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Los Angeles – Catherine Opie: The Modernist at Regen Projects Through February 17th, 2017

Saturday, February 17th, 2018

Catherine Opie Joins Board of Mike Kelley Foundation

Sunday, December 3rd, 2017

Catherine Opie’s Life and Work Profiled in New Yorker

Monday, March 6th, 2017

Catherine Opie Joins Gallerists and Artists in LA Women’s March

Monday, January 23rd, 2017

Catherine Opie Interviewed in NYT

Friday, February 19th, 2016

New York – Catherine Opie: “Portraits and Landscapes” and “700 Nimes Road” at Lehmann Maupin Through February 20th, 2016

Wednesday, February 10th, 2016

Jeff Koons, Catherine Opie Included in Water Tank Art Project

Tuesday, June 10th, 2014

Los Angeles – Catherine Opie at Regen Projects Through March 29th, 2013

Thursday, March 28th, 2013

Catherine Opie on LACMA/MOCA Merger

Tuesday, March 12th, 2013

New York: Catherine Opie ‘High School Football’ at Mitchell-Innes & Nash through April 14, 2012

Tuesday, April 10th, 2012

Don’t Miss – New York: “Locations” featuring works by Sol Lewitt, Carl Andre, Francis Alÿs, John Baldessari, Catherine Opie, Dan Graham and others at Paula Cooper Gallery through June 11, 2011

Tuesday, June 7th, 2011

Go See – New York: Catherine Opie ‘Girlfriends’ at Gladstone Gallery, extended through May 1, 2010

Tuesday, April 13th, 2010

Go See – New York: 'THE FEMALE GAZE: WOMEN LOOK AT WOMEN' featuring Roni Horn, Diane Arbus, Mickalene Thomas, Louise Bourgeois, Alice Neel, Marilyn Minter, Vanessa Beecroft, Jenny Holzer, Sarah Lucas, Catherine Opie, Kara Walker, Marina Abramovic, Cindy Sherman, Tracy Emin, Lisa Yuskavage, Nan Goldin, Marlene Dumas and more at Cheim & Read through September 19, 2009

Tuesday, August 4th, 2009

Catherine Opie

Sunday, November 23rd, 2008

Catherine Opie

Sunday, November 23rd, 2008

Go See: Catherine Opie’s Midcareer Survey at Guggeinheim Museum, New York, through January 7, 2009

Monday, October 27th, 2008

Artists Baldessari, Kruger, Opie and Ruscha Join MOCA Search Team for New Director

Wednesday, September 25th, 2013

MOCA Terminates Chief Curator

Thursday, March 15th, 2018

Los Angeles — “Over The Rainbow” at Praz-Delavallade Through August 26th, 2017

Friday, August 25th, 2017

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

MoCA Receives Major Gift of Twenty-Two Contemporary Works

Thursday, March 2nd, 2017

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

New Art Satire Program Premieres Online

Friday, July 25th, 2014

Former MOCA Board Members Return to Seats As New Director Takes Over

Thursday, March 20th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.

Sheila Hicks Profiled in New Yorker

March 20th, 2018

Sheila Hicks, via New YorkerArtist Sheila Hicks gets a profile in the New Yorker this week, as she reflects on her work and gives a tour of her studio. “You see the junk all over my studio?” she says of her cluttered studio and the practice that emerges from it. “It’s like drawing or sculpting with the scissors.”
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Former Art Basel Exec Magnus Renfrew to Launch Taipei Art Fair

March 20th, 2018

Dennis Chen, country head and head of wealth management, UBS Taiwan, and Magnus Renfrew, cofounder and director of Taipei Dangdai, via Art NewsFormer Art Basel fair head Magnus Renfrew is launching a new art fair, Taipei Dangdai, set to coincide with next year’s Taipei Biennial. “With Hong Kong, I was proud to be involved in organizing a fair that asserts itself as a global fair for the region and will remain so,” Renfrew says. “There is a big gap between Art Basel Hong Kong and other fairs in the region, in terms of quality and how they are progressing. It’s necessary to have other fairs that have real quality and don’t necessarily aspire to be the global fair for the region.” 
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Anthea Hamilton Interviewed in the Guardian

March 20th, 2018

Anthea Hamilton, via GuardianArtist Anthea Hamilton is interviewed in The Guardian this week, as the artist prepares a work for the Tate Britain’s Duveen Commission. “Well, I don’t think I’m allowed to talk about the work yet, I’d have to check,” she says drily. “But no, it’s not intimidating. The architecture is obviously very powerful but if you take that as a given, it’s not an issue.”
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