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Performa Founder RoseLee Goldberg Recaps Her Favorite Festival Moments

Friday, June 13th, 2014

AO Preview – New York: Performa 17 Performance Art Biennial, November 1st – 19th, 2017

Tuesday, October 31st, 2017

Performa Adds New Board Members, President of Board

Saturday, February 4th, 2017

Performa Announces Artist Commissions, Focus on Dada for This Year’s Edition

Wednesday, March 8th, 2017

AO On-Site – “A Surrealism Salon,” organized by Performa’s Young Visionaries and hosted by Lia Chavez, Monday, July 29th

Thursday, August 15th, 2013

Performa Announces 2013 Commissions

Tuesday, August 13th, 2013

New York – AO On Site: Performa’s Relâche—The Party Benefit Gala, Thursday, November 29th, 2012

Sunday, December 2nd, 2012

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of Allora & Calzadilla’s “Gloria” at the U.S. Pavilion

Thursday, June 2nd, 2011

Newslinks for Monday September 21st, 2009

Monday, September 21st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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