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Hiroshi Sugimoto to Redesign Hirshhorn Lobby

Wednesday, December 20th, 2017

London – Hiroshi Sugimoto: “Still Life” at Pace London Through January 24th, 2015

Saturday, January 3rd, 2015

Paris – Hiroshi Sugimoto: “Aujourd’hui, le monde est mort [Lost Human Genetic Archive]” at Palais de Tokyo Through September 7th, 2014

Monday, August 11th, 2014

New York – Hiroshi Sugimoto: “Still Life” at Pace, through June 28th 2014

Thursday, June 26th, 2014

Hiroshi Sugimoto Awarded Isamu Noguchi Prize

Friday, May 16th, 2014

WSJ Profiles Hiroshi Sugimoto’s Museum Design Practice

Saturday, January 25th, 2014

Paris – Hiroshi Sugimoto: “Accelerated Buddha” at Fondation Pierre Bergé Yves Saint Laurent Through January 26th, 2014

Saturday, December 28th, 2013

Hiroshi Sugimoto Redesigns Christie’s Japan’s Tokyo Office

Thursday, January 10th, 2013

Beijing: Hiroshi Sugimoto at Pace Gallery Through July 7, 2012

Tuesday, July 3rd, 2012

Go See-Paris: Auguste Rodin and Hiroshi Sugimoto contextualized in “Rodin-Sugimoto” at Gagosian Gallery through March 25th 2011

Saturday, February 19th, 2011

Go See – New York: Hiroshi Sugimoto, The Day After at Pace Gallery through December 24, 2010

Wednesday, December 8th, 2010

Go See: Hiroshi Sugimoto '7 Days / 7 Nights,' at Gagosian Gallery, New York and Retrospective at Lucerne Museum of Art, Switzerland

Monday, December 8th, 2008

Go See: Hiroshi Sugimoto Retrospective at Neue Nationalgalerie, Berlin through October 5

Thursday, August 14th, 2008

London – “Rothko/Sugimoto: Dark Paintings and Seascapes” at Pace London, October 4th through November 17th, 2012

Wednesday, October 3rd, 2012

Go See – New York: Hiroshi Sugmito at The Pace Gallery through December 23, 2011

Thursday, November 24th, 2011

Hirshhorn Garden Redesign Profiled in NYT

Monday, May 20th, 2019

San Francisco Announces Shortlist for Treasure Island Sculpture Project

Tuesday, December 19th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

Alain de Botton Comments on the Meaning and Benefits of Fine Art

Sunday, November 3rd, 2013

AO on Site Photoset – Paris: FIAC Art Fair, October 23rd – 27th, 2013

Sunday, October 27th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Artist Group Postcommodity Opens Installation Commission in Chicago

August 16th, 2019

Artist group Postcommodity have unveiled a commission in Chicago reflecting on the history of migrant cultures in the United States, and calling on the U.S. government to create space for those deprived of basic human rights. “We need to acknowledge this migration in real time and start preparing for that transformation. Rather than fight it, embrace it,” member Kade L. Twist said. “There’s a lot to learn from how Black people were treated and disregarded through most of [the Great] Migration. There’s a desperate need to humanize.”
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The Guardian Interviews Life Models on Their Work Posing for Artists

August 16th, 2019

The Guardian speaks with a group of life models on their practice sitting in a studio, and their perspectives on their job posing for learning artists. “I’d been waiting for someone to tell me it’s fine to pose for students if you’re different,” says Suzon Lagarde, a painter. “You might feel vulnerable posing, but as a painter I also know how vulnerable people can feel behind the easel – you are always questioning and judging yourself. I soon realized we are a team, all trying to be brave.”
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NYT Profiles Recent Private Collection Database Startup

August 16th, 2019

The NYT profiles a recent digital venture, Collecteurs, which serves as a database for private collections. “If I don’t put them in some kind of public database, these works essentially disappear from the planet,” says collector Roberto Toscano.
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