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Lévy Taps Danqing Li to Head Up Shanghai Gallery Office

Thursday, September 7th, 2017

Christie’s Moves Contemporary and Modern Middle Eastern Sales to London

Tuesday, August 1st, 2017

AO Auction Results – London: Christie’s Impressionist and Modern Evening Sale, June 27th, 2017

Wednesday, June 28th, 2017

AO Auction Recap – New York: Christie’s Post-War and Modern Evening Sale, May 17th, 2017

Thursday, May 18th, 2017

AO Auction Recap – New York: Christie’s Impressionist and Modern Evening Sale, May 15th, 2017

Tuesday, May 16th, 2017

Spiegel Family Collection Sparks Sibling Rivalry at Christie’s and Sotheby’s

Thursday, May 11th, 2017

Loic Gouzer and Alex Rotter Named Christie’s Contemporary and Post-War Co-Chairs for Americas

Thursday, May 11th, 2017

“Reloaded” Christie’s Profiled in Art News

Wednesday, May 3rd, 2017

Christie’s to Offer Brancusi “La Muse Endormie” at New York Sale Next Month

Sunday, April 23rd, 2017

Lilly Chan Leaving Christie’s for Phillips as Managing Director for Asia

Monday, April 17th, 2017

Steven Cohen Allegedly Behind $28 Million Basquiat Canvas Offered at Christie’s Next Month

Saturday, April 8th, 2017

French Court Rules Buyers Must Pay Artist Resale Rights

Friday, March 31st, 2017

Christie’s Offering Major Twombly Lot in May Post-War Sale

Tuesday, March 21st, 2017

Christie’s Closing One London Location, Scaling Back Amsterdam Operations

Wednesday, March 8th, 2017

Bloomberg Reports on Sales Losses in Collection of Dmitriy Rybolovlev

Friday, February 24th, 2017

Artnet Examines Market for Raymond Pettibon

Monday, February 20th, 2017

Christie’s Announces Los Angeles Flagship

Friday, February 10th, 2017

Paul Gauguin’s “Te Fare” Leads Christie’s March Sale in London

Tuesday, February 7th, 2017

Dina Amin Leaves Christie’s for Phillips

Monday, January 30th, 2017

Geneva Takes Measures Against Illicit Art Selling

Friday, January 27th, 2017

Brooke Lampley Leaving Christie’s to Join Sotheby’s as Vice Chair of Fine Art Department

Friday, January 20th, 2017

Christie’s Announces Rauschenberg and Rothko Top Lots for London Sales Next Month

Tuesday, January 17th, 2017

Jonathan Laib Leaves Christie’s to Join David Zwirner

Friday, January 6th, 2017

New York Dealer Charged with Selling Illegally Obtained Art Objects

Thursday, December 22nd, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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