Neo Rauch, entitled Gespenster, which translates as “Ghosts.”  Continuing his signature techniques of surrealist manipulation and alteration of classic communist propaganda imagery and pastoral idylls, the show is a strong addition to Rauch’s already substantial body of work.  (more…)

Mark Flood, SADISTIC pleasure! (2013), via Peres Projects

Currently on view at Peres Projects in Berlin is an exhibition of new work by American artist Mark Flood, using his new pseudonym “Mike Lood” for the first time. Entitled Ask Officer Pepperspray, the exhibition is Flood’s fifth solo show at Peres Projects. (more…)

Alberto Giaccometti’s iconic Diego en chemise écossaise will be on sale at Christie’s November 5th auction of modernist and impressionist art in New York. A classic portrait of the artist’s brother, it is anticipated to sell for $30-$50 million.  “With this masterpiece, Alberto Giacometti establishes himself as one of the greatest portrait painters of the 20th Century, paving the way for the likes of Francis Bacon and Lucian Freud.” Andreas Rumbler, Deputy Chair of the Impressionist and Modern Art at Christie’s says. (more…)

Writer Geordie Greig has released a biography on painter Lucian Freud, capping his 30 years pursuing the famously reclusive artist for interviews and insights into his craft.  Titled Breakfast with Lucian, the book charts the writer’s history with Freud, and his occasionally fractious relationship with the artist, including one scene where Freud pointed a serrated knife at Greig.  “‘Lunatic Artist Stabs Editor of Evening Standard is not a good way to be remembered,’ I said,” recounts Greig. “I can think of worse ways,” was Freud’s reply. (more…)